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محتوای ارائه شده توسط Kelton Reid. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kelton Reid یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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How NY Times Bestselling Author Fiona Barton Writes

34:09
 
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Manage episode 364997215 series 2355239
محتوای ارائه شده توسط Kelton Reid. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kelton Reid یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

New York Times bestselling author, Fiona Barton, spoke to me about why so many famous journalists have turned to crime fiction, the power of the deadline, and her latest hit novel LOCAL GONE MISSING.

Fiona Barton is the award-winning journalist and New York Times bestselling author of novels The Widow, The Child, and The Suspect – all three featuring journalist Kate Waters.

Her latest thriller, Local Gone Missing, follows a new protagonist in Detective Elise King and follows the brewing changes of a small seaside town.

Kirkus Reviews said of the book, “Barton presents such an embarrassment of riches … Layers and layers of unlovely revelations about people who seemed perfectly nice.” And BookPage wrote, “Thanks to Barton’s airtight plotting and impeccable characteri­zation, a minibreak by the sea will never seem relaxing again."

In her past life, Fiona was a senior writer at the Daily Mail, a news editor at the Daily Telegraph, and chief reporter at the Mail on Sunday. She has trained and worked with journalists all over the world.

[Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm]

[If you’re a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen]

In this file, Fiona Barton and I discussed:

  • What it was like to be a Chief Reporter in the UK during the 90s and Noughties
  • Why crime reporters don’t have time to write fiction
  • How she made the transition to bestselling novelist
  • Why journalism is so akin to crime fiction
  • The definition of a “duvet writer”
  • How to beat procrastination
  • And a lot more!

Show Notes:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

382 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 364997215 series 2355239
محتوای ارائه شده توسط Kelton Reid. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kelton Reid یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

New York Times bestselling author, Fiona Barton, spoke to me about why so many famous journalists have turned to crime fiction, the power of the deadline, and her latest hit novel LOCAL GONE MISSING.

Fiona Barton is the award-winning journalist and New York Times bestselling author of novels The Widow, The Child, and The Suspect – all three featuring journalist Kate Waters.

Her latest thriller, Local Gone Missing, follows a new protagonist in Detective Elise King and follows the brewing changes of a small seaside town.

Kirkus Reviews said of the book, “Barton presents such an embarrassment of riches … Layers and layers of unlovely revelations about people who seemed perfectly nice.” And BookPage wrote, “Thanks to Barton’s airtight plotting and impeccable characteri­zation, a minibreak by the sea will never seem relaxing again."

In her past life, Fiona was a senior writer at the Daily Mail, a news editor at the Daily Telegraph, and chief reporter at the Mail on Sunday. She has trained and worked with journalists all over the world.

[Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm]

[If you’re a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen]

In this file, Fiona Barton and I discussed:

  • What it was like to be a Chief Reporter in the UK during the 90s and Noughties
  • Why crime reporters don’t have time to write fiction
  • How she made the transition to bestselling novelist
  • Why journalism is so akin to crime fiction
  • The definition of a “duvet writer”
  • How to beat procrastination
  • And a lot more!

Show Notes:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

382 قسمت

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