Host Paul John Roach and his guests find the mystical core and explore the perennial philosophy amidst the infinite variety of the world’s religions and spiritual traditions. Paul emphasizes the practical application of spiritual wisdom imparted from poets, writers, philosophers, mystics, and scriptures in order to foster a deeper awareness and understanding in our everyday lives. Explore over 650 shows with thought leaders and spiritual teachers. #PaulJohnRoach.com
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محتوای ارائه شده توسط Chris Deacy and Nostalgia Interviews with Chris Deacy. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Chris Deacy and Nostalgia Interviews with Chris Deacy یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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191: Sabrina Mei-Li Smith
Manage episode 411158483 series 2312064
محتوای ارائه شده توسط Chris Deacy and Nostalgia Interviews with Chris Deacy. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Chris Deacy and Nostalgia Interviews with Chris Deacy یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
My guest this week is Sabrina Mei-Li Smith who lectures in Creative Writing at De Montfort University in Leicester. Sabrina has written a novel set in the mid-1990s and some of the research behind her novel is heavily connected to the themes of nostalgia and identity.
We learn about the way Sabrina examines themes of race and gender within the accepted narrative that surrounds the rise and demise of Britpop, the emergence of 1994's Criminal Justice Act, and the standardization and neutralization of alternative lifestyles.
Sabrina also has an exhibition as a work in progress, which focuses on her novel's research materials. This exhibition consists of archive materials from NME, Melody Maker, and fanzines as a method of communication before the widespread use of the internet.
Sabrina talks about the hidden histories of mixed race performers and how we only tend to remember one accepted narrative, and we discuss what has changed over the decades and the fake and distorted memories from those eras, including the extent to which memory is a fallible tool.
We talk about the differences between autobiographies and biographies, and the way cover songs encapsulate nostalgia.
Sabrina also talks about Walter Benjamin’s collection of arcades in Paris and how until 10 years ago all of the characters in her own writing were white, female and middle class. We learn the reasons for this, and then, at the end of the interview, we discuss how we might still be in the mindset of our teenage selves.
We learn about the way Sabrina examines themes of race and gender within the accepted narrative that surrounds the rise and demise of Britpop, the emergence of 1994's Criminal Justice Act, and the standardization and neutralization of alternative lifestyles.
Sabrina also has an exhibition as a work in progress, which focuses on her novel's research materials. This exhibition consists of archive materials from NME, Melody Maker, and fanzines as a method of communication before the widespread use of the internet.
Sabrina talks about the hidden histories of mixed race performers and how we only tend to remember one accepted narrative, and we discuss what has changed over the decades and the fake and distorted memories from those eras, including the extent to which memory is a fallible tool.
We talk about the differences between autobiographies and biographies, and the way cover songs encapsulate nostalgia.
Sabrina also talks about Walter Benjamin’s collection of arcades in Paris and how until 10 years ago all of the characters in her own writing were white, female and middle class. We learn the reasons for this, and then, at the end of the interview, we discuss how we might still be in the mindset of our teenage selves.
201 قسمت
Manage episode 411158483 series 2312064
محتوای ارائه شده توسط Chris Deacy and Nostalgia Interviews with Chris Deacy. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Chris Deacy and Nostalgia Interviews with Chris Deacy یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
My guest this week is Sabrina Mei-Li Smith who lectures in Creative Writing at De Montfort University in Leicester. Sabrina has written a novel set in the mid-1990s and some of the research behind her novel is heavily connected to the themes of nostalgia and identity.
We learn about the way Sabrina examines themes of race and gender within the accepted narrative that surrounds the rise and demise of Britpop, the emergence of 1994's Criminal Justice Act, and the standardization and neutralization of alternative lifestyles.
Sabrina also has an exhibition as a work in progress, which focuses on her novel's research materials. This exhibition consists of archive materials from NME, Melody Maker, and fanzines as a method of communication before the widespread use of the internet.
Sabrina talks about the hidden histories of mixed race performers and how we only tend to remember one accepted narrative, and we discuss what has changed over the decades and the fake and distorted memories from those eras, including the extent to which memory is a fallible tool.
We talk about the differences between autobiographies and biographies, and the way cover songs encapsulate nostalgia.
Sabrina also talks about Walter Benjamin’s collection of arcades in Paris and how until 10 years ago all of the characters in her own writing were white, female and middle class. We learn the reasons for this, and then, at the end of the interview, we discuss how we might still be in the mindset of our teenage selves.
We learn about the way Sabrina examines themes of race and gender within the accepted narrative that surrounds the rise and demise of Britpop, the emergence of 1994's Criminal Justice Act, and the standardization and neutralization of alternative lifestyles.
Sabrina also has an exhibition as a work in progress, which focuses on her novel's research materials. This exhibition consists of archive materials from NME, Melody Maker, and fanzines as a method of communication before the widespread use of the internet.
Sabrina talks about the hidden histories of mixed race performers and how we only tend to remember one accepted narrative, and we discuss what has changed over the decades and the fake and distorted memories from those eras, including the extent to which memory is a fallible tool.
We talk about the differences between autobiographies and biographies, and the way cover songs encapsulate nostalgia.
Sabrina also talks about Walter Benjamin’s collection of arcades in Paris and how until 10 years ago all of the characters in her own writing were white, female and middle class. We learn the reasons for this, and then, at the end of the interview, we discuss how we might still be in the mindset of our teenage selves.
201 قسمت
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