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French Renaissance Theatre part 1:The Italian Influence
Manage episode 320877323 series 2798781
Episode 70
Catherine De Medici, her arrival in Paris for marriage to Henry, second son of Francis 1st. Her cultural influence and role as wife of the King, and mother to three successive French rulers.
The Hotel De Bourgogne, the only playhouse in Paris
Mellin de Saint-Gelais the royal librarian who penned adaptations of Italian tragedy
Etienne Jodelle was hailed as the new Sophocles after his first play, but quickly fell out of favour after his second and some intemperate praise.
The strong adherence to Aristotelian rules of theatre
Jean de La Taille continues in Jodelle’s footsteps with Greek inspired tragedy and lighter pieces.
Jean Antoine de Baif gets concerned about playwrights straying from Aristotle
Robert Garnier’s influential plays, including an adaptation of Ariosto. Including an example of how Thomas Kyd was inspired by his work.
How the monopoly on theatrical performance of the Confraternity of the Passion was broken and a description of their playhouse, the Hotel De Bourgogne. The arrival of the second playhouse and the first professional actress of the Parisian stage.
Support the podcast at:
www.thehistoryofeuropeantheatre.com
This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
153 قسمت
Manage episode 320877323 series 2798781
Episode 70
Catherine De Medici, her arrival in Paris for marriage to Henry, second son of Francis 1st. Her cultural influence and role as wife of the King, and mother to three successive French rulers.
The Hotel De Bourgogne, the only playhouse in Paris
Mellin de Saint-Gelais the royal librarian who penned adaptations of Italian tragedy
Etienne Jodelle was hailed as the new Sophocles after his first play, but quickly fell out of favour after his second and some intemperate praise.
The strong adherence to Aristotelian rules of theatre
Jean de La Taille continues in Jodelle’s footsteps with Greek inspired tragedy and lighter pieces.
Jean Antoine de Baif gets concerned about playwrights straying from Aristotle
Robert Garnier’s influential plays, including an adaptation of Ariosto. Including an example of how Thomas Kyd was inspired by his work.
How the monopoly on theatrical performance of the Confraternity of the Passion was broken and a description of their playhouse, the Hotel De Bourgogne. The arrival of the second playhouse and the first professional actress of the Parisian stage.
Support the podcast at:
www.thehistoryofeuropeantheatre.com
This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
153 قسمت
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