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محتوای ارائه شده توسط Nigel Levy. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Nigel Levy یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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How 'The Gladiator' cinematographer John Mathieson thinks about film, a unique perspective from one of the greats.

31:27
 
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Manage episode 409503107 series 3520310
محتوای ارائه شده توسط Nigel Levy. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Nigel Levy یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

When we sat down to talk, John Mathieson and just returned from shooting Gladiator 2 with Ridley Scott in Malta. He was part of the orignal team, having wenty-five years earlier shot the original iconic film.
Afer that first collaboration he was the cinematographer for numerous films for Scott, including Kingdom of Heaven, Hannibal and Robin Hood. He also photographed the superhero film closest to being art, the Wolverine film 'Logan'. Other projects include The Man From UNCLE with Guy Ritchie, Doctor Strange and the Multiverse of Madness with Sam Raimi, and many, many more.
John began in documentary and pop videos, and in talking with him this conversation became a lesson in how an Oscar-nominated cinematographer thinks; he opens up about originality in filmmaking and the pressures that Hollywood puts on the process as it actually happens on set.
You'll also hear his opinion about when to move the camera and the power of editing to tell your story, and don't miss how he describes shooting on set with Ridley Scott and how and why it has changed since they first worked together.
While not directly related to documentary making there are tips about shooting your own films, shooting for the edit, capturing atmosphere on your locations and a lesson in his influences as a young filmmaker in the 1980s that made him one of the most revered cinematographes in the business.
John Mathieson at IMDB

Are you interested in joining the DocFix program and working with Nigel?
Get started with our complimentary case study that shows you how the method is used in high-profile documentaries and to see if you are a good fit for what we do and how we work.
Instagram: @nigel.levy.stories
Facebook: Nigel Levy - The Doc Fix
Incidental music composed by Birger Clausen

  continue reading

13 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 409503107 series 3520310
محتوای ارائه شده توسط Nigel Levy. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Nigel Levy یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

When we sat down to talk, John Mathieson and just returned from shooting Gladiator 2 with Ridley Scott in Malta. He was part of the orignal team, having wenty-five years earlier shot the original iconic film.
Afer that first collaboration he was the cinematographer for numerous films for Scott, including Kingdom of Heaven, Hannibal and Robin Hood. He also photographed the superhero film closest to being art, the Wolverine film 'Logan'. Other projects include The Man From UNCLE with Guy Ritchie, Doctor Strange and the Multiverse of Madness with Sam Raimi, and many, many more.
John began in documentary and pop videos, and in talking with him this conversation became a lesson in how an Oscar-nominated cinematographer thinks; he opens up about originality in filmmaking and the pressures that Hollywood puts on the process as it actually happens on set.
You'll also hear his opinion about when to move the camera and the power of editing to tell your story, and don't miss how he describes shooting on set with Ridley Scott and how and why it has changed since they first worked together.
While not directly related to documentary making there are tips about shooting your own films, shooting for the edit, capturing atmosphere on your locations and a lesson in his influences as a young filmmaker in the 1980s that made him one of the most revered cinematographes in the business.
John Mathieson at IMDB

Are you interested in joining the DocFix program and working with Nigel?
Get started with our complimentary case study that shows you how the method is used in high-profile documentaries and to see if you are a good fit for what we do and how we work.
Instagram: @nigel.levy.stories
Facebook: Nigel Levy - The Doc Fix
Incidental music composed by Birger Clausen

  continue reading

13 قسمت

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