Matteo Bologna: The secret differentiator - Why your brand should own a typeface
Manage episode 299396731 series 2754111
Highlights from the conversation:
- A brand is an organism composed of hundreds of elements, logos, copywriting, photography, colours, and of course, typography
- Big companies spend millions of dollars on their fucking brand. Why can't they spend a little bit more money to make sure they have a font that is recognisable?
- They don't even have to say anything. They just have to put type on a page and people would immediately recognise the brand
- It's very difficult to maintain what's good about the brand
- They're rooted in this idea of being digital-friendly but they're falling in line with everybody else
- If you spend $250,000 for a photo campaign, that gets used for one season. If you spend the same amount for a font that you use for 20 years, the cost is negligible
More about Matteo
Matteo Bologna is the Founder and Creative Director of New York-based branding studio Mucca, a singular personality whose multidisciplinary background in architecture, graphic design, illustration, and typography has helped him build one of the most respected companies in design.
Over his celebrated career, Matteo’s focused but fun-loving approach has earned strong client partnerships across countless industries, from startups, small retailers and beauty powerhouses to hospitality where he has designed for various renowned hotels and restaurants. This includes work for Sephora, Barnes & Noble, Target, WeWork, Whole Foods, Adobe Systems, the legendary Balthazar in NY and many others.
Matteo is also a former board member of AIGA NY and president emeritus of the Type Directors Club, frequently lecturing around the world about his passion for typography. For his efforts, he has been widely recognized by industry publications, competitions and exhibitions, including: Communication Arts, Eye, Graphis, HOW, PRINT, the Art Directors Club, and the James Beard Foundation.
Find Matteo here: Website | LinkedIn | Instagram
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Matteo’s work
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