Roland Betancourt on queer Byzantines

Dialogues with Richard Reeves

“I am less interested in showing that the Medieval world was modern, than in showing how Medieval, in many ways, the modern world is.” That’s Roland Betancourt, my guest today and a truly fascinating scholar of history, art, theology, sex and gender, liturgy and much more. We discuss his book Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages, including the history of the later Roman Empire, the “slut shaming” of Empress Theodora, the importance, today as much as 1,500 year ago of the Hagia Sophia, the fascinating lives and deaths of trans monks, the significance of Mary’s consent to be the Mother of Christ, the messiness and ambiguity of human life, frailty and identity. (Note that there’s inevitably some pretty adult content in this episode).

Dialogues will be back on Jan 10th, Merry Christmas to those who celebrate, Happy Holidays to all.

Roland Betancourt

Roland Betancourt is Professor of Art History at the University of California, Irvine. In the 2016-2017 academic year, he was the Elizabeth and J. Richardson Dilworth Fellow at the Institute for Advanced Study in Princeton. See his faculty page here.

We mostly discuss his book Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages) (Princeton: Princeton University Press, 2020)

More Betancourt

Performing the Gospels in Byzantium: Sight, Sound, and Space in the Divine Liturgy (Cambridge University Press, 2021)

See his edited volume Byzantium/Modernism: The Byzantine as Method in Modernity (Leiden: Brill, 2015).

Also Sight, Touch, and Imagination in Byzantium (Cambridge: Cambridge University Press, 2018)

"Why Sight Is Not Touch: Reconsidering the Tactility of Vision in Byzantium," Dumbarton Oaks Papers 70 (December 2016): 1-23.

"Faltering Images: Failure and Error in Byzantine Lectionaries," Word & Image 32:1 (2016): 1-20.

The Dialogues Team

Creator: Richard Reeves

Artwork: George Vaughan Thomas

Tech Support: Cameron Hauver-Reeves

Music: "Remember" by Bencoolen (thanks for the permission, guys!)