Exaltations in the Dead of Night with Jason Bahbak Mohaghegh Part I

WAKE ISLAND

"Every storyteller harbours a secret desire to be the one who tells the last story, just as every maniac wishes to inscribe the last fateful madness on earth."

In this episode with Jason Bahbak Mohaghegh we walk with vertigo to summon the authors who play at the borders of insanity and intoxication. We get into the territories of the night and mania, both of which are the premise of Jason's most recent books: Night: A Philosophy of the After-Dark & Night: A Philosophy of the Last World and Omnicide: Mania, Fatality, and the Future-in-Delirium & Omnicide II: Mania, Doom, and the Future-in-Deception.

Topics discussed include: exploring the dark poetics of the avant-garde, forbidden literature, and the final words of poets that lean into the dark and speak in apocalyptic tones, manic obsession, cosmic intoxication, opium dreams, mania redeeming nihilism, standing on the threshold of the abyss, embracing relentlessness as an aesthetic to achieve undeniability, and shunning sanity in favor of embracing madness.

Omnicide is “A captivating fractal of conceptual prisms in half-storytelling, half-theoretical prose, a rhythmic, poetic, insidious work that commands submission, Omnicide absorbs the reader into unfamiliar and estranging landscapes whose every subtle euphoric aspect threatens to become an irresistible invitation to the end of all things.”

Jason Bahbak Mohaghegh's Omnicide offers readers a view into a unique philosophy of delirium, mania, and vitalist annihilation: the startling revelation that everything that is, should not be. Omnicide is a singular kind of taxonomy, a teratology of thought-creatures that dovetails around his chosen writers, from the revelatory self-abnegation of Forugh Farrokhzad to Sadeq Hedayat, the poète maudite of modern Iran. These and other “poets of the lost cause” come together in a compelling book that is a strange hybrid of Aristotle's Categories, Borges's Book of Imaginary Beings, and the Necronomicon.

―Eugene Thacker, author of Infinite Resignation and In the Dust of This Planet

Jason Bahbak Mohaghegh is a philosopher, literary theorist, and professor of comparative literature at Babson College. His work tracks currents of experimental thought across the so-called East and the West, with particular attention to concepts of chaos, violence, illusion, silence, extremism, mania, disappearance, night, evil, secrecy, and apocalyptic writing. He has published nine books to date, including: The Chaotic Imagination (Palgrave Macmillan, 2010); Inflictions (Continuum, 2012); The Radical Unspoken (Routledge, 2013); Insurgent, Poet, Mystic, Sectarian (SUNY, 2015); Omnicide: Mania, Fatality, and the Future-In-Delirium (MIT/ Urbanomic/ Sequence, 2019); and, Night: A Philosophy of the After-Dark (Zero Books, 2019); Omnicide II: Mania, Doom, and the Future-In-Deception (MIT/Urbanomic/Sequence, 2022); and Night II: A Philosophy of the Last World (Zero Books, 2022).

He is also the founding director of the Future Studies Program (www.futurestudiesprogram.com), Programmer of Transdisciplinary Studies for the New Centre for Research & Practice, and co-editor of the "Futures Theory" and "Suspensions" book series (Bloomsbury).

Theme music by Joseph E. Martinez of Junius SOCIAL:

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