Artwork

محتوای ارائه شده توسط BBC and BBC Radio 4. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 4 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Sam Taylor-Johnson

43:24
 
اشتراک گذاری
 

Manage episode 413204985 series 2997761
محتوای ارائه شده توسط BBC and BBC Radio 4. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 4 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

As part of the so-called Britart generation of the early 1990’s, artist Sam Taylor-Wood, as she was then known, made her name with photographic and video pieces. Diagnosed with colon cancer in 1997, and then breast cancer three years later, she addressed her treatment and recovery in artworks she made at the time. She moved into filmmaking with her first feature Nowhere Boy, about the life of the young John Lennon in 2009. Other cinematic projects have included adaptations of the E L James novel 50 Shades Of Gray, the James Frey memoir A Million Little Pieces and, most recently, the Amy Winehouse biopic Back To Black.

Sam tells John Wilson about the experience of first seeing the Rothko Seagram paintings at the Tate gallery when she was nine years old, and the impact that they had on her in her creative imagination. Being introduced to Andy Warhol films such as Chelsea Girls and Empire made her realise that art and cinema are deeply intertwined and went on to influence her style as a director. John Cassavetes' A Woman Under the Influence was the first film that made Sam want to be a cinematic filmmaker and she also reveals how Oscar-winning director Anthony Minghella encouraged her to make her debut short film Love You More.

Producer: Edwina Pitman

  continue reading

111 قسمت

Artwork

Sam Taylor-Johnson

This Cultural Life

198 subscribers

published

iconاشتراک گذاری
 
Manage episode 413204985 series 2997761
محتوای ارائه شده توسط BBC and BBC Radio 4. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 4 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

As part of the so-called Britart generation of the early 1990’s, artist Sam Taylor-Wood, as she was then known, made her name with photographic and video pieces. Diagnosed with colon cancer in 1997, and then breast cancer three years later, she addressed her treatment and recovery in artworks she made at the time. She moved into filmmaking with her first feature Nowhere Boy, about the life of the young John Lennon in 2009. Other cinematic projects have included adaptations of the E L James novel 50 Shades Of Gray, the James Frey memoir A Million Little Pieces and, most recently, the Amy Winehouse biopic Back To Black.

Sam tells John Wilson about the experience of first seeing the Rothko Seagram paintings at the Tate gallery when she was nine years old, and the impact that they had on her in her creative imagination. Being introduced to Andy Warhol films such as Chelsea Girls and Empire made her realise that art and cinema are deeply intertwined and went on to influence her style as a director. John Cassavetes' A Woman Under the Influence was the first film that made Sam want to be a cinematic filmmaker and she also reveals how Oscar-winning director Anthony Minghella encouraged her to make her debut short film Love You More.

Producer: Edwina Pitman

  continue reading

111 قسمت

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