Not many artists actually hail from Tennessee, but the scenic valleys and rolling hills of The Volunteer State are part of Dustin Lynch’s DNA. In this episode of On the Bus, Country Thunder CEO Troy Vollhoffer sits down with Dustin to discuss his journey from playing fraternity parties and weddings across the southeast to being the first country artist with a club residency at the Wynn in Las Vegas. Plus, stick around for our new segment, Thunder Strike, where Troy features upcoming festival performer Riley Green’s hit song “Damn Good Day to Leave” to give you a taste of what’s to come at Country Thunder in 2025.…
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محتوای ارائه شده توسط Bremner Fletcher Duthie. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Bremner Fletcher Duthie یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Building the Dream, The Utopian Realism of Weimar Architecture
Manage episode 435331763 series 3527557
محتوای ارائه شده توسط Bremner Fletcher Duthie. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Bremner Fletcher Duthie یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Questions? Suggestions? Send a text.
“Let us consciously be ‘imaginary architects’! We believe that only a total revolution can guide us in our task. Our fellow citizens, even our colleagues quite rightly suspect in us the forces of revolution. Break up and undermine all former principles. Horse Shit! And we the bud in fresh dung.” So, said Weimar architect Bruno Taut!!
And his contemporary, Walter Gropius replied: “Together let us desire, conceive and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise towards heaven from the hands of a million workers like the crystal symbol of a new faith”
In this episode we’ll be taking a look at the Utopian Architecture of the Weimar Republic, that, despite its utopian yearnings, still managed to navigate the dull needs of city bureaucracies and day to day practicalities of construction to provide new, modern homes for millions of people yearning for a whole new way of living.
10 قسمت
اشتراک گذاریManage episode 435331763 series 3527557
محتوای ارائه شده توسط Bremner Fletcher Duthie. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Bremner Fletcher Duthie یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Questions? Suggestions? Send a text.
“Let us consciously be ‘imaginary architects’! We believe that only a total revolution can guide us in our task. Our fellow citizens, even our colleagues quite rightly suspect in us the forces of revolution. Break up and undermine all former principles. Horse Shit! And we the bud in fresh dung.” So, said Weimar architect Bruno Taut!!
And his contemporary, Walter Gropius replied: “Together let us desire, conceive and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise towards heaven from the hands of a million workers like the crystal symbol of a new faith”
In this episode we’ll be taking a look at the Utopian Architecture of the Weimar Republic, that, despite its utopian yearnings, still managed to navigate the dull needs of city bureaucracies and day to day practicalities of construction to provide new, modern homes for millions of people yearning for a whole new way of living.
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The Weimar Spectacle
Questions? Suggestions? Send a text. On 30 June 1937, Joseph Goebbels, the Reich Minister for Propaganda and Enlightenment, authorised the Director of the Reich Chamber for Culture, Adolf Ziegler, to select and confiscate paintings and sculptures from public collections for a major exhibition on 'degenerate art'. Ziegler said “What's been gathered together in [this] exhibition constitutes the portrayal of a true witches' sabbath and the most frivolous spiritual-artistic cultural bolshevism and a portrayal of the triumph of subhumanity, of arrogant Jewish insolence and total spiritual senile dementia.” This was the infamous exhibition entitled "Entartete Kunst," or "Degenerate Art," in Munich. The objective was to ridicule and condemn modern art that did not align with the party's ideology. This episode delves into the history, motivations, and lasting impacts of this notorious exhibition and unravels the complex narrative of how art became a battleground for ideological control.…
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The Weimar Spectacle
Questions? Suggestions? Send a text. Today we’re going to look at two innovative, influential and politically engaged visual artists from the Weimar period: George Grosz and John Heartfield. I think it’s fair to say that their work was formed by the influence of all the white-hot, stressful events that made the Weimar Republic such a forge for new ideas. George Grosz said: "My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton dressed as a recruit being examined for military duty. I also wrote poetry."…
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The Weimar Spectacle
1 Will the real Sally Bowles please stand up? Brian Fairbanks uncovers the extraordinary lives that inspired the musical Cabaret 1:08:15
1:08:15 
پخش در آینده 
پخش در آینده 
لیست ها 
پسندیدن 
دوست داشته شد1:08:15
پخش در آینده پخش در آینده لیست ها پسندیدن دوست داشته شدQuestions? Suggestions? Send a text. “Berlin was in a state of civil war. Hate exploded suddenly, without warning, out of nowhere; at street corners, in restaurants, cinemas, dance halls, swimming-baths; at midnight, after breakfast, in the middle of the afternoon ... From 1929 to 1933, I lived almost continuously in Berlin, with only occasional visits to other parts of Germany and to England. Already, during that time, I had made up my mind that I would one day write about the people I’d met and the experiences I was having. So I kept a detailed diary, which in due course provided raw material for all my Berlin stories." ― Christopher Isherwood, whose books on Berlin provided the basis for the musical Cabaret. I talk to author Brian Fairbanks whose new work in progress promises to uncover the extraordinary real characters in behind the musical Cabaret, and "give them agency".…
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The Weimar Spectacle
1 The Incredible Drama of Weimar Hyperinflation: the economic crisis that changed the world 1:10:25
1:10:25 پخش در آینده پخش در آینده لیست ها پسندیدن دوست داشته شد1:10:25
پخش در آینده پخش در آینده لیست ها پسندیدن دوست داشته شدQuestions? Suggestions? Send a text. On Oct 15th, 1923, Berlin resident Betty Scholem wrote to her son: “Conditions have taken a catastrophic turn here. This letter cost 15 million marks to send...and it will be 30 million beginning the day after tomorrow.” She estimated household expenses in the billions as the monthly rate of inflation approached 30,000 percent . In 1913, one US dollar was worth roughly 4 German marks. By November, 1923 in Germany, ten years later, hyper-inflation had pushed one US dollar to be worth 4,210,500,000,000 German marks. And by then it was quite common to be carrying around a one billion mark banknote. The journey through this hyperinflation changes everything in Germany. It makes beggars and it makes billionaires. It destroys an entire class of people. It changes morals and ambitions and sexual morality. It fuels the rise of right wing and left wing revolutionary dreams. It stokes the fears and hatreds and racism that lead to the 2nd World War, and it still effects today’s Europe. Welcome to The Weimar Spectacle, where I explore the brief and extraordinary life of the Weimar Republic. I’m Bremner Fletcher Duthie, singer, actor and theatre maker. I’ve spent years performing songs and theatre and cabaret from the Weimar period, and I’m inspired and maybe more than a little obsessed by that moment in time.…
Questions? Suggestions? Send a text. “Let us consciously be ‘imaginary architects’! We believe that only a total revolution can guide us in our task. Our fellow citizens, even our colleagues quite rightly suspect in us the forces of revolution. Break up and undermine all former principles. Horse Shit! And we the bud in fresh dung.” So, said Weimar architect Bruno Taut!! And his contemporary, Walter Gropius replied: “Together let us desire, conceive and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise towards heaven from the hands of a million workers like the crystal symbol of a new faith” In this episode we’ll be taking a look at the Utopian Architecture of the Weimar Republic, that, despite its utopian yearnings, still managed to navigate the dull needs of city bureaucracies and day to day practicalities of construction to provide new, modern homes for millions of people yearning for a whole new way of living.…
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The Weimar Spectacle
1 Brecht Banter: a whiskey-fueled, kitchen-table conversation on Brecht, Weimar and New Orleans 1:12:00
1:12:00 پخش در آینده پخش در آینده لیست ها پسندیدن دوست داشته شد1:12:00
پخش در آینده پخش در آینده لیست ها پسندیدن دوست داشته شدQuestions? Suggestions? Send a text. What do you get when you mix a bottle of Laphroaig Whiskey with three charming Weimar raconteurs? A freewheeling conversation that touches on the disturbing, occasionally hopeful, similarities of the Weimar period with our own days, the enduring importance and power of the poetry and plays of Bertolt Brecht, why New Orleans might be a last bastion of Weimar Culture, and on bringing to light some lesser known artists of 1920’s Germany. Over my kitchen table in New Orleans, I was joined by Sarah Brecht, David Symons and Harry Mayronne to discuss their fascination for the Weimar period and Sarah's esteemed Grandfather, Bertolt Brecht.…
Questions? Suggestions? Send a text. Many years ago, I started my musical career singing, or maybe I should say screaming, with a Punk band, then eventually, through some very complicated in-between steps, I ended singing Opera, then on to musical theatre, then swinging it with jazz groups, and nowadays, mostly, I’m singing my own original songs. However through all of that, I've been enchanted, inspired, and more than a little obsessed, by the music of Kurt Julien Weill. I've sung Weill’s music in lovely concert halls and dark saloons, I've sung his music accompanied by rock guitar, punk bands and jazz quartets, and I've never grown tired of his songs. And I believe that is because Kurt Weill was a wild and crazy Kabarett Punk Rocker, and that’s what I intend to prove in this episode.…
Questions? Suggestions? Send a text. On October 29th, 1918, only a few days before the official end of WW1, in Kiel, a naval port on Germany’s northern coast, sailors in the German Imperial Navy staged a mutiny that would spark revolutions across Germany, would lead to the formation of a new state with a constitution recognizing radical new human rights, and ultimately would lead to the rise of the Nazi Party. The Sailors were responding to the unauthorized decision by the Imperial Navy Command to take the entire fleet and engage in one final suicidal battle against the Royal Navy. The German Naval officers believed it was better for the sailors to die gloriously in battle at sea than to accept the upcoming, so called, dishonorable peace settlement and go home alive. The sailors, however, thought differently. www.bremnersings.com…
Questions? Suggestions? Send a text. We’re going to leap into some of the fun, crazy and sometimes completely mad of the Weimar days, i.e. the wild sexual revolution that appeared in in Berlin and to a lesser degree across Germany. My big idea for this episode is that in Post-WW1 Germany, people had seen so much death, they searched for life through sex and rejoicing in their bodies. The war had proved a beautiful body could be easily broken or snuffed out and so pleasure was not to be delayed. But sexuality became a brutal battleground in the fight for which ideas and morality would govern a new Germany.…
Questions? Suggestions? Send a text. In this first episode we'll take a quick overview of birth, brief life and death of the Weimar Republic and ask the big, big question: 'Why care about a failed European state that only lasted 14 years and was a hot mess from the start'.
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