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محتوای ارائه شده توسط BBC and BBC Radio 3. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 3 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Then there was Light - Stockhausen and LICHT, his opera cycle based on the seven days of the week

43:38
 
اشتراک گذاری
 

Manage episode 297297520 series 1301174
محتوای ارائه شده توسط BBC and BBC Radio 3. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 3 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

LICHT, the vast opera cycle composed by Karlheinz Stockhausen between 1977 and 2004 is an enigma, and composer and broadcaster Robert Worby goes on a personal journey to find out why it divides critics and audiences.

Stockhausen was the most gifted composer of the post-war European avant-garde. In the 1950s, his early works - including some of the first electronic music created - confirmed his genius.

But LICHT wasn't so warmly received.

In LICHT Stockhausen wrote an opera cycle for the new millennium, bewildering in scale, and frequently baffling for audiences, but containing music as challenging as anything that he'd written.

The seven operas, each named after a day of the week, total more than 28 hours. It took Stockhausen 26 years to compose them, and amazingly its musical architecture derives from a three minute 'Super-formula' inspired on a trip to Japan.

Robert Worby speaks with Stockhausen’s family, life partners, critics, scholars and interpreters, who candidly put this extraordinary achievement in the context of his life and work.

Producer Andrew Carter - A Radio Cumbria Production for BBC Radio 3

Photo - Rolando Paolo Guerzoni - Stockhausen May 2003 Teatro Comunale di Modena.

  continue reading

334 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 297297520 series 1301174
محتوای ارائه شده توسط BBC and BBC Radio 3. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط BBC and BBC Radio 3 یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

LICHT, the vast opera cycle composed by Karlheinz Stockhausen between 1977 and 2004 is an enigma, and composer and broadcaster Robert Worby goes on a personal journey to find out why it divides critics and audiences.

Stockhausen was the most gifted composer of the post-war European avant-garde. In the 1950s, his early works - including some of the first electronic music created - confirmed his genius.

But LICHT wasn't so warmly received.

In LICHT Stockhausen wrote an opera cycle for the new millennium, bewildering in scale, and frequently baffling for audiences, but containing music as challenging as anything that he'd written.

The seven operas, each named after a day of the week, total more than 28 hours. It took Stockhausen 26 years to compose them, and amazingly its musical architecture derives from a three minute 'Super-formula' inspired on a trip to Japan.

Robert Worby speaks with Stockhausen’s family, life partners, critics, scholars and interpreters, who candidly put this extraordinary achievement in the context of his life and work.

Producer Andrew Carter - A Radio Cumbria Production for BBC Radio 3

Photo - Rolando Paolo Guerzoni - Stockhausen May 2003 Teatro Comunale di Modena.

  continue reading

334 قسمت

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