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محتوای ارائه شده توسط Sonic Acts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Sonic Acts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Kyveli Mavrokordopoulou & Agnès Villette – Transient Marshlands, Permanent Progress

30:06
 
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Manage episode 378044776 series 2612610
محتوای ارائه شده توسط Sonic Acts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Sonic Acts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Transient Marshlands, Permanent Progress – Geographies of Uncertainty by Kyveli Mavrokordopoulou & Agnès Villette SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands On the shores of France, Belgium, and the Netherlands lie three nuclear installations forming an eclectic nuclear geography. Gravelines, Doel and Borssele nuclear power stations started operating in the 1970s on the unstable marsh soils of reclaimed land – that is new land created out of the water. Today, rising sea levels due to global warming threaten the power plants imminently, requiring the construction of dykes and elevated buffers, which are currently being implemented. We explore these swampy geographies as places where the future-oriented temporality of the nuclear sector crumbles. Both nuclear reactors, as the cathedrals of the 20th century, and polders, as the epitome of hydraulic engineering, are archetypal figures of modernity. Both symbolise the conquest of natural environments and consolidate national identities. Yet, despite their ‘solidity’, the existence of these three nuclear infrastructures is under threat. As examples, they confirm the importance of countering progress and linear historical narratives of nuclear progress, and help us understand how atomic technologies permeate our lives. Rather than an undefined, deep nuclear future, we are interested in how these nuclearised polders leave the vast temporal scales of nuclear waste behind, offering an opportunity to consider how such technologies are already and urgently affecting the present. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

79 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 378044776 series 2612610
محتوای ارائه شده توسط Sonic Acts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Sonic Acts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Transient Marshlands, Permanent Progress – Geographies of Uncertainty by Kyveli Mavrokordopoulou & Agnès Villette SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands On the shores of France, Belgium, and the Netherlands lie three nuclear installations forming an eclectic nuclear geography. Gravelines, Doel and Borssele nuclear power stations started operating in the 1970s on the unstable marsh soils of reclaimed land – that is new land created out of the water. Today, rising sea levels due to global warming threaten the power plants imminently, requiring the construction of dykes and elevated buffers, which are currently being implemented. We explore these swampy geographies as places where the future-oriented temporality of the nuclear sector crumbles. Both nuclear reactors, as the cathedrals of the 20th century, and polders, as the epitome of hydraulic engineering, are archetypal figures of modernity. Both symbolise the conquest of natural environments and consolidate national identities. Yet, despite their ‘solidity’, the existence of these three nuclear infrastructures is under threat. As examples, they confirm the importance of countering progress and linear historical narratives of nuclear progress, and help us understand how atomic technologies permeate our lives. Rather than an undefined, deep nuclear future, we are interested in how these nuclearised polders leave the vast temporal scales of nuclear waste behind, offering an opportunity to consider how such technologies are already and urgently affecting the present. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

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