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Ep 10: Supply, Demand and Complicity in Unjust Labor with Millicent Johnnie
بایگانی مجموعه ها ("فیدهای غیر فعال" status)
When? This feed was archived on September 01, 2024 11:08 (). Last successful fetch was on February 27, 2024 06:27 ()
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What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 323053713 series 2942086
Millicent Johnnie comes on the podcast to bring insights and perspectives into justice in the arts, including artists' own complicity in injustice. We talk about the practice of land acknowledgement and complications around its current manifestation. Millicent shares her perspectives from being in indegenous communities and what bringing those practices to her art has meant.
We finish the episode with a hugely important discussion of the philanthropic system and how it is still rooted in practices of genocide and exploitation. These are the cultural models of funding in the arts.
Millicent Johnnie is a dancer, choreographer, director, activist and educator. She is a two time United States Artists nominee in dance, Chief Executive Officer at Millicent Johnnie Films L.L.C. and Chief Visionary Producer of 319 Productions.
Millicent’s website is currently under construction, however you can find out more about her work through her youtube channel:
https://www.youtube.com/channel/UCt16fxxDjoopKOTN0mnUuqw
Patreon:
https://www.patreon.com/roguetheology
Julia Brandenberger: www.roguetheology.com
Follow on Instagram: https://www.instagram.com/revisioningthearts/
julia@roguetheology.com
Music:
"Theme for Julia," by Mira Treatman, licensed under CC BY 2.0
11 قسمت
بایگانی مجموعه ها ("فیدهای غیر فعال" status)
When? This feed was archived on September 01, 2024 11:08 (). Last successful fetch was on February 27, 2024 06:27 ()
Why? فیدهای غیر فعال status. سرورهای ما، برای یک دوره پایدار، قادر به بازیابی یک فید پادکست معتبر نبوده اند.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 323053713 series 2942086
Millicent Johnnie comes on the podcast to bring insights and perspectives into justice in the arts, including artists' own complicity in injustice. We talk about the practice of land acknowledgement and complications around its current manifestation. Millicent shares her perspectives from being in indegenous communities and what bringing those practices to her art has meant.
We finish the episode with a hugely important discussion of the philanthropic system and how it is still rooted in practices of genocide and exploitation. These are the cultural models of funding in the arts.
Millicent Johnnie is a dancer, choreographer, director, activist and educator. She is a two time United States Artists nominee in dance, Chief Executive Officer at Millicent Johnnie Films L.L.C. and Chief Visionary Producer of 319 Productions.
Millicent’s website is currently under construction, however you can find out more about her work through her youtube channel:
https://www.youtube.com/channel/UCt16fxxDjoopKOTN0mnUuqw
Patreon:
https://www.patreon.com/roguetheology
Julia Brandenberger: www.roguetheology.com
Follow on Instagram: https://www.instagram.com/revisioningthearts/
julia@roguetheology.com
Music:
"Theme for Julia," by Mira Treatman, licensed under CC BY 2.0
11 قسمت
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