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محتوای ارائه شده توسط RA Exchange and Resident Advisor. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط RA Exchange and Resident Advisor یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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EX.695 Eastern Margins

48:48
 
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Manage episode 394697071 series 55697
محتوای ارائه شده توسط RA Exchange and Resident Advisor. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط RA Exchange and Resident Advisor یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Get familiar with Southeast Asia's myriad forms of maximalist dance music. Around Asia-Pacific, more producers and DJs are experimenting with popular music. From Vinahouse in Vietnam to dangdut in Indonesia, these interpretations of happy hardcore, house and gabber have traditionally been played out in taxi cabs, cybercafes and other public spaces but they're now increasingly being heard on the club circuit amid demand for culturally authentic sounds. Embraced by the likes of Manila Community Radio, Gabber Modus Operandi and others, these hybrid styles of high-BPM rave are part of a global movement championing local dance music—just look at the meteoric rise of South African and Afro-Portuguese genres like amapiano and batida. Since 2018, London collective Eastern Margins has been playing out music from North and Southeast Asia at parties in an effort to educate audiences on the region's diverse landscape of fast-paced club tunes. Speaking to Resident Advisor's Nyshka Chandran, cofounder David Zhou, AKA LUMI, dives into the cultural context behind Southeast Asian genres like budots and manyao, explaining their connection with contemporary rave music and the self-sustaining ecosystem behind their popularity at home. Listen to the conversation in full.
  continue reading

997 قسمت

Artwork

EX.695 Eastern Margins

RA Exchange

2,485 subscribers

published

iconاشتراک گذاری
 
Manage episode 394697071 series 55697
محتوای ارائه شده توسط RA Exchange and Resident Advisor. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط RA Exchange and Resident Advisor یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Get familiar with Southeast Asia's myriad forms of maximalist dance music. Around Asia-Pacific, more producers and DJs are experimenting with popular music. From Vinahouse in Vietnam to dangdut in Indonesia, these interpretations of happy hardcore, house and gabber have traditionally been played out in taxi cabs, cybercafes and other public spaces but they're now increasingly being heard on the club circuit amid demand for culturally authentic sounds. Embraced by the likes of Manila Community Radio, Gabber Modus Operandi and others, these hybrid styles of high-BPM rave are part of a global movement championing local dance music—just look at the meteoric rise of South African and Afro-Portuguese genres like amapiano and batida. Since 2018, London collective Eastern Margins has been playing out music from North and Southeast Asia at parties in an effort to educate audiences on the region's diverse landscape of fast-paced club tunes. Speaking to Resident Advisor's Nyshka Chandran, cofounder David Zhou, AKA LUMI, dives into the cultural context behind Southeast Asian genres like budots and manyao, explaining their connection with contemporary rave music and the self-sustaining ecosystem behind their popularity at home. Listen to the conversation in full.
  continue reading

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