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محتوای ارائه شده توسط QB Smith. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط QB Smith یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Quiet Brilliance: Lost Sessions #19

3:03:43
 
اشتراک گذاری
 

Manage episode 302463366 series 48269
محتوای ارائه شده توسط QB Smith. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط QB Smith یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

The sixth of nine lost sessions … kicking off with a “Mode for Trane”, and along the way then there’s some Tribe, Moacir Santos, live Herbie Hancock, Kaidi, Deniece Williams, Minnie Ripperton (as ever!!!) , and so on and so on.
As this was a weekly show, and these last few archives come one after the other, there are some songs repeated across shows, an effort to give them a chance to be heard! No apologies for this.

….Between July and December 2019 I delivered 22 shows to Jazzuary FM, 13 of which got to the archive. Thus, I’m posting the 9 lost sessions.
This was the #19th Quiet Brilliance show to “air”…

“Weekly adventures in quietly and brilliantly grooving ark-ival jazz, soul and related sounds and spirits, spanning the planet and recorded history – classics and future classics, dug-for treasures, materials variously recombined and reworked. The quiet (and sometimes not-so quiet), and the brilliant, so-labelled in reference to Ken Quashie’s and Kodwo Eshun’s respective guidebooks for such a sonic journey. The luminaries inevitably feature, meaning names and sounds like Coltrane, Herbie, Stevie, Minnie, Dilla, Dego, and plenty of less-commonly mentioned but just as significant characters, a healthy dose of latin, and African sounds, broken beat for sure, smatterings of gospel, folk, Indian classical, no doubt occasional hip-hop, drum & bass, and new electronic mutations thereof, all wrung through the machinery of electronic music and performed afresh as befitting a present era producing-performing-DJ augmented by the tools of the times.”

  continue reading

10 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 302463366 series 48269
محتوای ارائه شده توسط QB Smith. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط QB Smith یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

The sixth of nine lost sessions … kicking off with a “Mode for Trane”, and along the way then there’s some Tribe, Moacir Santos, live Herbie Hancock, Kaidi, Deniece Williams, Minnie Ripperton (as ever!!!) , and so on and so on.
As this was a weekly show, and these last few archives come one after the other, there are some songs repeated across shows, an effort to give them a chance to be heard! No apologies for this.

….Between July and December 2019 I delivered 22 shows to Jazzuary FM, 13 of which got to the archive. Thus, I’m posting the 9 lost sessions.
This was the #19th Quiet Brilliance show to “air”…

“Weekly adventures in quietly and brilliantly grooving ark-ival jazz, soul and related sounds and spirits, spanning the planet and recorded history – classics and future classics, dug-for treasures, materials variously recombined and reworked. The quiet (and sometimes not-so quiet), and the brilliant, so-labelled in reference to Ken Quashie’s and Kodwo Eshun’s respective guidebooks for such a sonic journey. The luminaries inevitably feature, meaning names and sounds like Coltrane, Herbie, Stevie, Minnie, Dilla, Dego, and plenty of less-commonly mentioned but just as significant characters, a healthy dose of latin, and African sounds, broken beat for sure, smatterings of gospel, folk, Indian classical, no doubt occasional hip-hop, drum & bass, and new electronic mutations thereof, all wrung through the machinery of electronic music and performed afresh as befitting a present era producing-performing-DJ augmented by the tools of the times.”

  continue reading

10 قسمت

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