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محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Bonus Episode: Mary Finnigan Reflects on Life as Bowie’s Lover, Landlady and Arts Lab Co-Founder in the 'Psychedelic Suburbia' of 1969

33:22
 
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Manage episode 283950724 series 2858957
محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Our latest chapter followed David Bowie in the late ‘60s — a thrilling, colorful time when his creativity soared to new heights. After half a decade of near constant rejection from the mainstream music industry, David had started to rebel. Instead of chasing pop hits, he embraced the avant garde arts scene that was beginning to blossom in London. A key figure in David’s life was Mary Finnigan, his friend, lover and (somewhat unusually) his landlady. A journalist by day, Mary was deeply involved with the London underground scene, a vibrant community of artists and activists looking to shake the populace out of their spiritual complacency. Together, she and David formed a folk club at a local pub called the Three Tuns. Later known as the Beckenham Arts Lab, the venue became a crucial incubator for Bowie, giving him a supportive and enriching environment to find his musical voice. The songs that he wrote in this period would find their way onto breakthrough albums like Space Oddity, The Man Who Sold the World, and Hunky Dory. Mary recorded her electrifying period with Bowie in a 2016 memoir, Psychedelic Suburbia. She speaks to Jordan about Bowie the lodger, Bowie the Buddhist, Bowie the boyfriend — and much more.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

  continue reading

36 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 283950724 series 2858957
محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Our latest chapter followed David Bowie in the late ‘60s — a thrilling, colorful time when his creativity soared to new heights. After half a decade of near constant rejection from the mainstream music industry, David had started to rebel. Instead of chasing pop hits, he embraced the avant garde arts scene that was beginning to blossom in London. A key figure in David’s life was Mary Finnigan, his friend, lover and (somewhat unusually) his landlady. A journalist by day, Mary was deeply involved with the London underground scene, a vibrant community of artists and activists looking to shake the populace out of their spiritual complacency. Together, she and David formed a folk club at a local pub called the Three Tuns. Later known as the Beckenham Arts Lab, the venue became a crucial incubator for Bowie, giving him a supportive and enriching environment to find his musical voice. The songs that he wrote in this period would find their way onto breakthrough albums like Space Oddity, The Man Who Sold the World, and Hunky Dory. Mary recorded her electrifying period with Bowie in a 2016 memoir, Psychedelic Suburbia. She speaks to Jordan about Bowie the lodger, Bowie the Buddhist, Bowie the boyfriend — and much more.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

  continue reading

36 قسمت

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