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محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Bonus Episode: Bowie's Guitarist Carlos Alomar on Recording 'Young Americans' and the Berlin Trilogy, Co-Writing 'Fame' and Funking Up David's Music for 30 Years

47:09
 
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Manage episode 290840981 series 2858957
محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

We’re taking a brief break from the story this week. (We’ll be back with our final chapter on David Bowie on Monday, May 3rd!) But today we have something very special in store: a conversation with Carlos Alomar — a funk guitar icon, and one of David’s most crucial musical collaborators. He cut his teeth in the late ‘60s as one of the youngest players ever in the Apollo Theater’s house band, leading to stints backing James Brown, Chuck Berry and Wilson Pickett, all while still in his teens.

Carlos’ influence helped inspire David to take his famous trip to Philadelphia in 1974 to record the soul-steeped ‘Young Americans’ record. To get the sound, David tapped Carlos, who in turn assembled a group of top shelf funk musicians that included his wife, vocalist Robin Clark, and an old schoolfriend named Luther Vandross. So began a musical partnership that would last almost thirty years. Carlos played on 11 of David’s albums, including classics like ’Station to Station,’ ‘the Berlin Trilogy, and ‘Scary Monster (and Super Creeps),’ and cowrote his first American number one, “Fame.” More importantly, he was a loyal friend throughout his life.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

  continue reading

36 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 290840981 series 2858957
محتوای ارائه شده توسط iHeartPodcasts. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط iHeartPodcasts یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

We’re taking a brief break from the story this week. (We’ll be back with our final chapter on David Bowie on Monday, May 3rd!) But today we have something very special in store: a conversation with Carlos Alomar — a funk guitar icon, and one of David’s most crucial musical collaborators. He cut his teeth in the late ‘60s as one of the youngest players ever in the Apollo Theater’s house band, leading to stints backing James Brown, Chuck Berry and Wilson Pickett, all while still in his teens.

Carlos’ influence helped inspire David to take his famous trip to Philadelphia in 1974 to record the soul-steeped ‘Young Americans’ record. To get the sound, David tapped Carlos, who in turn assembled a group of top shelf funk musicians that included his wife, vocalist Robin Clark, and an old schoolfriend named Luther Vandross. So began a musical partnership that would last almost thirty years. Carlos played on 11 of David’s albums, including classics like ’Station to Station,’ ‘the Berlin Trilogy, and ‘Scary Monster (and Super Creeps),’ and cowrote his first American number one, “Fame.” More importantly, he was a loyal friend throughout his life.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

  continue reading

36 قسمت

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