Hate Watching AfrAId

Hate Watching with Dan and Tony

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اضافه شده در three سال پیش

محتوای ارائه شده توسط Dan Goodsell and Tony Czech, Dan Goodsell, and Tony Czech. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Dan Goodsell and Tony Czech, Dan Goodsell, and Tony Czech یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

How to Be a Better Human

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Throwing good parties and building community (w/ Priya Parker) 38:16

22 weeks پیش38:16

پخش در آینده

لیست ها

پسندیدن

دوست داشته شد

38:16

Many of us are entering the new year with a similar goal — to build community and connect more with others. To kick off season five, Priya Parker shares ideas on how to be the host with the most. An expert on building connection, Priya is the author of “The Art of Gathering: How We Meet and Why It Matters.” Whether it's a book club, wedding, birthday or niche-and-obscurely themed party, Priya and Chris talk about how to create meaningful and fun experiences for all of your guests — including yourself. For the full text transcript, visit go.ted.com/BHTranscripts . For the full text transcript, visit go.ted.com/BHTranscripts Want to help shape TED’s shows going forward? Fill out our survey here ! Learn more about TED Next at ted.com/futureyou Hosted on Acast. See acast.com/privacy for more information.…

حدود یک سال پیش 1:25:21

MP3•خانه قسمت

Send us a text

What happens when a film's chaotic AI plot leaves us more bemused than entertained? Join us as we humorously dissect the Blumhouse movie "Afraid," pondering whether a title like "Slightly Cautious AI" might have been more fitting. With an AI that seems more interested in wreaking havoc than creating suspense, we muse about missed opportunities for a coherent narrative, all while relishing in the absurdity of the film's awkward character interactions and isolated subplots.
Ever wondered about the legal and ethical implications of AI in our daily lives? Our conversation veers into unexpected territories as we explore the growing role of AI, from content creation to a familial lawsuit over AI-assisted homework. The debate heats up with questions about the ownership of AI-generated content, touching on everything from music to personal writing skills. Personal anecdotes and a touch of humor guide us through the increasingly blurred lines between creativity, education, and technology.
In a world where privacy feels more like a myth than a reality, we discuss the chilling parallels between fiction and real life, touching on themes of surveillance and manipulation in both media and family dynamics. Amidst quirky family banter and workplace oddities, we question reality versus perception in a tech-influenced world. Wrapping up with reflections on romance novels, teenage drama, and the ever-entertaining world of scary movie reviews, we promise a fun ride filled with laughter, thought-provoking debate, and perhaps a bit of nostalgia for those awkward AI encounters.
Written lovingly by AI

Be our friend!
Dan: @shakybacon
Tony: @tonydczech
And follow the podcast on IG: @hatewatchingDAT

فصل ها

1. Hate Watching (00:00:00)

2. AI Writing and Legal Issues (00:12:44)

3. Privacy and Blackmail Concerns (00:25:36)

4. Family Dynamics and Awkward Interactions (00:32:53)

5. Unraveling Aya's Mysterious Motives (00:44:33)

6. Family Dynamics and Failed Illusions (00:52:49)

7. Battle Against the AI System (01:06:58)

8. AI and Scary Movie Reviews (01:18:33)

9. Revisiting Movie Reviews and Furry Fears (01:23:56)

248 قسمت

#Cinema #Comedy #Dan Goodsell and Tony Czech #Dan Goodsell #Tony Czech

Hate Watching AfrAId

Hate Watching with Dan and Tony

published حدود یک سال پیش

اشتراک گذاری

MP3•خانه قسمت

Send us a text

Be our friend!
Dan: @shakybacon
Tony: @tonydczech
And follow the podcast on IG: @hatewatchingDAT

فصل ها

1. Hate Watching (00:00:00)

2. AI Writing and Legal Issues (00:12:44)

3. Privacy and Blackmail Concerns (00:25:36)

4. Family Dynamics and Awkward Interactions (00:32:53)

5. Unraveling Aya's Mysterious Motives (00:44:33)

6. Family Dynamics and Failed Illusions (00:52:49)

7. Battle Against the AI System (01:06:58)

8. AI and Scary Movie Reviews (01:18:33)

9. Revisiting Movie Reviews and Furry Fears (01:23:56)

248 قسمت

#Cinema #Comedy #Dan Goodsell and Tony Czech #Dan Goodsell #Tony Czech

همه قسمت ها

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Hate Watching Fountain of Youth: A Two-Hour Expedition to Nowhere 2:02:05

۶ روز پیش2:02:05

2:02:05

Send us a text Adventure films are a delicate balance of charm, wonder, and heart—which is why "Fountain of Youth" is such a fascinating disappointment to dissect. What should have been a thrilling revival of a beloved genre instead becomes a masterclass in missed opportunities. The frustration comes not from the film being terrible (we've seen worse), but from how tantalizingly close it comes to greatness before veering off course. With John Krasinski, Natalie Portman, and stunning locations around the world, all the ingredients were there. Yet something vital is missing: soul. Great adventure protagonists care deeply about something—Indiana Jones respects artifacts even while stealing them, Benjamin Gates in National Treasure risks everything to protect historical treasures while pursuing them. Krasinski's Luke, by contrast, moves through the story with curious detachment, displaying impressive combat skills without explanation and making quips that never land with the intended charm. The supporting cast fares no better, with potentially interesting characters reduced to exposition machines. The chemistry between leads is nonexistent despite the script insisting otherwise. Even the central mystery—the Fountain of Youth itself—operates on confusing, inconsistent rules that change to serve the plot rather than create a coherent mythology. What makes this analysis worthwhile is recognizing how "Fountain of Youth" illuminates exactly what makes adventure films work by doing the opposite. It's a reminder that spectacle without heart falls flat, that heroes need vulnerability alongside capability, and that audiences want to feel wonder alongside the characters discovering ancient secrets. If you love adventure cinema and want to understand why some attempts work brilliantly while others fail, join us for this deep dive into a film that might just kill the genre it hoped to revitalize. Subscribe, share your thoughts in the comments, and let us know what adventure classics you'd recommend instead! Written lovingly with AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching The Phantom: The Real Purple Dinosaur 1:36:24

13 روز پیش1:36:24

1:36:24

Send us a text Remember the 90s, when superhero movies were still figuring out what they wanted to be? Before the sleek, unified vision of X-Men or the cultural juggernaut of the MCU, there was "The Phantom" (1996) – a fascinating relic that demonstrates exactly why superhero cinema needed a complete overhaul. In our latest episode, we venture deep into the jungle of Bengala with Billy Zane's purple-spandexed hero as he pursues magical skulls, fights pirates, and somehow manages to keep a straight face while doing it all. The Phantom originated in comic strips back in 1936 – predating Superman and Batman – as the first true costumed hero. But what works on the newspaper page doesn't always translate to the big screen, and this film struggles mightily with that translation. Treat Williams steals every scene as villain Xander Drax, delivering deliciously campy line readings and creative murder methods (microscope eye-stabbing, anyone?) that suggest he understood exactly what kind of movie this should have been. Meanwhile, the rest of the cast – including a young Catherine Zeta-Jones – seems trapped in a more serious adventure that never quite takes flight. We analyze the film's curious place in superhero movie evolution, sitting awkwardly between the camp of Batman Forever and the more grounded approach that would soon revolutionize the genre. The Phantom provides an unintentionally hilarious time capsule of mid-90s filmmaking choices, from its Indiana Jones aspirations to its baffling mythology involving skull lasers and a wolf that can apparently communicate with horses. What went wrong? What occasional moments work? And why can't we stop talking about that purple costume? Listen as we unpack this bizarre superhero curiosity that reminds us how far the genre has come. Written lovingly with AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Minecraft: Let Our Hips Be Your Guide 1:13:25

20 روز پیش1:13:25

1:13:25

Send us a text Minecraft: The Movie had all the ingredients for disaster - a video game with no story, a director known for divisive comedies, and the challenge of bringing blocky visuals to life. Yet somehow, this cubic adventure emerges as one of the most genuinely entertaining family films of the year. Jack Black brings manic energy as Steve, a doorknob salesman who discovers a portal to the Minecraft world and builds his own cubic paradise. When the evil Malgosia (played with delightful villainy) threatens to conquer this realm, Steve teams up with Garrett (Jason Momoa in what might be his most enjoyable role yet), a washed-up gamer who stumbles upon a mysterious artifact. What makes Minecraft work isn't its plot - which is paper-thin - but its commitment to embracing absurdity with open arms. Night comes every twenty minutes, characters craft elaborate structures with a single bang on a table, and physics operates on game logic rather than reality. Director Jared Hess (Napoleon Dynamite) fills every frame with visual gags and references that will delight fans without alienating newcomers. The film's standout moments include a flying sequence where Momoa instructs Black to "let my hips be your guide" while soaring through canyons, a wrestling match featuring the rare "chicken jockey" enemy, and perhaps the funniest villain death scene in recent memory involving multiple hidden knives. Jennifer Coolidge provides perfect comedic relief as a recently divorced school administrator who falls for one of the blocky villagers, believing his inability to speak means "he's Swedish." Unlike many video game adaptations that struggle with their source material, Minecraft leans fully into what makes the game special - creativity, discovery, and the joy of building something from nothing. It's a rollercoaster ride that prioritizes fun over logic, and it's all the better for it. Have you played Minecraft or watched the film? We'd love to hear your thoughts! Subscribe to the podcast for more discussions about surprising cinematic adventures that defy expectations. Written Lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Drive-Away Dolls: Love is a sleigh ride through bad cinema 1:47:44

26 روز پیش1:47:44

1:47:44

Send us a text When the Coen brothers parted ways after decades of collaboration, film fans wondered what their individual work might reveal about their creative dynamic. Drive Away Dolls, Ethan Coen's first solo directorial effort, provides a fascinating if frustrating answer to that question. This deep-dive episode explores how the absence of Joel's balancing influence results in a film where Ethan's stylistic tendencies become exaggerated to the point of self-parody. We analyze how the film's inconsistent tone, from Margaret Qualley's baffling Southern accent to the cartoon sound effects that punctuate scenes, creates a disjointed viewing experience where characters seem to exist in entirely different movies. Through our conversation, we unpack why character relationships fall flat despite talented performers, how scenes lack proper setup and payoff, and why the film's attempts at madcap comedy often miss their mark. We highlight Beanie Feldstein's standout performance as the one consistently enjoyable element in an otherwise chaotic film. Beyond mere criticism, our discussion examines the creative alchemy of successful partnerships and what happens when that balance is disrupted. We explore how the screenplay (reportedly written around 2000 and never updated) feels anachronistic in both humor and sensibilities, raising questions about creative decisions throughout production. Whether you're a Coen brothers aficionado curious about their separate trajectories or simply interested in the dynamics of creative collaboration, this episode offers thoughtful analysis on how even talented filmmakers sometimes need the right partnership to bring out their best work. The conversation serves as both a critique of Drive Away Dolls and a celebration of what made the Coen brothers' joint filmography so special. Written Lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Hell Of A Summer: A slasher film with an identity crisis 1:27:26

۵ weeks پیش1:27:26

1:27:26

Send us a text What happens when a self-referential slasher comedy can't quite figure out what it wants to be? "Hell of a Summer," the directorial debut from Finn Wolfhard and Billy Bryk, promised to do for summer camp slashers what "Scream" did for the entire genre – but stumbles in its execution despite some genuine bright spots. This week, we dive into this curious $3 million indie horror comedy that follows Jason, a dedicated 24-year-old camp counselor who returns to Camp Pineway rather than pursuing a responsible legal career. When counselors start getting picked off by a killer in a devil mask, the film attempts to balance humor, horror, and character work with varying degrees of success. While the cinematography impresses throughout – especially considering the challenges of night shooting on a limited budget – the narrative and character development leave much to be desired. The true revelation of the film is co-director Billy Bryk's performance as Bobby, whose scene-stealing comedic moments provide the film's biggest laughs and most memorable sequences. We break down why his character works so well while others (including Wolfhard's own character) fail to make an impression. From puzzling killer motivations to inconsistent death scenes, we unpack where this promising concept went wrong while celebrating the moments where it actually delivers. Whether you're a horror fan curious about this new addition to the slasher comedy subgenre or just enjoy our dissections of films that don't quite reach their potential, this episode offers plenty to sink your teeth into. Join us for a thoughtful, funny conversation about "Hell of a Summer" – a film that might not be great, but certainly gave us more to talk about than we expected. Lovingly written by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching The In Crowd: Snake Handlers and Sociopaths 1:32:42

۶ weeks پیش1:32:42

1:32:42

Send us a text What makes a psychological thriller truly captivating? In this episode, we crack open the vault to examine "The In Crowd," a largely forgotten gem from 2000 that perfectly captures the post-Cruel Intentions era of teen psychological thrillers. From the moment Adrian steps out of a psychiatric institution and into the pristine world of an exclusive country club, we're drawn into a world of wealth, privilege, and deeply disturbing secrets. The film's queen bee, Brittany, takes a suspicious interest in Adrian that goes far beyond simple friendship. As we discover, Adrian bears an uncanny resemblance to Brittany's mysteriously absent sister – a coincidence that proves increasingly sinister as the story unfolds. We unpack the film's most memorable moments – from Adrian casually handling a venomous snake to the hilariously over-dramatic scooter accident that sends Kelly flying. While "The In Crowd" never reaches the erotic thriller heights of its contemporaries, it delivers surprising moments of genuine entertainment amid its predictable plot. The golf club murder scene, Simple Wayne's disturbingly decorated mannequin, and Brittany's masterful manipulation tactics provide fascinating glimpses into a thriller that could have been truly great with a few different creative choices. What fascinated us most was the film's missed opportunity to create genuine suspense by never making the audience question which character is truly unstable. Despite presenting Adrian as potentially unreliable due to her psychiatric history, the film immediately establishes Brittany as the true villain, removing any possible ambiguity that might have elevated the story. Whether you're revisiting this forgotten thriller or discovering it for the first time, join us for a deep dive into a movie that, despite its flaws, stands as a perfect time capsule of early 2000s psychological thrillers – complete with all the questionable fashion choices, flat lighting, and country club melodrama you could possibly want. Written lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching In The Lost Lands: Some Books Should Stay Books 1:47:54

۷ weeks پیش1:47:54

1:47:54

Send us a text Ever wondered what happens when a $55 million budget collides with an incoherent script? Welcome to our horrified exploration of "In the Lost Lands," quite possibly one of the worst movies ever committed to film. Based on a George R.R. Martin short story (though you'd never guess it), this fantasy disaster stars Mila Jovovich as Gray Alice—an "illusionist witch" with unexplained face tattoos—and Dave Bautista as Boyce, a mysterious traveler with a cool two-headed snake that disappears from the plot almost immediately. We're told there's only one human city left after some apocalyptic event, yet somehow there's a fully functional train, random barrels of oil, and endless nonsensical plot developments. The film's world-building crumbles under even the lightest scrutiny. Why are slaves mining rocks? How does the economy work? Why does everyone abandon executions before they're complete? Nothing adds up, and the movie never bothers explaining itself. Meanwhile, characters develop romantic feelings out of nowhere, powers work differently in every scene, and the big twist—that Bautista's character is actually the werewolf they're hunting—is both obvious from the start and poorly executed. What truly stuns us is how the film wastes its talented cast. Both Bautista and Jovovich have proven themselves capable actors, but here they deliver wooden performances with dialogue so bad that no performer could salvage it. One particularly egregious scene features Bautista's painfully delivered line "What kind of God is this?"—a moment so poorly executed it becomes unintentionally hilarious. If you enjoy dissecting cinematic disasters or have a high tolerance for absolute nonsense dressed up as fantasy, join us for this brutal breakdown of a film that somehow manages to fail at every fundamental aspect of storytelling. We promise you'll never look at werewolves, illusionists, or two-headed snakes the same way again. Written Lovingly with AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Spaceman: Houston, We Have a Metaphor! 1:26:36

۸ weeks پیش1:26:36

1:26:36

Send us a text An astronaut floating alone six months into a year-long mission. A mysterious alien spider that appears out of nowhere. A marriage crumbling across the vast emptiness of space. Netflix's "Spaceman" promised profound cosmic revelations but delivered a beautiful yet frustratingly hollow meditation on human connection. Adam Sandler stars as Jakob, a Czech astronaut studying a mysterious cloud near Jupiter while his pregnant wife Lenka (Carey Mulligan) contemplates leaving him back on Earth. When a giant talking spider named Hanuš (voiced by Paul Dano) materializes on his spacecraft, Jakob embarks on a psychological journey through memories and regrets rather than the stars. The film tantalizes with visual splendor – the zero-gravity sequences alone showcase remarkable technical achievement – but ultimately fails to answer its own existential questions. What makes "Spaceman" so frustrating is how close it comes to profundity. Adapted from Jaroslav Kalfař's novel "Spaceman of Bohemia," the film strips away crucial context that would have heightened the stakes. In the book, Jakob's mission is explicitly suicidal, a redemptive sacrifice to restore his family's honor after his father's disgrace as a government informant. Without this framework, Jakob's journey feels aimless, his relationship problems trivial compared to the cosmic scale of his surroundings. The film's greatest strength lies in its willingness to embrace ambiguity – is the spider real or a manifestation of Jakob's lonely mind? Does the mysterious cloud contain universal wisdom or merely reflect our own projections? Yet this same ambiguity becomes its downfall when extended to character motivations and narrative purpose. By the time Jakob reaches his emotional epiphany, we've spent too little time understanding who he was before to appreciate who he's become. Have you ever felt disconnected from someone you love despite being physically close? How would that feeling magnify across millions of miles of empty space? Watch "Spaceman" for its visual poetry and committed performances, but prepare for an emotional journey that, like its protagonist, never quite reaches its destination. Written Lovingly with AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Cleaner: Squeegee of Death 1:41:58

۹ weeks پیش1:41:58

1:41:58

Send us a text When Joey, a seemingly ordinary window cleaner played by Daisy Ridley, reports for her night shift at a towering London skyscraper, she has no idea she's about to be thrust into a deadly game of survival. As she dangles precariously outside the building's glass exterior, a sophisticated group of eco-terrorists infiltrates a corporate gala inside, taking hostages and making demands that blur the line between justice and vengeance. Cut off from help and with only her wits and climbing skills to rely on, Joey becomes the unexpected wild card in a high-stakes confrontation that grows more morally complex by the minute. The terrorists, led by a charismatic activist played briefly by Clive Owen, aren't just seeking ransom – they're exposing horrific environmental crimes committed by the very executives now held hostage. As corporate secrets bubble to the surface, Joey must decide whether she's fighting to save the innocent or protecting the guilty. "Cleaner" delivers heart-pounding vertical action sequences while forcing viewers to question their own moral compasses. When the terrorists reveal that the corporation has silenced whistleblowers through murder, the traditional lines between hero and villain begin to dissolve. Joey's struggle isn't just about physical survival – it's about navigating an ethical minefield where doing the right thing becomes increasingly unclear. The film challenges conventional action thriller formulas by presenting antagonists with legitimate grievances and protagonists with questionable motives. As Joey fights to protect her vulnerable brother caught in the chaos, she must also confront uncomfortable truths about the powerful people she's trying to save. In a world where corporate crimes often go unpunished, "Cleaner" asks: Who are the real terrorists, and what price are we willing to pay for justice? Written Lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching No Holds Barred: Bad Guys, Body Slams, and Bathroom Humor 1:29:00

10 weeks پیش1:29:00

1:29:00

Send us a text Dan is out sick so we go back into the vaults to release one of our favorite episodes! Enjoy! Professional wrestling blurs the lines between reality and entertainment, but 1989's "No Holds Barred" obliterates them completely. We journey into the bizarre world of Hulk Hogan's first starring film role and discover a movie that doesn't just feature wrestling—it creates an entire universe where wrestling is the world. The premise seems straightforward: Hulk plays Rip, a wrestling superstar pursued by unscrupulous network executive Brill (Kurt Fuller) who creates his own violent wrestling program featuring the monstrous Zeus (Tiny Lister) after Rip rejects his blank check offer. But what unfolds is a baffling cinematic experience where normal societal rules don't apply, character motivations make no sense, and the primary trait identifying villains is their mistreatment of women. We analyze the strange production choices throughout—from awkward ADR and slow fight choreography to confusing scene transitions and inexplicable character decisions. Yet amidst the chaos, certain moments achieve an accidental brilliance, like the infamous bathroom scene featuring a chained dog that provides one of the film's few genuine laughs. The movie culminates with Hulk essentially murdering two people on live television to audience applause, cementing our view that Rip might actually be the villain of his own story. What makes "No Holds Barred" particularly fascinating is its behind-the-scenes story. Vince McMahon and Hulk Hogan themselves reportedly rewrote the entire script over a brief period, explaining why Brill seems modeled after McMahon's own public persona. The result is a film that serves as both a bizarre cultural artifact and a cautionary tale about wrestling's difficult transition to conventional narrative filmmaking. Whether you're a wrestling fan curious about this strange chapter in Hulkamania history or a bad movie enthusiast looking for your next bewildering watch, join us as we bodyslam this cinematic oddity and somehow find genuine entertainment in its spectacular failure. Written Lovingly with AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching The Gorge: Plant People Beware! 1:19:19

11 weeks پیش1:19:19

1:19:19

Send us a text In the fog-shrouded valley where two superpowers meet, a deeply human story unfolds against the backdrop of Cold War tensions and ancient mysteries. The Gorge brilliantly pairs Miles Teller and Anya Taylor-Joy as elite snipers stationed on opposite sides of a mysterious chasm, creating one of the most unique and compelling on-screen relationships of recent cinema. What begins as strict isolation—American and Soviet guards forbidden from contact—evolves through ingenious long-distance communication. Giant notepads, makeshift signals, and music played across the divide become the foundation of a connection that defies their orders and national identities. The chemistry between the leads is palpable even when separated by hundreds of feet of empty space, making their eventual face-to-face meeting (via a dangerous homemade zip line) all the more powerful. The film's first half excels at building both the mystery of what lurks in the foggy depths below and the tender romance developing above. Small gestures carry enormous weight—a toast across the gorge, a game of chess played at impossible distance, poetry shared in fragments. These moments of genuine human connection stand in stark contrast to the occasional monster attacks that remind us of the ever-present danger. Where The Gorge stumbles is in its third act, when our protagonists find themselves trapped in the depths they've been guarding. The revelation of what caused the gorge and its inhabitants—a joint Soviet-American research facility gone catastrophically wrong—feels rushed and underwhelming compared to the cosmic horror teased earlier. The "hollow men" monsters, while effectively creepy in glimpses, lose impact when fully revealed. Despite these shortcomings, the film remains compelling thanks to its central relationship and the performances that bring it to life. Teller brings depth to his tortured sniper, haunted by his past kills, while Taylor-Joy imbues her character with both steely resolve and vulnerability. Their journey from isolated guards to partners willing to risk everything resonates emotionally even when the plot mechanics falter. The Gorge ultimately asks what connections matter most—duty to country, scientific discovery, or the rare human bond that transcends boundaries. For anyone who appreciates character-driven stories with elements of horror, romance, and Cold War tension, this haunting tale of what lurks both within the mist and within ourselves offers a uniquely satisfying experience. Written lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Prince of Persia The Sands of Time: A Video Game Adaptation That Almost Worked 1:11:18

12 weeks پیش1:11:18

1:11:18

Send us a text What happens when a big-budget blockbuster has all the right ingredients but still fails to fully satisfy? That's the puzzle at the heart of our deep dive into 2010's Prince of Persia: Sands of Time, a film that cost hundreds of millions to make but couldn't capture the magic of its video game source material. The conversation kicks off with an examination of Jake Gyllenhaal's bewildering accent and lack of charisma as the titular prince – a critical misstep that creates a void at the center of this action-adventure. "It's the worst accent of any leading man in a movie," we conclude, comparing his performance unfavorably to the natural charm of Brendan Fraser in The Mummy or the cast of Pirates of the Caribbean. The film's salvation arrives about 40 minutes in with Alfred Molina's scene-stealing performance as a tax-evading ostrich racer. His character breathes life into a previously lifeless movie, demonstrating exactly what was missing from the start: humor, heart, and genuine entertainment value. We discuss how supporting characters often make or break these big adventure films, and how Prince of Persia failed to understand this crucial dynamic. We also break down the disappointing direction choices that plague the action sequences – the choppy editing and shaky camerawork that obscure rather than showcase the parkour stunts that made the video games so special. For a franchise known for fluid movement and graceful acrobatics, the film's inability to properly capture these elements represents a fundamental misunderstanding of its appeal. Join us for this entertaining analysis of blockbuster filmmaking gone awry, and why some adventure films become beloved classics while others remain forgotten curiosities. And don't forget to tune in next week for our take on "The Gorge" starring Miles Teller and Anya Taylor-Joy! Written lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching The Electric State: Robots, Humans, and One Really Bad Wig 2:02:30

13 weeks پیش2:02:30

2:02:30

Send us a text In "The Electric State," Netflix's visually stunning but narratively bewildering $300 million sci-fi adventure, we're transported to an alternate 1990s America recovering from a robot war that never quite makes sense. What begins as a promising exploration of technology addiction and human-robot relations quickly devolves into a confusing rescue mission with emotional stakes that never land. The Russo Brothers clearly poured resources into creating a visually distinctive world based on Simon Stålenhag's artwork, but neglected to fill this beautiful shell with meaningful substance. Millie Bobby Brown portrays Michelle, a young woman searching for her brother in this post-war landscape, yet her performance lacks the emotional range needed to carry such a high-concept story. Chris Pratt as her reluctant companion Keats similarly struggles to bring depth to his character, with their on-screen chemistry noticeably absent throughout. What makes "The Electric State" particularly frustrating is its squandered potential. The premise—humans splitting their consciousness between robot bodies and virtual fantasies—raises fascinating questions about identity, addiction, and reality that remain largely unexplored. Instead, we're treated to a third act that collapses under its own illogic, culminating in an ending that contradicts the very world the film has established. The robot characters, ironically, demonstrate more personality than most of their human counterparts. For all its flaws, the film does deliver impressive visual spectacle and some standout voice performances from its supporting cast. However, these elements only highlight what might have been had the same care been applied to the screenplay. "The Electric State" ultimately stands as a cautionary tale about prioritizing aesthetics over substance—a beautiful but hollow experience that, like its virtual reality users, remains disconnected from anything meaningful. Written Lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Pathfinder: Swords, Snow, and Terrible Viking Fashion Choices 1:32:32

14 weeks پیش1:32:32

1:32:32

Send us a text Step into the shadowy world of "Pathfinder," Marcus Nispel's forgotten 2007 action film that stands as a fascinating study in missed opportunities. Released in the same week as Zack Snyder's "300" with a comparable budget, this Karl Urban-starring vehicle attempted similar visual flair but stumbled where "300" soared. The premise holds genuine intrigue: a Viking child, abandoned and raised by Native Americans in 800 AD North America, must later defend his adoptive people when his bloodthirsty biological culture returns to pillage and destroy. It's a setup ripe with potential for exploring identity, belonging, and choosing one's own path—yet "Pathfinder" reduces these rich themes to a straightforward revenge tale drowning in murky cinematography. Throughout our discussion, we unpack the film's fundamental flaws: characters without names or development, confusing action sequences where you can barely distinguish one Viking from another, and logical inconsistencies that break immersion. The Viking villains pursue destruction for destruction's sake, forgoing more historically accurate and compelling motivations like resource acquisition or taking slaves. Even the special edition's reportedly excised sex scene becomes a curious footnote in a film already struggling with basic storytelling coherence. What makes "Pathfinder" particularly fascinating is comparing it to Nispel's later work on "Conan the Barbarian," revealing a director who seemed to learn some lessons while repeating others. For fans of Karl Urban, we recommend skipping this misfire and heading straight to "Dredd" for a masterclass in how to use the actor's talents effectively. Whether you're a student of film looking to understand what makes a movie work (by examining one that doesn't) or simply curious about this forgotten chapter in action cinema history, our deep dive into "Pathfinder" offers both entertainment and insight into how even promising concepts can lose their way in execution. Written lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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Hate Watching Conan The Barbarian: Epic Fails in Fantasy Cinema 1:21:10

15 weeks پیش1:21:10

1:21:10

Send us a text Step into the chaotic realm of *Conan the Barbarian* (2011) as we dissect the questionable choices that left audiences bewildered. With Jason Momoa at the forefront, the film boasted a hefty budget but struggled to deliver more than spectacular visuals. We explore how the plot muddied character arcs, particularly in the lackluster relationship dynamics, leaving viewers puzzled and unsatisfied. The podcast dives into memorable moments, such as the infamous human catapult scene, while lamenting the potential that was never fully realized. As we meander through the highs and lows, we reflect on the lessons learned from its shortcomings, solidifying *Conan* as a case study in fantasy film misfires. Tune in for our humorous analysis and decide for yourself whether it's worth a watch! Don’t forget to subscribe and share your thoughts with us! Written Lovingly by AI Be our friend! Dan: @shakybacon Tony: @tonydczech And follow the podcast on IG: @hatewatchingDAT…

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