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محتوای ارائه شده توسط Kate & Ray Harmony and Ray Harmony. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kate & Ray Harmony and Ray Harmony یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Wrong Notes for Better Bass Lines

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Manage episode 325702377 series 1395273
محتوای ارائه شده توسط Kate & Ray Harmony and Ray Harmony. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kate & Ray Harmony and Ray Harmony یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Wrong Notes for Better Bass Lines

In this lesson you'll learn how to spice up your bass using non-diatonic notes (AKA chromatic notes). But first… Tea!

Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales & Chords". It’ll give you a super solid music theory foundation in just 30 minutes. The free download is below. Enjoy!

INTRO

Is your bass line currently sounding something like this? (click play above) That’s heading in the right direction, but at the moment the bass is only playing each chord’s root note, which is boring. So here’s a hack to spice up your bass line with notes that are not in the key!

HACK

With this hack you’ll be taking your bass into dangerous territory: the notes outside your scale. We’re in D minor here, so by moving this C up to C♯, we’re going out of our key. We’re also gonna move this G up a semitone, and this G down a semitone. These three out-of-key notes should sound wrong, but they don’t. Why? Because they’re quick, and they’re not on the main beats.

NEXT

Hope you found this helpful, and if you did, then download our bestselling Songwriting & Producing PDF for all our essential music making hacks!

Free Book

Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download.

There was an error submitting your subscription. Please try again.

“The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder

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254 قسمت

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Wrong Notes for Better Bass Lines

Hack Music Theory

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iconاشتراک گذاری
 
Manage episode 325702377 series 1395273
محتوای ارائه شده توسط Kate & Ray Harmony and Ray Harmony. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Kate & Ray Harmony and Ray Harmony یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Wrong Notes for Better Bass Lines

In this lesson you'll learn how to spice up your bass using non-diatonic notes (AKA chromatic notes). But first… Tea!

Hello revolutionary music makers, we are Kate and Ray Harmony (AKA Revolution Harmony), and welcome to Hack Music Theory, the fast, easy and fun way to make music! If you’re new to theory, or if you just want a refresher, then read our free book "12 Music Theory Hacks to Learn Scales & Chords". It’ll give you a super solid music theory foundation in just 30 minutes. The free download is below. Enjoy!

INTRO

Is your bass line currently sounding something like this? (click play above) That’s heading in the right direction, but at the moment the bass is only playing each chord’s root note, which is boring. So here’s a hack to spice up your bass line with notes that are not in the key!

HACK

With this hack you’ll be taking your bass into dangerous territory: the notes outside your scale. We’re in D minor here, so by moving this C up to C♯, we’re going out of our key. We’re also gonna move this G up a semitone, and this G down a semitone. These three out-of-key notes should sound wrong, but they don’t. Why? Because they’re quick, and they’re not on the main beats.

NEXT

Hope you found this helpful, and if you did, then download our bestselling Songwriting & Producing PDF for all our essential music making hacks!

Free Book

Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download.

There was an error submitting your subscription. Please try again.

“The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder

We use this field to detect spam bots. If you fill this in, you will be marked as a spammer.
DOWNLOAD FREE BOOK

Podcast

Listen below, or on any podcast app.

  continue reading

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