Artwork

محتوای ارائه شده توسط Friends at the Table. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Friends at the Table یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Player FM - برنامه پادکست
با برنامه Player FM !

Spring in Hieron 44: The Second Spring Pt. 6

2:46:00
 
اشتراک گذاری
 

Manage episode 241958387 series 106809
محتوای ارائه شده توسط Friends at the Table. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Friends at the Table یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

...took a new name: the Frost Shepherd. It was in trying to understand this act, its causes, and its consequences, that I first thought this second volume might be necessary. Even as it happened, I sensed a moment of diversion, of what an old mentor would have called a potential “rupture” in history.

In the old Hieron, when such a thing was still possible, I studied and practiced as a semiotician of the New Archives. Because the Rhizome stretches as it does, and because we were so removed from the histories which precede us, you may not know what that means. In short: We collected the world so that we might better arrange it. This is how I fell in love with writing and with history.

Towards the end of my studies, in some north campus basement, Semiotician Emeritus Uklan Tel delivered a guest lecture for a select group out of some technical obligation to the department.

“The world unfolds according to systems and rules,” he told us. “History, politics, war, society--they have velocity, they have force, they have momentum. But now and then there is a chance for great change.” Any average evening would be followed by an equally average day, but a rupturous evening might bring a day like one we’ve never seen.

But these moments only carried the potential for transformation, he told us. These moments of historical rupture, he said, offered opportunity for the systems and rules by which we organize ourselves to find a new route. But most of the time? That opportunity was wasted. Things returned to the status quo. The moons past over the edge of the world, the sun arose, and we’d be back to normal.

I had the impression, as he started to speak, that he was trotting out an old lecture, something reliable, that even dead in his voice would impress on our young, eager psyches. But as he spoke, he found a startling rhythm, like an old workhorse building towards a colt’s gait.

It was as if something he’d seen, something recent, maybe, had given flesh to words that had only been bone. I could tell that he thought he wasn’t just correct, but that he right. He told us, then, that we might not know it, but that we lived in a moment of rupture.

And when I stood in that crowd and heard the Frost Shepherd speak, I recognized in my own blood, on my own skin, an echo of Tel’s old confidence in recognizing a moment rupture.

When Tel warned us about the future, he was, of course right--and only now do we know how ironic this warning was, considering his own role in the events of the years that followed that lecture. Which is excuse enough for me to extend his warning to you: In times like these, the rupture is not one night, it is ongoing, and we are all participants in whatever comes next. Pace yourselves. Recognize the way you touch the world. And travel accordingly.

-An Excerpt from the Foreword to The Last Days The We Had: A Narrative Catalogue of Hieron, End Apparent, Pt. 2 by Alonzo Victor Devareaux van der Dawes

This week on Spring in Hieron: The Second Spring Pt. 5 Hosted by Austin Walker (@austin_walker) Featuring Janine Hawkins (@bleatingheart) Sylvi Clare (@captaintrash), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Music by Jack de Quidt (@notquitereal) Text by Austin Walker (@austin_walker) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot)

A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

  continue reading

532 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 241958387 series 106809
محتوای ارائه شده توسط Friends at the Table. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Friends at the Table یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

...took a new name: the Frost Shepherd. It was in trying to understand this act, its causes, and its consequences, that I first thought this second volume might be necessary. Even as it happened, I sensed a moment of diversion, of what an old mentor would have called a potential “rupture” in history.

In the old Hieron, when such a thing was still possible, I studied and practiced as a semiotician of the New Archives. Because the Rhizome stretches as it does, and because we were so removed from the histories which precede us, you may not know what that means. In short: We collected the world so that we might better arrange it. This is how I fell in love with writing and with history.

Towards the end of my studies, in some north campus basement, Semiotician Emeritus Uklan Tel delivered a guest lecture for a select group out of some technical obligation to the department.

“The world unfolds according to systems and rules,” he told us. “History, politics, war, society--they have velocity, they have force, they have momentum. But now and then there is a chance for great change.” Any average evening would be followed by an equally average day, but a rupturous evening might bring a day like one we’ve never seen.

But these moments only carried the potential for transformation, he told us. These moments of historical rupture, he said, offered opportunity for the systems and rules by which we organize ourselves to find a new route. But most of the time? That opportunity was wasted. Things returned to the status quo. The moons past over the edge of the world, the sun arose, and we’d be back to normal.

I had the impression, as he started to speak, that he was trotting out an old lecture, something reliable, that even dead in his voice would impress on our young, eager psyches. But as he spoke, he found a startling rhythm, like an old workhorse building towards a colt’s gait.

It was as if something he’d seen, something recent, maybe, had given flesh to words that had only been bone. I could tell that he thought he wasn’t just correct, but that he right. He told us, then, that we might not know it, but that we lived in a moment of rupture.

And when I stood in that crowd and heard the Frost Shepherd speak, I recognized in my own blood, on my own skin, an echo of Tel’s old confidence in recognizing a moment rupture.

When Tel warned us about the future, he was, of course right--and only now do we know how ironic this warning was, considering his own role in the events of the years that followed that lecture. Which is excuse enough for me to extend his warning to you: In times like these, the rupture is not one night, it is ongoing, and we are all participants in whatever comes next. Pace yourselves. Recognize the way you touch the world. And travel accordingly.

-An Excerpt from the Foreword to The Last Days The We Had: A Narrative Catalogue of Hieron, End Apparent, Pt. 2 by Alonzo Victor Devareaux van der Dawes

This week on Spring in Hieron: The Second Spring Pt. 5 Hosted by Austin Walker (@austin_walker) Featuring Janine Hawkins (@bleatingheart) Sylvi Clare (@captaintrash), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Music by Jack de Quidt (@notquitereal) Text by Austin Walker (@austin_walker) Produced by Ali Acampora (@ali_west) Cover Art by Craig Sheldon (@shoddyrobot)

A transcription is available for this episode here.A full list of completed transcriptions is available here. Our transcriptions are provided by a fan-organized paid transcription project. If you'd like to join, you can get more information at https://twitter.com/transcript_fatt. Thank you to all of our transcribers!!

  continue reading

532 قسمت

همه قسمت ها

×
 
Loading …

به Player FM خوش آمدید!

Player FM در سراسر وب را برای یافتن پادکست های با کیفیت اسکن می کند تا همین الان لذت ببرید. این بهترین برنامه ی پادکست است که در اندروید، آیفون و وب کار می کند. ثبت نام کنید تا اشتراک های شما در بین دستگاه های مختلف همگام سازی شود.

 

راهنمای مرجع سریع

در حین کاوش به این نمایش گوش دهید
پخش