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محتوای ارائه شده توسط Folger Shakespeare Library. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Folger Shakespeare Library یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Fiona Ritchie on Sarah Siddons and John Philip Kemble
Manage episode 349053243 series 128626
محتوای ارائه شده توسط Folger Shakespeare Library. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Folger Shakespeare Library یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
You may not have heard of Sarah Siddons, but if you’ve seen a production of Macbeth recently, you may have experienced her influence. In the late 18th century, Siddons became one of the first celebrity actors, for her performances in roles including Queen Katherine in Henry VIII, Constance in King John, Volumnia in Coriolanus, and, of course, Lady Macbeth in Macbeth. Her brother and frequent co-star John Philip Kemble became the first stage “director” in our sense of the word, even though there was no such title in the 18th-century theater. Both of their careers benefited from Shakespeare’s rising critical and popular reputation in the 18th century. Barbara Bogaev talks to scholar Fiona Ritchie, whose new book, Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble, details their rise to fame. Ritchie is an Associate Professor of English at McGill University. Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble is out now from Arden Shakespeare. From the Shakespeare Unlimited podcast. Published December 6, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Ellen Payne Smith in Montreal, Quebec, and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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285 قسمت
Manage episode 349053243 series 128626
محتوای ارائه شده توسط Folger Shakespeare Library. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Folger Shakespeare Library یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
You may not have heard of Sarah Siddons, but if you’ve seen a production of Macbeth recently, you may have experienced her influence. In the late 18th century, Siddons became one of the first celebrity actors, for her performances in roles including Queen Katherine in Henry VIII, Constance in King John, Volumnia in Coriolanus, and, of course, Lady Macbeth in Macbeth. Her brother and frequent co-star John Philip Kemble became the first stage “director” in our sense of the word, even though there was no such title in the 18th-century theater. Both of their careers benefited from Shakespeare’s rising critical and popular reputation in the 18th century. Barbara Bogaev talks to scholar Fiona Ritchie, whose new book, Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble, details their rise to fame. Ritchie is an Associate Professor of English at McGill University. Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble is out now from Arden Shakespeare. From the Shakespeare Unlimited podcast. Published December 6, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Ellen Payne Smith in Montreal, Quebec, and Jenna McClellan at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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continue reading
285 قسمت
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