In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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محتوای ارائه شده توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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388 - The Fabelmans
Manage episode 354808621 series 1952570
محتوای ارائه شده توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Steven Spielberg's long-awaited semi-autobiographical reminiscence of his childhood is here, and it's perfect. Too perfect. José swoons over the way The Fabelmans transports him to its place and time and shows love and understanding to everybody it depicts, but has to admit that a few rougher edges here and there would have done it a favour. There's only so much drama in the life of Spielberg's young avatar, Sammy Fabelman, and that which there is is on the tame side. But Spielberg's love for his parents is obvious and appealing, as is his love for cinema, which he's unafraid to get specific about - the sequences that show Sammy making and screening films convey an interest in the aesthetics, technicalities, and effects of film, rather than giving it the far vaguer "magic of the movies" treatment such "love letters to cinema" often offer. The Fabelmans is as unwilling to explore the dark side of humanity as we're used to Spielberg being, but it avoids his proclivity for schmaltz, and José loved it. So there. Recorded on 31st January 2023.
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continue reading
435 قسمت
Manage episode 354808621 series 1952570
محتوای ارائه شده توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط Eavesdropping at the Movies, Jose Arroyo, and Michael Glass یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Steven Spielberg's long-awaited semi-autobiographical reminiscence of his childhood is here, and it's perfect. Too perfect. José swoons over the way The Fabelmans transports him to its place and time and shows love and understanding to everybody it depicts, but has to admit that a few rougher edges here and there would have done it a favour. There's only so much drama in the life of Spielberg's young avatar, Sammy Fabelman, and that which there is is on the tame side. But Spielberg's love for his parents is obvious and appealing, as is his love for cinema, which he's unafraid to get specific about - the sequences that show Sammy making and screening films convey an interest in the aesthetics, technicalities, and effects of film, rather than giving it the far vaguer "magic of the movies" treatment such "love letters to cinema" often offer. The Fabelmans is as unwilling to explore the dark side of humanity as we're used to Spielberg being, but it avoids his proclivity for schmaltz, and José loved it. So there. Recorded on 31st January 2023.
…
continue reading
435 قسمت
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