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How Tom Murphy Restores And Ages Gibson's Most Expensive Guitars
Manage episode 394100792 series 2831964
Rhett and Zach kick off the new year with renewed commitment to an old habit: making a daily to-do list, or as Rhett calls it, “the shit list.” The guys debate the finer points of which stationary makes the best to-do list backdrop before they’re joined by Tom Murphy, the preeminent craftsman of guitar-aging and namesake of Gibson’s high-end Murphy Lab.
Murphy, who has been with Gibson for 25 years, takes Rhett and Zach back to the starting line, when he and his friends would buy, trade, mod, poke, and prod any guitars they could get their hands on—Murphy quips that his entire career is in part penance for an early botched attempt at refinishing a ’68 Les Paul. Murphy eventually found his niche in aging: “Who else is gonna take a razor blade and make a bunch of lines on a guitar they just refinished?”
Along the way, Murphy digs into the labor and pricing considerations with heavily aged instruments, including when a third-party guitar sale made him realize he had to raise his rates. His aging and restoration work involves balancing considerations of aesthetic, tone, and playability all at once, which he likens to “the spinning plates guy at the circus.” “Which one can you afford to let fall?” Murphy says. The magic of his work, he explains, is in accentuating the natural properties of the guitars: “Our finish doesn’t make them sound better, it lets them sound better.”
Murphy’s story involves soaring highs, like catching ZZ Top in a tiny club in Houston in the early ’70s, watching Billy Gibbons thrash the very guitar model he would later spend his days working on. But stick around to hear about the dramatic lows, too, like when he witnessed a guitar’s finish shatter before his eyes after a freezing, snowed-in night in Boulder, Colorado.
Murphy doesn’t have plans to retire at the moment, but he has one caveat: “I just don’t wanna be found slumped over a guitar,” he chuckles.
Big thanks to StewMac for sponsoring this episode. Head to http://stewmac.com/dippedintone to get 10% off!
Subscribe, like, and leave us a comment
Sign up on our mailing list: http://eepurl.com/iaCee5
Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintone
MERCH: https://teespring.com/stores/dipped-in-tone
Follow us on Instagram: https://instagram.com/dippedintone
Dipped in Tone is:
Rhett Shull https://www.rhettshull.com/
Zach Broyles / Mythos Pedals https://mythospedals.com
Premier Guitar https://www.premierguitar.com/
110 قسمت
Manage episode 394100792 series 2831964
Rhett and Zach kick off the new year with renewed commitment to an old habit: making a daily to-do list, or as Rhett calls it, “the shit list.” The guys debate the finer points of which stationary makes the best to-do list backdrop before they’re joined by Tom Murphy, the preeminent craftsman of guitar-aging and namesake of Gibson’s high-end Murphy Lab.
Murphy, who has been with Gibson for 25 years, takes Rhett and Zach back to the starting line, when he and his friends would buy, trade, mod, poke, and prod any guitars they could get their hands on—Murphy quips that his entire career is in part penance for an early botched attempt at refinishing a ’68 Les Paul. Murphy eventually found his niche in aging: “Who else is gonna take a razor blade and make a bunch of lines on a guitar they just refinished?”
Along the way, Murphy digs into the labor and pricing considerations with heavily aged instruments, including when a third-party guitar sale made him realize he had to raise his rates. His aging and restoration work involves balancing considerations of aesthetic, tone, and playability all at once, which he likens to “the spinning plates guy at the circus.” “Which one can you afford to let fall?” Murphy says. The magic of his work, he explains, is in accentuating the natural properties of the guitars: “Our finish doesn’t make them sound better, it lets them sound better.”
Murphy’s story involves soaring highs, like catching ZZ Top in a tiny club in Houston in the early ’70s, watching Billy Gibbons thrash the very guitar model he would later spend his days working on. But stick around to hear about the dramatic lows, too, like when he witnessed a guitar’s finish shatter before his eyes after a freezing, snowed-in night in Boulder, Colorado.
Murphy doesn’t have plans to retire at the moment, but he has one caveat: “I just don’t wanna be found slumped over a guitar,” he chuckles.
Big thanks to StewMac for sponsoring this episode. Head to http://stewmac.com/dippedintone to get 10% off!
Subscribe, like, and leave us a comment
Sign up on our mailing list: http://eepurl.com/iaCee5
Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintone
MERCH: https://teespring.com/stores/dipped-in-tone
Follow us on Instagram: https://instagram.com/dippedintone
Dipped in Tone is:
Rhett Shull https://www.rhettshull.com/
Zach Broyles / Mythos Pedals https://mythospedals.com
Premier Guitar https://www.premierguitar.com/
110 قسمت
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