How To Create Beautiful Places - A guide to the work of the late Christopher Alexander

Current Affairs

The architect Christopher Alexander died recently. As the (surprisingly good) New York Times obituary described him:

[Alexander] believed that ordinary people, not just trained architects, should have a hand in designing their houses, neighborhoods and cities, and proposed a method for doing so in writing that could be poetically erudite, frustratingly abstract and breathtakingly simple... Mr. Alexander was a fierce anti-modernist who found traditional and indigenous structures — the beehive-shaped huts of North Africa, for example, or medieval Italian villages — more aesthetically pleasing than highly designed contemporary ones, which he saw as ugly and soulless.

Alexander has long been an inspiration here at Current Affairs and his work has been mentioned in a number of articles. (1) (2) (3) (4)

In this interview, Nathan talks to his old friend, city engineer and planner Daniel Ohrenstein, about why they both love Alexander's writing and how Alexander can help us think more clearly about what's wrong with contemporary architecture and how to build beautiful places.

A transcript of this interview, with lots of photos including some of Alexander's own built work, appears here.

"What emerges from A Pattern Language is a vision of life and how it should be. A society where people are mixing and aren’t isolated. There’s a good saying: when the revolution starts, everyone should know where to go. And if you think about your town, what is the public square? Having a center or public square where people gather is part of being in a real city. Having civic life means having these public spaces. And in these spaces, you can have carnivals, you can have old people and young people playing chess outside. What makes an idyllic city? It’s certainly one that has social engagement. Another suggestion in A Pattern Language is animals everywhere. I was at Whole Foods the other day and I got startled by a sandhill crane. It came up to me and squawked. That kind of interaction is important. Like: Don’t forget there are other beings that inhabit the planet." — Daniel Ohrenstein