Paint shapes and not things

Concept to Canvas

One of the main topics I addressed was a common question from art students about how to paint rocks underwater. My initial response was a straightforward "you don't," which might have seemed slightly blunt. However, I explained that successful painting is about understanding fundamental principles like values, colors, and edges. It's about more than the specific subject, like underwater rocks, but these core elements.

I pointed out that focusing too much on painting underwater rocks can cause one to miss the critical components that make a painting look realistic. For example, to depict rocks under water effectively, you need to use more muted colors, softer edges, and closer-together values. I also emphasized the importance of drawing and observing how rocks appear flatter as they recede underwater.

We then broadened the discussion to painting various subjects, including trees. I advised against getting caught up in the specifics, like whether you're painting a spruce or an oak. Instead, could you focus on the shapes involved? Concentrating on basic shapes rather than the specific identity of the subject can achieve a more accurate and effective representation in your work.

Reflecting on my teaching experiences, I stressed the importance of returning to the basics of art. Many students want to dive into complex subjects, like large bouquets in still life, but I always emphasize simplifying their approach. By focusing on basic shapes and forms, you can create visually appealing arrangements that resonate more with viewers.

I also discussed how overthinking can hinder artistic progress. Instead of getting bogged down by intricate details, prioritize shapes, values, and colors. This streamlined approach can lead to more tremendous success in your artistic endeavors. I shared some personal anecdotes from my early days as an artist, revealing that I, too, was once distracted by the specific identities of animals and objects rather than focusing on their underlying shapes.

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