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محتوای ارائه شده توسط Aaron Nathans and Princeton Engineering. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Aaron Nathans and Princeton Engineering یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Stanley Jordan Pulls Out All the Stops

36:09
 
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Manage episode 407661198 series 3357836
محتوای ارائه شده توسط Aaron Nathans and Princeton Engineering. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Aaron Nathans and Princeton Engineering یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Stanley Jordan ’81 grew up in Silicon Valley, making circuits as a kid, watching his father become one of the world's first professional computer programmers. But it wasn’t until Jordan arrived at Princeton that the young musician learned how to fuse his love of music with his fascination with technology.

In Episode 1 of the new season of “Composers & Computers,” we begin our deep dive into the technology-filled life story of Jordan, who went on to a career as an acclaimed jazz musician. We explore how he was initially drawn to Stanford to work with John Chowning, inventor of the Yamaha digital keyboard, but through a twist of fate at the admissions office, found himself headed to Princeton instead.

Chowning himself told Jordan that it was a fortuitous outcome, and Jordan explains why this ended up being true, through meeting two mentors who would have a major effect on his musical path, Milton Babbitt and Paul Lansky.

We’ll look at how he developed his trademark two-hand percussive “touch technique” while he was a student at Princeton. And he’ll talk about his time at the Computer Center, including the time he dropped his punch cards on the floor.

  continue reading

12 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 407661198 series 3357836
محتوای ارائه شده توسط Aaron Nathans and Princeton Engineering. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Aaron Nathans and Princeton Engineering یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Stanley Jordan ’81 grew up in Silicon Valley, making circuits as a kid, watching his father become one of the world's first professional computer programmers. But it wasn’t until Jordan arrived at Princeton that the young musician learned how to fuse his love of music with his fascination with technology.

In Episode 1 of the new season of “Composers & Computers,” we begin our deep dive into the technology-filled life story of Jordan, who went on to a career as an acclaimed jazz musician. We explore how he was initially drawn to Stanford to work with John Chowning, inventor of the Yamaha digital keyboard, but through a twist of fate at the admissions office, found himself headed to Princeton instead.

Chowning himself told Jordan that it was a fortuitous outcome, and Jordan explains why this ended up being true, through meeting two mentors who would have a major effect on his musical path, Milton Babbitt and Paul Lansky.

We’ll look at how he developed his trademark two-hand percussive “touch technique” while he was a student at Princeton. And he’ll talk about his time at the Computer Center, including the time he dropped his punch cards on the floor.

  continue reading

12 قسمت

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