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محتوای ارائه شده توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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What is DC Comics’ most BRUTAL GANGSTER noir dystopian scifi comic book of all time, you ask?

2:28:35
 
اشتراک گذاری
 

Manage episode 406262572 series 3489218
محتوای ارائه شده توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Chris and Steven descend into the futuristic cesspool of gangsterism and “a little of the old ultraviolence” that is SKREEMER (DC Comics, 1989), a noir-styled postapocalyptic science fiction comic that makes A CLOCKWORK ORANGE look G-rated*. An explosive precursor to Vertigo Comics, this series was created by Peter Milligan, Brett Ewins, and Steve Dillion.
* Please Note: Our YT video imagery displays comparatively tame examples of SKREEMER art in order to respect YT guidelines concerning violence and graphic content.
CRYB! is a deep dive into ‘80s comics (plus a few notable exceptions) in a weekly podcast format.
SHOW NOTES
02:16 - A brief introduction to the world of SKREEMER — somewhere between James Joyce’s FINNEGAN’S WAKE and Stanley Kubrick’s A CLOCKWORK ORANGE
12:08 - Celebrating the ahead of its time design of the logo and covers for SKREEMER. These are “pop comics”.
13:56 - An attempt to summarize the overarching narrative of SKREEMER
37:47 - Why you ought to buy the original floppies of SKREEMER (almost no ads!)
40:10 - The groundbreakingly transgressive nature of SKREEMER
40:42 - Dense, substantial storytelling in SKREEMER — a mark of the days before “decompressed stories”
53:47 - The poetry of Pete Milligan. Purple prose or evocative writing?
1:01:17 - Exploring the racial and sexual politics of SKREEMER
1:20:43 - The art of Brett Ewins and Steve Dillon on SKREEMER vs. Steve Dillon’s art on PREACHER; also, a discussion of Dillon’s early UK work for 2000 AD and DEADLINE magazine
1:22:44 - The extraordinary, nuanced, and sophisticated coloring choices of Tom Ziuko
1:40:19 - The modern day relevance of Vito’s evil masterplan
1:50:29 - Spoiler warning for Warren Ellis and John Cassaday’s PLANETARY (Skip ahead 30 seconds if you haven’t read it!)
1:52:37 - Further discussion of the depiction of women and people of color in SKREEMER
1:57:02 - EC Comics’ “Judgement Day!” by Ray Bradbury, Al Feldstein, and Joe Orlando
2:16:58 - Final thoughts on the wildly ambitious SKREEMER — its place in the ‘80s comics canon and why it matters
2:25:50 - Grant Morrison and his love for the writings of Pete Milligan, specifically Vertigo’s ENIGMA
#alanmoore #batman #thedarkknight #stanleykubrick #2000ad #vertigocomics #grantmorrison #scificomics #sciencefiction #comicbook #aclockworkorange

Drop us a line!

+ Check out our YouTube channel to get a look at some of the fantastic art featured in our episodes. Visit ComicsRotYourBrain.com to sign up for our newsletter, Letter Column. You can also find us wherever you stream your favorite podcasts.
+ We appreciate your support of the show via Patreon: ComicsRotYourBrain
+ For even more cool shit, read Chris's Substack (cinema, comics, and culture) - THIN ICE
©2024 Comics Rot Your Brain!
#dccomics #vertigocomics #alanmoore #comicbooks #new #content #80scomics #explained #indiecomics #scificomics #marvelcomics #horrorstories #spaceopera #scifi

  continue reading

فصل ها

1. What is DC Comics’ most BRUTAL GANGSTER noir dystopian scifi comic book of all time, you ask? (00:00:00)

2. Quick Recap of SKREEMER (00:01:47)

3. Set in a world like Robocop but pushed a little farther (00:01:57)

4. the world of SKREEMER — somewhere between James Joyce’s FINNEGAN’S WAKE and Stanley Kubrick’s A CLOCKWORK ORANGE (00:02:16)

5. Aesthetics of Skreemer; James Joyce mashed up with a gangster story (00:03:41)

6. Summary of the miniseries (00:12:00)

7. Celebrating the ahead of its time design of the logo and covers for SKREEMER. These are “pop comics”. (00:12:08)

8. Production Design of the Book (00:12:27)

9. An attempt to summarize the overarching narrative of SKREEMER (00:13:56)

10. Discussing Issue One (00:15:00)

11. Pete Milligan's main concerns as a writer (00:28:00)

12. Why you ought to buy the original floppies of SKREEMER (almost no ads!) (00:37:47)

13. The groundbreakingly transgressive nature of SKREEMER (00:40:10)

14. Discussing Issue Two - Dense, substantial storytelling in SKREEMER — a mark of the days before “decompressed stories” (00:40:41)

15. The poetry of Pete Milligan. Purple prose or evocative writing? (00:53:47)

16. Exploring the racial and sexual politics of SKREEMER (01:01:17)

17. The art of Brett Ewins and Steve Dillon on SKREEMER vs. Steve Dillon’s art on PREACHER; also, a discussion of Dillon’s early UK work for 2000 AD and DEADLINE magazine (01:20:00)

18. The extraordinary, nuanced, and sophisticated coloring choices of Tom Ziuko (01:22:44)

19. Discussing Issue Three (01:30:53)

20. Discussing Issue Four (01:35:03)

21. The modern day relevance of Vito’s evil masterplan (01:40:19)

22. Discussing Issue Five (01:44:55)

23. Spoiler warning for Warren Ellis and John Cassaday’s PLANETARY (Skip ahead 30 seconds if you haven’t read it!) (01:50:29)

24. Further discussion of the depiction of women and people of color in SKREEMER (01:52:37)

25. EC Comics’ “Judgement Day!” by Ray Bradbury, Al Feldstein, and Joe Orlando (01:57:02)

26. Discussing Issue Six (02:00:00)

27. Final Thoughts (02:07:00)

28. Final thoughts on the wildly ambitious  SKREEMER — its place in the ‘80s comics canon and why it matters (02:16:58)

29. Grant Morrison and his love for the writings of Pete Milligan, specifically Vertigo’s ENIGMA (02:25:50)

16 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 406262572 series 3489218
محتوای ارائه شده توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Steven Bagatourian & Christopher Derrick, Steven Bagatourian, and Christopher Derrick یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

Chris and Steven descend into the futuristic cesspool of gangsterism and “a little of the old ultraviolence” that is SKREEMER (DC Comics, 1989), a noir-styled postapocalyptic science fiction comic that makes A CLOCKWORK ORANGE look G-rated*. An explosive precursor to Vertigo Comics, this series was created by Peter Milligan, Brett Ewins, and Steve Dillion.
* Please Note: Our YT video imagery displays comparatively tame examples of SKREEMER art in order to respect YT guidelines concerning violence and graphic content.
CRYB! is a deep dive into ‘80s comics (plus a few notable exceptions) in a weekly podcast format.
SHOW NOTES
02:16 - A brief introduction to the world of SKREEMER — somewhere between James Joyce’s FINNEGAN’S WAKE and Stanley Kubrick’s A CLOCKWORK ORANGE
12:08 - Celebrating the ahead of its time design of the logo and covers for SKREEMER. These are “pop comics”.
13:56 - An attempt to summarize the overarching narrative of SKREEMER
37:47 - Why you ought to buy the original floppies of SKREEMER (almost no ads!)
40:10 - The groundbreakingly transgressive nature of SKREEMER
40:42 - Dense, substantial storytelling in SKREEMER — a mark of the days before “decompressed stories”
53:47 - The poetry of Pete Milligan. Purple prose or evocative writing?
1:01:17 - Exploring the racial and sexual politics of SKREEMER
1:20:43 - The art of Brett Ewins and Steve Dillon on SKREEMER vs. Steve Dillon’s art on PREACHER; also, a discussion of Dillon’s early UK work for 2000 AD and DEADLINE magazine
1:22:44 - The extraordinary, nuanced, and sophisticated coloring choices of Tom Ziuko
1:40:19 - The modern day relevance of Vito’s evil masterplan
1:50:29 - Spoiler warning for Warren Ellis and John Cassaday’s PLANETARY (Skip ahead 30 seconds if you haven’t read it!)
1:52:37 - Further discussion of the depiction of women and people of color in SKREEMER
1:57:02 - EC Comics’ “Judgement Day!” by Ray Bradbury, Al Feldstein, and Joe Orlando
2:16:58 - Final thoughts on the wildly ambitious SKREEMER — its place in the ‘80s comics canon and why it matters
2:25:50 - Grant Morrison and his love for the writings of Pete Milligan, specifically Vertigo’s ENIGMA
#alanmoore #batman #thedarkknight #stanleykubrick #2000ad #vertigocomics #grantmorrison #scificomics #sciencefiction #comicbook #aclockworkorange

Drop us a line!

+ Check out our YouTube channel to get a look at some of the fantastic art featured in our episodes. Visit ComicsRotYourBrain.com to sign up for our newsletter, Letter Column. You can also find us wherever you stream your favorite podcasts.
+ We appreciate your support of the show via Patreon: ComicsRotYourBrain
+ For even more cool shit, read Chris's Substack (cinema, comics, and culture) - THIN ICE
©2024 Comics Rot Your Brain!
#dccomics #vertigocomics #alanmoore #comicbooks #new #content #80scomics #explained #indiecomics #scificomics #marvelcomics #horrorstories #spaceopera #scifi

  continue reading

فصل ها

1. What is DC Comics’ most BRUTAL GANGSTER noir dystopian scifi comic book of all time, you ask? (00:00:00)

2. Quick Recap of SKREEMER (00:01:47)

3. Set in a world like Robocop but pushed a little farther (00:01:57)

4. the world of SKREEMER — somewhere between James Joyce’s FINNEGAN’S WAKE and Stanley Kubrick’s A CLOCKWORK ORANGE (00:02:16)

5. Aesthetics of Skreemer; James Joyce mashed up with a gangster story (00:03:41)

6. Summary of the miniseries (00:12:00)

7. Celebrating the ahead of its time design of the logo and covers for SKREEMER. These are “pop comics”. (00:12:08)

8. Production Design of the Book (00:12:27)

9. An attempt to summarize the overarching narrative of SKREEMER (00:13:56)

10. Discussing Issue One (00:15:00)

11. Pete Milligan's main concerns as a writer (00:28:00)

12. Why you ought to buy the original floppies of SKREEMER (almost no ads!) (00:37:47)

13. The groundbreakingly transgressive nature of SKREEMER (00:40:10)

14. Discussing Issue Two - Dense, substantial storytelling in SKREEMER — a mark of the days before “decompressed stories” (00:40:41)

15. The poetry of Pete Milligan. Purple prose or evocative writing? (00:53:47)

16. Exploring the racial and sexual politics of SKREEMER (01:01:17)

17. The art of Brett Ewins and Steve Dillon on SKREEMER vs. Steve Dillon’s art on PREACHER; also, a discussion of Dillon’s early UK work for 2000 AD and DEADLINE magazine (01:20:00)

18. The extraordinary, nuanced, and sophisticated coloring choices of Tom Ziuko (01:22:44)

19. Discussing Issue Three (01:30:53)

20. Discussing Issue Four (01:35:03)

21. The modern day relevance of Vito’s evil masterplan (01:40:19)

22. Discussing Issue Five (01:44:55)

23. Spoiler warning for Warren Ellis and John Cassaday’s PLANETARY (Skip ahead 30 seconds if you haven’t read it!) (01:50:29)

24. Further discussion of the depiction of women and people of color in SKREEMER (01:52:37)

25. EC Comics’ “Judgement Day!” by Ray Bradbury, Al Feldstein, and Joe Orlando (01:57:02)

26. Discussing Issue Six (02:00:00)

27. Final Thoughts (02:07:00)

28. Final thoughts on the wildly ambitious  SKREEMER — its place in the ‘80s comics canon and why it matters (02:16:58)

29. Grant Morrison and his love for the writings of Pete Milligan, specifically Vertigo’s ENIGMA (02:25:50)

16 قسمت

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