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محتوای ارائه شده توسط Good Beer Hunting LLC and Good Beer Hunting. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Good Beer Hunting LLC and Good Beer Hunting یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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CL-082 Courtney Iseman Paints A Picture

30:54
 
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Manage episode 299169404 series 2300559
محتوای ارائه شده توسط Good Beer Hunting LLC and Good Beer Hunting. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Good Beer Hunting LLC and Good Beer Hunting یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

What is art? Throughout the course of human existence, critics, academics, and common people have all attempted to unpack the meaning and value of art as part of society, as well as its role as a reflection of the current discourse. Art can be political. It can be reflective. It can be a weapon. And it can be history in itself.

In her latest piece for Good Beer Hunting, titled “Gin Lane vs. Beer Street — How One Artist Captured a Pivotal Century in Our Drinking History,” published on July 1, 2021, writer Courtney Iseman takes a look at how art has shaped the way we perceive and interact with alcohol from as early as the 17th century up to the present day, specifically focusing on 18th-century Europe.

For our podcast conversation, we talk about how beer was positively perceived by the middle and upper classes of the time. Working-class people, meanwhile, faced hand-wringing and public outcry for imbibing what was once considered a cheap and debaucherous beverage: gin. Iseman shares where she found the inspiration to dive into this piece after seeing an exhibit of Dutch masters at the Metropolitan Museum of Art. Calling the writing process a “fever dream,” she wonders aloud about the 18th-century artist William Hogarth’s motives for creating the groundbreaking and not-so-subtle pair of prints that gave the piece its title.

We explore how alcohol plays into class lines and how consumption habits have evolved over the centuries. We also look at how both alcohol and art can divide as much as they can unite. She describes how the story unraveled—and how there’s still more to tell.

  continue reading

721 قسمت

Artwork

CL-082 Courtney Iseman Paints A Picture

Good Beer Hunting

285 subscribers

published

iconاشتراک گذاری
 
Manage episode 299169404 series 2300559
محتوای ارائه شده توسط Good Beer Hunting LLC and Good Beer Hunting. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Good Beer Hunting LLC and Good Beer Hunting یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

What is art? Throughout the course of human existence, critics, academics, and common people have all attempted to unpack the meaning and value of art as part of society, as well as its role as a reflection of the current discourse. Art can be political. It can be reflective. It can be a weapon. And it can be history in itself.

In her latest piece for Good Beer Hunting, titled “Gin Lane vs. Beer Street — How One Artist Captured a Pivotal Century in Our Drinking History,” published on July 1, 2021, writer Courtney Iseman takes a look at how art has shaped the way we perceive and interact with alcohol from as early as the 17th century up to the present day, specifically focusing on 18th-century Europe.

For our podcast conversation, we talk about how beer was positively perceived by the middle and upper classes of the time. Working-class people, meanwhile, faced hand-wringing and public outcry for imbibing what was once considered a cheap and debaucherous beverage: gin. Iseman shares where she found the inspiration to dive into this piece after seeing an exhibit of Dutch masters at the Metropolitan Museum of Art. Calling the writing process a “fever dream,” she wonders aloud about the 18th-century artist William Hogarth’s motives for creating the groundbreaking and not-so-subtle pair of prints that gave the piece its title.

We explore how alcohol plays into class lines and how consumption habits have evolved over the centuries. We also look at how both alcohol and art can divide as much as they can unite. She describes how the story unraveled—and how there’s still more to tell.

  continue reading

721 قسمت

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