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محتوای ارائه شده توسط Pushkin Industries. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Pushkin Industries یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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Rhiannon Giddens: Black History Month Bonus

49:04
 
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Manage episode 402332870 series 2459517
محتوای ارائه شده توسط Pushkin Industries. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Pushkin Industries یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way.

Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career.

Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week hit number one on the country chart, making her the first time a black woman has ever held that spot.

So let’s flash back to when we had Rhiannon on Broken Record back in 2021 to speak with Bruce Headlam about her album They’re Calling Me Home.

See omnystudio.com/listener for privacy information.

  continue reading

288 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 402332870 series 2459517
محتوای ارائه شده توسط Pushkin Industries. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط Pushkin Industries یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal

We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way.

Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career.

Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week hit number one on the country chart, making her the first time a black woman has ever held that spot.

So let’s flash back to when we had Rhiannon on Broken Record back in 2021 to speak with Bruce Headlam about her album They’re Calling Me Home.

See omnystudio.com/listener for privacy information.

  continue reading

288 قسمت

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