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محتوای ارائه شده توسط The WallBreakers and James Scully. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط The WallBreakers and James Scully یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
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BW - EP152—019: D-Day's 80th Anniversary—Norman Corwin's Ode To Carl Sandburg

34:14
 
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Manage episode 422581689 series 2494501
محتوای ارائه شده توسط The WallBreakers and James Scully. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط The WallBreakers and James Scully یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin’s programs weren’t about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg’s The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he’d present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.
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551 قسمت

Artwork
iconاشتراک گذاری
 
Manage episode 422581689 series 2494501
محتوای ارائه شده توسط The WallBreakers and James Scully. تمام محتوای پادکست شامل قسمت‌ها، گرافیک‌ها و توضیحات پادکست مستقیماً توسط The WallBreakers and James Scully یا شریک پلتفرم پادکست آن‌ها آپلود و ارائه می‌شوند. اگر فکر می‌کنید شخصی بدون اجازه شما از اثر دارای حق نسخه‌برداری شما استفاده می‌کند، می‌توانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Norman Corwin was twenty-seven years old when he was hired by CBS in April of 1938. For three years he honed his craft on shows like Words Without Music, The Pursuit of Happiness, So This is Radio and Forecast. In 1941 he was tasked with taking over The Columbia Workshop for twenty-six weeks. These plays are today known as “Twenty-Six By Corwin.” They ranged from whimsy, to romance, to high drama, to coming of age tales. CBS refused to offer the series up for sponsorship. Corwin’s programs weren’t about revenue, they were about advancing the medium itself. After the bombing of Pearl Harbor and Manilla on December 7th, 1941, Corwin penned a play in honor of the 150th anniversary of The Bill of Rights. It was at the behest of President Roosevelt. The play was called “We Hold These Truths,” and broadcast on December 15th. Simultaneously heard on all four networks, sixty-million tuned in. It was at that time, the largest ratings share of any dramatic program ever. By 1944 Corwin had free rein over his productions. The Workshop essentially became branded as Columbia Presents Corwin. Corwin had previously adapted Carl Sandburg’s The People, Yes three times. At 8PM over CBS on D-Day, Corwin presented the first in An American Trilogy on Carl Sandburg featuring Charles Laughton. The following two weeks he’d present part two on Thomas Wolfe and part three on Walt Whitman. Opposite, NBC broadcast a special version of the Ginny Simms show.
  continue reading

551 قسمت

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