محتوای ارائه شده توسط timothyappleton. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط timothyappleton یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
National Geographic photographer and conservationist Jaime Rojo has spent decades capturing the beauty and fragility of the monarch butterfly. Their epic migration is one of nature’s most breathtaking spectacles, but their survival is under threat. In this episode, Jaime shares how his passion for photography and conservation led him to document the monarchs’ journey. He and host Brian Lowery discuss the deeper story behind his award-winning images, one about resilience, connection, and the urgent need to protect our natural world. See Jaime's story on the monarch butterflies at his website: rojovisuals.com , and follow Brian Lowery at knowwhatyousee.com .…
محتوای ارائه شده توسط timothyappleton. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط timothyappleton یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Why not sit down, make yourself a cup of tea and listen to three old friends discussing the classic rock and prog albums that have marked their lives (and related matters)?
محتوای ارائه شده توسط timothyappleton. تمام محتوای پادکست شامل قسمتها، گرافیکها و توضیحات پادکست مستقیماً توسط timothyappleton یا شریک پلتفرم پادکست آنها آپلود و ارائه میشوند. اگر فکر میکنید شخصی بدون اجازه شما از اثر دارای حق نسخهبرداری شما استفاده میکند، میتوانید روندی که در اینجا شرح داده شده است را دنبال کنید.https://fa.player.fm/legal
Why not sit down, make yourself a cup of tea and listen to three old friends discussing the classic rock and prog albums that have marked their lives (and related matters)?
Shaun, Peter and Tim discuss their favourite female rock artists. On the agenda for today: is cultural importance relevant to musical importance? Which is the best period for female rock stars? How do we distinguish an individual contribution from a collective one? And do women appreciate certain female artists more than men, and vice versa? Also, how many of the contributors owned a dansette? Can we get through one episode without discussing Doctor Who? And why does a fight break out every time a member of the team tries to play a Whitney Houston song in public?…
Tim and Peter were busy this week, so Shaun had a debate with himself, about the fifth studio album by Hawkwind, Warrior On The Edge Of Time. The ‘discussion’ includes the following topics: where ‘Warrior’ stands in the Hawkwind canon, Hawkwind’s relationship to the British counterculture and whether ‘the Warrior’ was a metaphor for the band itself. Also, is it pronounced Elrich, or Elrich? What happened when the Anglo-Saxons broke ranks at Senlac Hill? And how many member of Hawkwind has Shaun actually met (while playing cricket)?…
Peter, Shaun and Tim discuss their opinions of the tenth album by Pink Floyd, Animals. The discussion includes: whether the album was an attempt to fit in with the punk aesthetic, whether Roger Waters is a genius or not, to what extent is the band channeling George Orwell and what role love has to play in the album’s theme. Also, what is the band’s problem with the animals? Who was Mary Whitehouse? Is it pronounced Battersea or Battersea? And what happened when Shaun bumped into Dave Mattacks in the toilets?…
Peter and Shaun were busy this week, so Tim had a conversation with himself, about the unreleased album by The Beach Boys, Smile! The ‘discussion’ includes: the myth versus the reality of Smile!, whether it really would have changed the course of rock history if it had been released, how it relates to the following album Smiley Smile and how The Beach Boys and The Beatles saw each other. Also, why did Capitol Records print 400,000 album covers for an album that didn’t exist? What happened to the missing chorus of Heroes and Villains? And did Brian Wilson really start the fire that happened next door to the Beach Boys’ studio because he recorded a song called ‘Fire’?…
Peter, Shaun and Tim discuss their favourite 60s bands, minus ‘the big two’. How does the British rock and pop scene stand up without its two most famous elements? The guys discuss: the difference between musical contributions and cultural contributions, the influence of folk and blues, what it means to say that a band made its key contributions in the 60s (if they continued into the 70s) and whether the musicianship at the time matched the songwriting. Also, which 60s pop drummer was the best? Which band looked coolest on the Ed Sullivan show? And which 60s musicians would play which role in a hypothetical casting of Oliver?…
Peter, Shaun and Tim discuss their opinions of the third album by Cream, Wheels Of Fire (Studio). The discussion includes: whether the band can be considered psychedelic or not, why they are masters of the art of syncopation and why they hated each other so much. Also, was Cream really a jazz band but noone had bothered to tell Eric? Is Pressed Rat And Warthog really like Wind in the Willows on acid? Is Ginger Baker doing satirical drumming on Politician? And were things really so great in the lost city of Atlantis?…
Peter and Shaun were busy this week, so Tim had a conversation with himself, about the third album by Iron Maiden, The Number Of The Beast. The ‘discussion’ includes: the programmatic nature of Maiden’s music, why this album is considered their best, why they always use the same chords, and which their best line-up was. Also, was Hallowed Be Thy Name based on a book by Dostoyevsky? Is this Iron Maiden’s most woke album? Is 22 Acacia Avenue based on Roxanne by The Police? And did the title track ultimately lead to Brexit?…
This week, Peter, Shaun and Tim discuss their least favourite songs by possibly the greatest band of all time, thus providing a potential track listing for a third mythical album to add to “The White Album” and “The Black Album”: “The Brown Album”. Topics discussed include the following. Will George and Ringo be over-represented in the list? Are later bad Beatles songs worse than early bad Beatles songs? Is ‘over-McCartneyish’ a legitimate criticism? And: is ‘the greatest Beatles song of all time’ actually their worst? Also: on how many levels can a bad song be bad? What was Paul McCartney really doing ‘in the road’? If Harrison was so tired on Blue Jay Way, why didn’t he just go to bed? And finally, if The Beatles really believed that ‘All You Need Is Love’, why did they start by quoting the Marseillaise, the most bloodthirsty song in history?…
Peter, Shaun and Tim discuss their opinions of the seventh studio album by King Crimson, Red. The discussion includes: the band’s incredible musicianship, the relative merits of the albums in the Mark III period, whether the group sounds better with or without violin, and whether Starless is the greatest King Crimson track of all time. Also, can Robert Fripp play the blues? Does Phil Collins sound like a seal? Does time literally slow down when the band is doing an over-long improvisational passage? And what would it sound like if cardboard could sing?…
Peter, Shaun and Tim discuss their opinions of the third album by Camel, The Snow Goose. The discussion includes: the quality of Camel's musicianship, why they decided to do an instrumental album, where does the band stand in the British prog canon and to what extent can music represent images? Also, were the band influenced by 70's game show music? Why did they choose duck sounds to represent a goose? Why didn't the Nazis finish off the British army at Dunkirk? And does Canterbury really exist?…
Peter and Shaun were busy this week, so Tim did a monologue about the newly-rereleased Queen 1. The monologue includes: the uneven development between Queen’s songwriters, the brilliance of Brian May’s guitar playing, whether Queen’s singles are better than their albums, and is the cover an early example of ‘queering’? Also, was Freddie a Christian? Did Roger Taylor really need a drum solo? And would Leon Trotsky have liked Bohemian Rhapsody?…
Peter, Shaun and Tim discuss their opinons of the second album by Led Zeppelin. The discussion includes: the British blues explosion of the sixties, the difference between English folk and American folk, why couldn’t the band think of proper names for their albums?, and did John Bonham write Whole Lotta Love? Also: are the lyrics on this album good or not? Did they understand that the name Led Zeppelin was a metaphor? And which is better: Toad by Cream or Moby Dick by Led Zeppelin? There’s only one way to find out……
Peter, Shaun and Tim rank the Genesis studio albums. There's a few surprises, and one or two good rants. Also, how many ways are there to count to 15? And what does Shaun's brother Steve think?
Peter, Shaun and Tim discuss their opinions of the fourth album by Jethro Tull, Aqualung. The discussion includes: Jethro Tull’s innovative lyrics, whether their style precipitated prog rock and heavy metal, why the album was so big in America, and, most crucially, was it a concept album or not? Also, did Ian Anderson really threaten to do a flute solo if the band didn’t nail their solos in two takes? What's the English word for pants? And what’s it like to share a bathroom with John Bonham?…
Peter, Shaun and Tim discuss their opinions of the fourth album by Rush, 2112. The discussion includes: Rush’s career swerve, the band’s fascination with Ayn Rand, why the album was considered better than Caress of Steel, and whether the whole concept for the album actually came from Tchaikovsky. Also, what actually happens in the title track? Would it really be so bad to live under the rule of the Priests? And is the postcode for The Temples of Syrinx SY or SX?…
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