The Next Reel Film podcast

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Biscuits & Jam

1
The War and Treaty Are Getting Carried Away 46:55

۸ روز پیش46:55

پخش در آینده

لیست ها

پسندیدن

دوست داشته شد

46:55

The War and Treaty’s Michael and Tanya Trotter grew up in Cleveland, Ohio, and Washington, DC, respectively, but both have family roots in the South. They also grew up in the musical traditions of their churches – Tanya in the Black Baptist Church and Michael in the Seventh Day Adventist Church – where they learned the power of song to move people. After becoming a father at a very young age, Michael eventually joined the armed forces and served in Iraq and Germany, where he took up songwriting as a way of dealing with his experiences there. Meanwhile Tanya embarked on a singing and acting career after a breakthrough appearance in Sister Act 2 alongside Whoopi Goldberg and Lauryn Hill. Now, after a long and sometimes traumatic journey, Michael and Tanya are married, touring, winning all sorts of awards, and set to release their fifth album together, and their fourth as The War and Treaty. Sid talks to Michael and Tanya about the new record, Plus One , as well as their collaboration with Miranda Lambert, what it was like to record at FAME studios in Muscle Shoals, and how they’re blending country, soul, gospel, and R&B. Learn more about your ad choices. Visit podcastchoices.com/adchoices…

The Next Reel Film Podcast

اشتراک گذاری

خانه سری•Feed

A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.

741 قسمت

#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

The Next Reel Film Podcast

updated 12 روز پیش

اشتراک گذاری

خانه سری•Feed

741 قسمت

#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

همه قسمت ها

The Next Reel Film Podcast

1
The Most Dangerous Game 1:04:40

۶ روز پیش1:04:40

1:04:40

“What I needed was not a new weapon, but a new animal.” Setting the Stage for the Ultimate Hunt In 1932, RKO Pictures produced The Most Dangerous Game while simultaneously building elaborate jungle sets for their upcoming production of King Kong . Based on Richard Connell's 1924 short story, the film became one of the earliest to explore the concept of humans hunting humans. Using the same jungle sets and several cast members who would later appear in King Kong , including Fay Wray, directors Irving Pichel and Ernest B. Schoedsack crafted this taut 63-minute thriller on a modest budget. Join us – Pete Wright and Andy Nelson – as we kick off the People Hunting People series with this 1932 film The Most Dangerous Game . Pre-Code Thrills and Dark Psychology The film's pre-Code status allowed for surprisingly graphic content, including human heads displayed in jars and mounted on walls. Originally, even more shocking footage was shot, including fully stuffed human corpses positioned in death poses, though these scenes were ultimately cut. As Bob Rainsford and Eve Trowbridge run through the jungle, their clothing becomes increasingly torn and revealing – another pre-Code element that wouldn't have made it past censors a few years later. The film's exploration of hunting humans as sport raises intriguing questions about civilization versus savagery. Count Zaroff's twisted philosophy about hunting humans being the ultimate game creates a compelling narrative that examines humanity's darker impulses. Leslie Banks delivers a memorably sinister performance as Zaroff, using his real-life facial paralysis to enhance his character's menacing presence. Points of Discussion The innovative cinematography, including POV shots through the jungle Max Steiner's adventurous score that becomes diegetic when played on piano The film's efficient use of its brief 63-minute runtime Its enduring influence on the "humans hunting humans" subgenre The rapid development of the central romance This lean, atmospheric thriller maintains its impact even after 90 years. While some elements feel dated, The Most Dangerous Game effectively establishes many tropes that would define the "hunting humans" subgenre. We found much to admire in this tightly-crafted adventure, particularly its exploration of humanity's capacity for both civilization and savagery. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Women in Cages • Member Bonus 11:42

12 روز پیش11:42

11:42

“We all have our devils, my dear.” Roger Corman's Exploitation Era in the Philippines In the early 1970s, Roger Corman discovered he could stretch his production dollars further by filming in the Philippines. He partnered with established Filipino director Gerardo de Leon, known for his award-winning films and work in the Filipino film industry since 1938. Despite de Leon's prestigious background, Corman convinced him to direct Women in Cages , though de Leon would later distance himself from exploitation films. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about Women in Cages . Breaking Free from Prison Film Conventions Pete and Andy engage in a spirited debate about the merits of Women in Cages , with Andy finding more depth than expected while Pete struggles with its exploitation elements. The film follows Jeff, a naive American woman framed by her drug-dealing boyfriend and imprisoned in a corrupt facility run by a sadistic guard played by Pam Grier. Through their discussion, they explore how the film attempts to balance serious themes with exploitation requirements. Deeper Themes Behind Prison Bars Strong performance by Pam Grier as Alabama, the complex and ruthless prison guard Examination of power dynamics and corruption within the prison system, though Pete questions if these themes truly land Controversial portrayal of violence and nudity that divides our hosts Noteworthy ending that leaves a lasting impact about women trapped in cycles of abuse Discussion of de Leon's reluctant participation in exploitation cinema Analysis of how the film handles themes of sexual exploitation and systemic corruption Classic Corman cost-cutting: Film set in a Spanish-speaking country but shot in the Philippines While Pete finds the film's exploitation elements overwhelming, distracting, and worst of all—boring, Andy appreciates its attempts to tackle deeper themes about women trapped in various forms of imprisonment. Whether viewing it as pure exploitation or something more substantial, Women in Cages represents an interesting chapter in Corman's production history and de Leon's career. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus content, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Mank 1:07:11

13 روز پیش1:07:11

1:07:11

“You can make the world swear King Kong is ten stories tall and Mary Pickford a virgin at 40, yet you can’t convince starving voters that a turncoat socialist is a menace to everything California holds dear? You’re barely trying.” David Fincher's Personal Connection to Old Hollywood After decades of development, David Fincher finally brought his late father Jack Fincher's screenplay about Herman J. Mankiewicz to life. Originally planned for production in the late 1990s with Kevin Spacey and Jodie Foster attached, the project stalled when studios balked at Fincher's insistence on shooting in black and white. Following Jack Fincher's death in 2003, David continued developing the script, eventually partnering with Netflix who gave him creative freedom to realize his father's vision. Join us – Pete Wright and Andy Nelson – as we return to our David Fincher series with a conversation about Mank . Writing History Through a Modern Lens In discussing Mank , we explore how Fincher approaches the controversial story of who really wrote Citizen Kane , while examining the film's portrayal of 1930s Hollywood politics through a contemporary perspective. We debate the historical accuracy of certain story elements and character portrayals, particularly regarding Herman Mankiewicz's political leanings and relationship with William Randolph Hearst. Behind the Scenes of Old Hollywood The film raises interesting questions about the balance between historical accuracy and dramatic storytelling. While some criticize the film's creative liberties with Mankiewicz's political views and relationships, we discuss whether these changes serve a greater purpose in crafting a compelling narrative. This leads to a broader conversation about the responsibilities filmmakers have when telling true stories and whether artistic license can be justified in service of a larger truth. Key Discussion Points Oldman's compelling performance as Mankiewicz... without prosthetics The technical achievements in recreating the period look using modern digital tools Amanda Seyfried's standout portrayal of Marion Davies Trent Reznor and Atticus Ross's period-appropriate score recorded remotely during COVID The film's exploration of fake news and media manipulation then and now Crafting a Modern Classic While not ranking among Fincher's most dynamic works as far as we’re concerned, Mank succeeds as both a love letter to classic Hollywood and a thoughtful examination of the creative process. Despite some historical liberties, the film's technical excellence and strong performances make it a worthy addition to Fincher's filmography. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Check out these other Mank-adjacent conversations in The Next Reel’s family of podcasts: Movies We Like: Cinematographer Erik Messerschmidt on Chinatown The Film Board: Erik Messerschmidt joins Justin Jaeger and Tommy Metz III for a Conversation on The Killer The Film Board: Mank Find places to watch this at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Anguish 1:03:04

20 روز پیش1:03:04

1:03:04

“You must start thinking of the spiral, the spiral that’s coming into your head.” An Overlooked Horror Gem In 1987, Spanish filmmaker Bigas Luna ventured into the horror genre with an innovative approach to storytelling. Working with a budget of $2 million, Luna crafted a unique narrative that would blend psychological horror with commentary on cinema itself. Despite its limited theatrical release and modest box office returns (to be generous), the film would go on to win several awards and be nominated for others. Join us – Pete Wright and Andy Nelson – as we wrap up this return to the 'Spoiled. Rotten? Twist Endings' series with a conversation about Luna’s 1987 film Anguish . Eyes Wide Open for This Horror Experience The film follows John Pressman (Michael Lerner), a troubled ophthalmologist's orderly whose overbearing mother (Zelda Rubinstein) exercises an unusual amount of control over his life. As their story unfolds, Luna takes viewers on an unexpected journey that challenges conventional horror storytelling. A Deeper Look into Cinema's Dark corners We discuss how the film's unique approach to storytelling enhances rather than diminishes its impact. While we initially found the first act somewhat challenging, we agree that the film's revelations make these early moments more meaningful in retrospect. We particularly praise Michael Lerner's performance and Zelda Rubinstein's uniquely unsettling presence. Key Elements of Discussion: The effective use of sound design and visual elements to create a hypnotic atmosphere The film's commentary on cinema and audience experience The innovative approach to horror storytelling The challenges of distribution and accessibility in modern times The potential impact of a modern remake The film's lasting influence on horror cinema Anguish proves itself to be a fascinating and innovative piece of horror cinema that deserves wider recognition. Despite its limited availability, this hypnotic and unsettling film rewards viewers with its creative storytelling and memorable performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Strait-Jacket 1:02:29

27 روز پیش1:02:29

1:02:29

“Lucy Harbin was declared legally insane today.” William Castle Brings Joan Crawford Back to Horror In the early 1960s, William Castle was known for his theatrical gimmicks and B-movie horror films. After the success of Whatever Happened to Baby Jane? , Castle saw an opportunity to work with Hollywood legend Joan Crawford. He enlisted acclaimed writer Robert Bloch, fresh off his success with Psycho , to craft a psychological thriller that would showcase Crawford's talents while delivering the shock value his audiences craved. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Strait-Jacket . Axe Murders and Plot Twists: Examining Psychological Horror The film follows Lucy Harbin (Crawford), who returns home after spending 20 years in an asylum for brutally murdering her husband and his lover. While the movie sets up an interesting exploration of psychological trauma and mother-daughter relationships, Pete and Andy discuss how the third act reveals impact what could have been a compelling dramatic story. They debate whether the film's ending undermines the careful character development established throughout the narrative. Beyond the Blade: Production Elements and Performances The discussion delves into several fascinating aspects of the film's production and impact: Crawford's commanding performance and range William Castle's marketing tactics, including distributing cardboard axes to moviegoers The film's interesting use of shadows and darkness in murder scenes Product placement history with Pepsi due to Crawford's connection to the company George Kennedy's memorable performance in his small role The evolution of the "hagsploitation" subgenre Strait-Jacket delivers as both a psychological thriller and a showcase for Crawford's talents, though some narrative choices may divide audiences. The film offers interesting commentary on societal treatment of women and mental illness, even if it doesn't fully capitalize on these themes. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Shattered 1:02:54

۵ weeks پیش1:02:54

1:02:54

“You know what I like about amnesia?” A Psychological Thriller with Twisting Memories In 1991, psychological thrillers were hitting their stride, delivering increasingly complex narratives filled with shocking twists. Wolfgang Petersen's Shattered emerged during this period as a stylish entry in the genre, starring Tom Berenger and Greta Scacchi. The film would mark another step in Petersen's Hollywood journey following his success with German cinema. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Shattered . Navigating the Fragments of Memory and Identity The film's elaborate plot twists and amnesia-driven narrative provide plenty of material for discussion. We thoroughly enjoy the movie's over-the-top nature and soap opera-style revelations, though we differ on its rewatchability. Pete suggests that much of the fun comes from discovering the surprises for the first time, while Andy argues the film's entertainment value persists even when you know what's coming. We also examine the plausibility of certain character actions, particularly regarding Greta Scacchi's performance and her character's behavior in solo scenes. Key Elements of Discussion The impressive car crash sequence and its technical achievements Bob Hoskins' scene-stealing performance as a pet shop owner/private investigator Alan Silvestri's replacement score after Angelo Badalamenti's original was rejected The film's noir-influenced cinematography by Laszlo Kovacs Tom Berenger's ability to portray both innocence and menace effectively The psychological accuracy of the amnesia portrayed in the film Despite its modest box office performance, Shattered delivers an entertaining blend of 90s thriller conventions with enough style and memorable performances to warrant attention. As a film that fully embraces its melodramatic twists while maintaining its noir-influenced style, it proves to be an engaging entry in the psychological thriller genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Pit and the Pendulum • Member Bonus 11:30

۶ weeks پیش11:30

11:30

“To be absolutely blunt about it, Nicholas believes that Elizabeth may have been interred... prematurely.” Roger Corman's Poe Adaptations Take Flight Following the success of House of Usher in 1960, American International Pictures eagerly greenlit another Edgar Allan Poe adaptation with Roger Corman at the helm. Richard Matheson returned to pen the screenplay, significantly expanding Poe's short story about torture during the Spanish Inquisition into a gothic tale of madness and revenge. With Vincent Price signed on to star and Daniel Haller designing the elaborate sets, Corman aimed to outdo their previous success with an even more ambitious production, working with a budget of $300,000. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about The Pit and the Pendulum . Swinging Between Horror and Drama The film generates interesting discussion around its adaptation choices, particularly how it expands beyond Poe's original story. While Andy found entertainment value in Vincent Price's increasingly unhinged performance and the gothic atmosphere, Pete felt the film didn't deliver enough on its titular torture devices. Both hosts praise the impressive pendulum mechanism and sprawling dungeon sets, though they note the film saves these elements primarily for the finale. More Than Just Torture Devices The hosts explore Richard Matheson's screenplay contributions across multiple Corman-Poe films, discuss the film's influence on young Stephen King, and analyze how it compares to other adaptations of the period. They also examine the strong box office performance that helped cement AIP's commitment to more Poe films. Key Discussion Points: Barbara Steele's memorable performance as Elizabeth The effective use of color and dream sequences Debates over the film's marketing using different title variations The elaborate castle sets despite the modest budget John Kerr's portrayal of Francis Barnard The final shot revealing Elizabeth's fate While Pete found the film somewhat lacking in delivering on its horror and torture premise, Andy appreciated its atmospheric gothic qualities and Vincent Price's commanding presence. Despite their differing opinions, both agree The Pit and the Pendulum represents an important entry in Corman's Poe cycle that helped establish a formula for future adaptations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this that only members can access. You also get access to members-only Discord channels, early ad-free releases for every episode, pre- and post-show chats, and more. Plus, you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
A Dandy in Aspic 1:04:16

۶ weeks پیش1:04:16

1:04:16

“You haven't got an ounce of understanding or emotion in your body. You died the moment you were born. And when your heart finally stops beating, it'll be a mere formality.” From Novel to Cold War Spy Thriller Derek Marlowe's first novel caught the attention of producers looking to capitalize on the success of spy thrillers in the 1960s. With Anthony Mann set to direct and Lawrence Harvey to star, they began production in 1967. However, Mann's unexpected death during filming led to Harvey taking over directorial duties for the final portion of the shoot. Furthermore, Frank Sinatra's daily calls to the production demanding his wife Mia Farrow's return added additional tension to the complicated shoot. Join us – Pete Wright and Andy Nelson – as we wrap up the 1968 Crime Films series with a conversation about A Dandy in Aspic . A Double Agent Trapped in Aspic The film follows a Russian double agent ordered to track down and assassinate himself, creating an intriguing premise that never quite reaches its full potential. While the spy thriller elements and Cold War setting provide fertile ground for tension and intrigue, the execution falls short of contemporaries like The Spy Who Came in from the Cold . Additionally, Mia Farrow's character feels superfluous, appearing everywhere without clear purpose to the plot. Other Elements We Discuss Lawrence Harvey's dour performance and directorial contribution The Cold War atmosphere of London and Berlin locations Quincy Jones's '60s-era score The creative marionette title sequence Tom Courtney's engaging supporting performance The film's peculiar title and its cultural context The dangerous AVUS racing circuit featured in the finale Despite its flaws, A Dandy in Aspic offers an interesting take on the spy genre with solid performances and authentic Cold War locations. Though we found the film somewhat uneven and less engaging than other spy thrillers of the era, its unique premise and historical significance make it worth examining. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Watch it on the web Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Split 1:00:00

۷ weeks پیش1:00:00

1:00:00

“You're walking out on 85 grand?” MGM's Bold Step into R-Rated Territory In 1968, MGM was looking to break away from their family-friendly reputation and venture into more adult-oriented content. Based on Donald E. Westlake's Parker novel "The Seventh," they brought in Scottish director Gordon Flemyng fresh off his success with Great Catherine . With a stellar ensemble cast led by Jim Brown and a groundbreaking approach to racial representation in crime films, MGM was ready to push boundaries. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Split . Breaking Down This Historic Heist The Split represents several significant firsts - it was MGM's first R-rated film and featured Jim Brown as one of the first Black leading men in a major studio crime thriller. The film follows McClain (Brown) as he assembles an unlikely crew to rob the LA Coliseum during a playoff game. While the heist itself succeeds, the aftermath leads to betrayal, murder, and an unconventional alliance with a detective (Gene Hackman). The Film's Place in Crime Movie History Innovative team-building sequences showing McLean testing each potential crew member Strong performances from an all-star cast including Ernest Borgnine, Donald Sutherland, Jack Klugman, Warren Oates, Diahann Carroll, James Whitmore, and Julie Harris Progressive handling of racial themes without making them the central focus A period-specific heist that could only work in the pre-digital age Quincy Jones's distinctive musical score setting the 60s mood The film's unique position as part of the Parker novel adaptation series We both found The Split to be an entertaining and significant entry in the crime film genre, particularly noteworthy for its groundbreaking representation and MGM's willingness to push into edgier territory. The film successfully balances action, character development, and social commentary while delivering a satisfying heist narrative. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch The Cinematic Legacy of Donald E. Westlake Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Boston Strangler 58:28

۸ weeks پیش58:28

58:28

“It’s bad enough if he’s guilty, but what if he’s innocent and you push him over the edge?” Setting the Stage for a Controversial True Crime Adaptation In 1966, writer Gerald Frank published his bestselling book about the Boston Strangler case, catching the attention of 20th Century Fox and producer Richard D. Zanuck. Director Richard Fleischer, known for his genre work, was brought on to helm the project. Against initial studio resistance, Tony Curtis lobbied hard for the lead role of Albert DeSalvo, even doing a screen test that convinced Zanuck. The film aimed to tell the story of the infamous Boston Strangler cases while they were still fresh in public memory. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Boston Strangler . Strangling Expectations: A Deep Dive into The Boston Strangler The film takes a fascinating approach to its subject matter by withholding DeSalvo's appearance until halfway through, building tension through police procedural elements and Henry Fonda's measured performance as John Bottomly. We discuss how Fleischer's innovative use of split-screen techniques helps tell multiple narrative threads simultaneously, while exploring the psychological complexity of the case. Though some period elements feel dated, Tony Curtis delivers a transformative performance that deserved Oscar recognition. Further Investigation into the Film's Impact Richard Fleischer's masterful direction and experimental visual style The film's treatment of psychological themes versus historical accuracy Strong supporting performances from George Kennedy and Sally Kellerman Contemporary critical response, including Roger Ebert's moral objections How the film stands up against modern true crime adaptations The evolution of public understanding of the actual case The Boston Strangler remains a compelling piece of cinema despite its historical inaccuracies. While the film takes creative liberties with the true story, its innovative visual style and Curtis's remarkable performance make it a standout entry in the 1968 crime film genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Grand Slam 1:03:39

۹ weeks پیش1:03:39

1:03:39

“All four with clean records. No police force in the world knows them or their work. In their fields, the very best.” Unveiling a Hidden Heist Film Gem from 1967 In 1967, Italian director Giuliano Montaldo brought together an international cast for an ambitious heist film co-production between Italy, Spain, and West Germany. Coming off his success with The Reckless , which was nominated for the Golden Bear prize at the Berlin International Film Festival, Montaldo secured Edward G. Robinson and Janet Leigh as two of his leads. With legendary composer Ennio Morricone providing the score, the production aimed to create a sophisticated entry in the burgeoning heist film genre. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about Montaldo’s 1967 film Grand Slam . Breaking Down This International Heist Caper The film follows a meticulous plan to rob $10 million in diamonds during Rio's Carnaval, orchestrated by Robinson's retired professor character. We discuss how the film builds tension through its carefully assembled team of specialists and elaborate heist sequence. While the ending has divided audiences over the years, we explore how this twist-filled finale actually enhances the film's themes about crime and betrayal. Key Elements of the Grand Slam Heist • The innovative card catalog system used to assemble the criminal team • Klaus Kinski's intense performance as the ex-military member of the crew • Janet Leigh's role and how her development may have been too much a giveaway, at least through modern eyes • Ennio Morricone's distinctive, Carnaval-influenced score • The technical achievement of the vault robbery sequence • The film's use of international locations, including some clever substitutions (and some bad blue screen) When Plans Come Together Despite being somewhat forgotten today, Grand Slam delivers as both a meticulously crafted heist film and an engaging story with great characters. We both rate it highly, appreciating its technical prowess and storytelling even when some of the twists become predictable. The film deserves more recognition among classic heist films of the 1960s for its innovative approach and international flair. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple , Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
After the Fox 1:02:33

10 weeks پیش1:02:33

1:02:33

“In films, either you’ve got a face or you don’t got a face. You've got a face. Can I have it, please?” A Comedic Heist Caper from an Unlikely Collaboration In 1966, Peter Sellers sought to work with renowned Italian neorealist director Vittorio De Sica, bringing aboard playwright Neil Simon to pen his first screenplay. Despite De Sica's reported gambling debts motivating his involvement, the collaboration proved challenging. De Sica struggled with Simon's script and Sellers' performance style, while conflicts arose over casting choices, including Sellers' then-wife Britt Ekland. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about De Sica’s 1966 film After the Fox . Breaking Down This Fox's Complicated Hunt The film weaves together elements of heist capers and Hollywood satire, following master criminal Aldo "The Fox" Vanucci as he poses as an Italian film director to orchestrate a gold heist. While the premise shows promise, the movie struggles to balance its dual identity as both heist film and industry commentary. However, the stellar performances, particularly from Sellers and Victor Mature (playing a delightfully self-aware version of himself), help elevate the material beyond its structural issues. Key Elements of This Unique Crime Comedy • Peter Sellers' multiple disguises and his protective relationship with his sister (played by then-wife Britt Ekland) • Victor Mature's comeback performance lampooning his own image • The film's satirical take on moviemaking and celebrity culture • Burt Bacharach's memorable earworm title song • The clever setup of the heist using a film production as cover • A somewhat disappointing climactic car chase that fails to deliver on the film's early promise While After the Fox may not fully succeed as either a heist film or industry satire, it offers enough charm and laughs to warrant attention. The film's unique blend of crime caper and showbiz satire, combined with Sellers' comedic prowess, makes it an entertaining entry in both his filmography and the heist genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Death Race 2000 • Member Bonus 14:16

10 weeks پیش14:16

14:16

“A perfect hit! And no pain for the target. Too bad the guy was only 38; just two years older, he'd have been worth three times the points.” Roger Corman's Vision of a Dystopian Future In 1974, Roger Corman learned about Norman Jewison's upcoming film Rollerball and decided to capitalize on its publicity by producing his own futuristic sports film. Based on a short story by Ib Melchior inspired by his experiences at the Indianapolis 500, Corman brought on Paul Bartel to direct what would become a satirical commentary on violence in entertainment and totalitarian control. With a budget of just $300,000, Corman assembled a cast including David Carradine and a pre-Rocky Sylvester Stallone to create this violent vision of America's future. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about Bartel’s 1975 film Death Race 2000 . Racing Through the Film's Key Points The film's unique blend of dark comedy and social commentary creates an engaging discussion about its place in both exploitation cinema and political satire. We explore how Corman's influence shaped the film's development, particularly his push to emphasize comedy and include gratuitous elements that became his trademark. The movie's transformation from a serious script to a more satirical piece showcases Corman's understanding of what would appeal to audiences. Additional Pit Stops in Our Discussion • The cultural context of car-themed movies in the 1970s and their connection to American car culture • David Carradine's performance as Frankenstein and whether he was the right choice for the role • The film's commentary on media manipulation and fan culture • How the limited budget affected the scale of the cross-country race • The surprising franchise legacy, including multiple sequels and remakes • Tak Fujimoto's cinematography and how it enhanced the racing sequences A Victory Lap Worth Taking Despite its low budget and exploitation elements, Death Race 2000 succeeds as both entertainment and satire. While some critics initially dismissed it, including Roger Ebert who gave it zero stars before later acknowledging its merits, the film has earned its place as a cult classic. Both hosts thoroughly enjoyed the film, with Andy giving it four stars and Pete giving it three stars with a heart on Letterboxd. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The League of Gentlemen 1:07:29

11 weeks پیش1:07:29

1:07:29

“This was not intended to be a book-of-the-month club lunch.” A British Heist Film That Set Early Genre Standards In 1958, John Boland published his novel The League of Gentlemen , which quickly caught the attention of British filmmakers. Director Basil Dearden, known for his work with Ealing Studios, saw potential in this story of ex-military men planning an elaborate bank robbery. Working with screenwriter Bryan Forbes, who also took a role in the film, Dearden assembled an impressive cast including Jack Hawkins, Richard Attenborough, and Nigel Patrick. Join us – Pete Wright and Andy Nelson – as we return to our Heist Films series with a conversation about Dearden’s 1960 film The League of Gentlemen . Breaking Down This Military-Precision Heist The film follows a group of former military officers who, feeling cast aside by society (and kicked out of the military), band together to execute a sophisticated bank robbery. As we discuss the film, we explore how it handles character development within its large ensemble cast. While some characters receive more attention than others, the film mostly effectively balances its numerous players. Furthermore, we examine how the film's visual elements, particularly the smoke-filled heist sequence with gas masks, create memorable and striking imagery in black and white. Exploring Themes and Cultural Context Throughout our discussion, we delve into several fascinating aspects of the film: The military hierarchy that naturally reasserts itself among the characters The film's commentary on post-war soldiers struggling to find their place in society The blend of comedy and crime elements that would influence future heist films The impressive performances, particularly from Jack Hawkins and Richard Attenborough The film's innovative use of practical effects, especially during the climactic heist sequence The cultural attitudes and gender relations reflected in the film A Must-Watch Early Heist Film The League of Gentlemen stands as an important early entry in the heist film genre, arriving the same year as the original Ocean's 11 . While some character development opportunities may have been missed due to the large cast, the film succeeds in delivering both entertainment and social commentary. We both thoroughly enjoyed this British crime caper, particularly appreciating its technical achievements and ensemble performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Sum of All Fears 1:11:11

12 weeks پیش1:11:11

1:11:11

“When I asked for your advice, I didn't mean that you should actually speak.” Rebooting the Jack Ryan Franchise After the success of Patriot Games and Clear and Present Danger , Paramount Pictures aimed to continue the Jack Ryan franchise with an adaptation of The Sum of All Fears . Initially, Harrison Ford was set to reprise his role as Jack Ryan, but he and director Phillip Noyce dropped out due to script issues. Paramount then decided to reboot the franchise with a younger actor, offering the role to Ben Affleck, who received blessings from Ford and Alec Baldwin. With director Phil Alden Robinson on board, the stage was set for a new era of Jack Ryan. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Noyce’s 2002 film The Sum of All Fears . A Bold Adaptation Filled with Fascinating Political Intrigue In this episode, we delve into the daring choices made in adapting Clancy's novel, particularly how the film allows Jack Ryan, the embodiment of institutional intelligence, to fail. The movie's second half, focusing on the aftermath of a devastating bomb blast in Baltimore, surprised us with its engaging portrayal of escalating tensions between the U.S. and Russian presidents. We appreciate how the film questions the intelligence and diplomacy machine by highlighting Ryan's struggle to convey crucial information to decision-makers. (Mostly) Great Performances and Controversial Villains Throughout our discussion, we praise the performances of James Cromwell as President Fowler, Morgan Freeman as CIA Director William Cabot, and Liev Schreiber as John Clark. However, we do struggle a bit with Affleck playing Ryan. We also express disappointment in the film's decision to replace the Islamic terrorists from the novel with neo-Nazis, feeling that it weakens the story's impact and makes the villains less compelling. Other points: The challenges of adapting Clancy's novel and the script issues that led to the reboot Ben Affleck's performance as a younger Jack Ryan The film's depiction of the U.S. and Russian presidents' responses to the crisis Alan Bates and Colm Feore's roles as tepid neo-Nazi villains and their impact on the story A Thought-Provoking Entry in the Jack Ryan Series While The Sum of All Fears may not be the most celebrated entry in the Jack Ryan series, it offers a thought-provoking exploration of political intrigue and the consequences of intelligence failures. Despite some weaknesses in its adaptation choices and the lead casting choice, the film's second half delivers a gripping narrative that keeps viewers engaged. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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