Bukit Timah is a site of urban complexity and historical significance. The quarries around Bukit Timah Hill were built to meet the needs of a growing urban population from the early to mid-20th century, especially during the construction boom of the post-independence period. By the 1970s, the quarries around Bukit Timah Hill were exhausted. Over the years, they have gradually been reclaimed and given a new lease of life as urban parks. Embark on an acoustic journey with artist Oh Chai Hoo through Bukit Timah Nature Reserve. Together, you will traverse areas such as Hindhede Quarry and Dairy Farm Nature Park. By unearthing the historical narratives of the area through Oh’s personal memories, this acoustic journey encourages you to revisit the idea of a landscape: What is its aesthetic appeal? How do we situate ourselves physically or spiritually in a space lost in time? This audio trail is in Mandarin. Interviewer: Lenette Lua Sound designer: Jevon Chandra 新加坡艺术家胡财和以其水墨实验作品与跨媒介创作为名。万物自然的状态，特别是武吉知马的石头长期在风吹日晒中所形成的斑驳与纹理，更是胡财和源源不绝的灵感源泉。 武吉知马区承载着新加坡许多建国记忆。在20世纪初到中期，特别是建国后期，为满足城市人口的发展，武吉知马周围建造了很多采石场，直到70年代，随着采石场的资源逐渐被消费殆尽。武吉知马也在城市规划下随之转型为自然保护区。 此次语音导游邀请您与艺术家胡财和在武吉知马自然保护区漫步,一同穿梭于海希德矿湖与奶牛农场自然公园。通过胡老师自身的回忆与分享，本次语音旅行将重现武吉知马自然保护区的历史及其演变，从中重审“风景”的含义：它的美感是什么？而我们又如何与时过境迁的土地建立联系？ 此次语音导游为华语。 采访者：赖英理 音效设计师：曾繁荣 About the artist 关于艺术家 Oh Chai Hoo is a Singapore artist who works extensively with different media. He began making art at 14 and had his first group exhibition just a year later, eventually graduating from Nanyang Academy of Fine Arts in 1982. Over the decades, Oh has been admired for his fearless experimentation with the ink medium and his works have been featured in numerous solo and group exhibitions both locally and overseas. He was the Vice President of Siaw-Tao Chinese Seal Carving, Calligraphy & Painting Society and his works are collected by the National Museum of Singapore and the Istana, Singapore. 新加坡艺术家胡财和以其跨媒介创作为名。他于14岁开始艺术创作，并于15岁与当地先驱艺术家们共同参展。自1982年从南洋艺术学院毕业，胡财和通过尝试各种媒介，创造了属于自己的水墨的创作语言。他的作品曾多次出展于世界各地的个展与群展。他曾任新加坡啸涛篆刻书画会的副会长。此画会创办于1971年，旨在促进与推广新加坡篆刻书画艺术的发展。他的作品被新加坡国家博物馆和总统府收藏。