A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.
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Filmmaker’s Guide to SXSW: Tips, Takeaways & Tough Lessons
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1:11:20No Film School founder and director Ryan Koo flips the script in this special episode, interviewing regular podcast host GG Hawkins about the world premiere of her feature film I Really Love My Husband at the 2025 SXSW Film Festival. GG shares her whirlwind experience of showcasing her first feature, from managing the chaos of festival logistics an…
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Blueprints for Making Films Outside of the System
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1:11:42In this episode, GG Hawkins and Jason Hellerman present a roundtable discussion with independent filmmakers Daniel Talbott, Sav Rogers, and Mikko Mäkelä. These three creatives share their unique journeys in the film industry, highlighting the importance of queer cinema, mentorship, and community. They discuss the challenges of gatekeeping, the powe…
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Crafting Connection: The Editors Behind 'Daughters'
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1:02:04In this episode, we dive into the editing process behind Daughters, the heart-wrenching and beautifully crafted documentary that follows four young girls preparing for a father-daughter dance with their incarcerated fathers. Editors Troy Lewis and Adelina Bichis take us inside their process, from shaping the raw footage to balancing the film’s emot…
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Amazon Captures Bond and a Producer on Producing
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1:06:50In this special episode of No Film School, GG Hawkins and Jason Hellerman dive into the Amazon acquisition of James Bond, what it means for the future of the franchise, and whether Bond spin-offs are inevitable. They also discuss IP fatigue and how streamers are expanding globally to combat it. Then, filmmaker Elle Roth-Brunet joins the show to tal…
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In this episode of No Film School, GG Hawkins sits down with Jérôme Eltabet, the editor of the Oscar-nominated body horror film The Substance. Jérôme shares his journey from assistant director to editor, detailing his work with director Coralie Fargeat to bring The Substance to life. He breaks down the editing challenges, the importance of sound de…
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In this episode of No Film School, GG Hawkins sits down with Erin Brown Thomas, the director of Chasers, a 30-minute single-take short that played both Sundance and Slamdance 2025. Erin shares how she navigated festival promotion, the complexities of grassroots outreach, and why personalized marketing is critical for indie filmmakers. She also dive…
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Why This ‘Last Showgirl’ Producer Thinks Indie Cinema Still Has Legs
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1:05:34In this episode of No Film School, host GG Hawkins sits down with Robert Schwartzman, producer of The Last Showgirl and co-founder of Utopia, to discuss the evolving landscape of independent cinema. As a filmmaker, distributor, and problem solver, Robert shares insights on how indie filmmakers can take control of their distribution, why the industr…
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In this episode of No Film School, GG Hawkins sits down with writer-director Drew Hancock to discuss his journey to directing his feature debut, Companion. Drew shares how he built his career through persistence, taking creative risks, and, as he puts it, a fair amount of luck. He also reflects on finding success later in his career, how imposter s…
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How Sundance Didn't Die
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1:20:10In this episode of No Film School, GG Hawkins and Ryan Koo bring you a special live report from the 2025 Sundance Film Festival in Park City, Utah. They explore the energy of the festival, highlight standout films, and dive into the journey of filmmakers who have pushed through industry challenges to bring their visions to the screen. Joining the c…
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GG Hawkins and Jason Hellerman talk with Seth Gordon, the celebrated writer-director behind Back in Action, Horrible Bosses, and The King of Kong: A Fistful of Quarters. Seth shares the joys and challenges of creating large-scale films, balancing action and comedy, and his insights into leadership and creativity. This episode is packed with practic…
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SXSW Vets Teach Rookies How to Fest
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1:07:55In this episode of No Film School, GG Hawkins sits down with filmmakers Sarah Mokh, Stephen Cedars, Benji Kleiman, and Imran J. Khan to discuss navigating the South by Southwest (SXSW) Film Festival. With insights from seasoned festival veterans, this episode offers practical advice and candid reflections on how to make the most of a festival exper…
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In this episode of the No Film School podcast, hosts GG Hawkins and Jason Hellerman discuss the devastating fires in Los Angeles and their impact on the film industry. They share personal experiences of evacuation and the emotional toll of the crisis, emphasizing the importance of community support and resilience. The conversation highlights the ne…
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How Leaving LA Led to a 40 Theater Release With a First Script
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1:06:12In this episode of No Film School, GG Hawkins speaks with the filmmakers behind two impactful films, Hazard and Studio One Forever. Writer-director Eddie Mensore shares the journey of creating Hazard, an indie drama about the opioid crisis in Appalachia, and how leaving LA led to the film's 40-theater release. Later, Marc Saltarelli discusses the a…
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In this episode of No Film School, GG Hawkins and Jason Hellerman chat with John August, an acclaimed screenwriter, podcaster, and software developer. Known for films like Big Fish and Aladdin, as well as co-hosting Scriptnotes with Craig Mazin, John August discusses his career, the evolution of screenwriting tools, and how he's simplifying life fo…
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In this episode of No Film School, GG Hawkins and Jason Hellerman sit down with acclaimed director James Mangold to dive into the making of his latest film, A Complete Unknown. Known for iconic works like Logan and Ford v Ferrari, Mangold shares deep insights into his creative process, the importance of preparation, and how he navigates the complex…
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In this episode of No Film School, Jason Hellerman interviews Tyler Nielsen and Michael Schwartz, the dynamic directing duo behind the bold and provocative film Los Frikis. Known for their previous success with Peanut Butter Falcon, Tyler and Michael take listeners on a journey into the making of their latest project—a darkly comedic and deeply hum…
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Invisible Work of Producers Plus Sundance Slate 2025
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1:18:23In this special episode of No Film School, GG Hawkins and Jason Hellerman delve into the often-overlooked role of producers and the essential work they perform behind the scenes. They are joined by Emmy-nominated producer Carolina Groppa, who shares insights from her remarkable career. The episode also highlights key films from the newly announced …
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Lie Your Way to the Top, FYC, Festival Purgatory & the Indies
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1:30:53In this episode of No Film School, host GG Hawkins and tech editor Jordan Aldridge are joined by two incredible guests: filmmaker Leah Saint Marie and award-winning director Lizzy Born. The discussion delves into the challenges of navigating the indie film world, the stress of festival notification season, and creative approaches to career-building…
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Programmers & Filmmakers on the State of Shorts
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1:06:42In this episode of No Film School, hosts GG Hawkins and Jason Hellerman are joined by filmmakers and programmers Erin Brown Thomas, Jillian Corsie, and Rafael Leyva to discuss the current state of short films. They dive into the challenges, creativity, and evolving landscape of the medium, exploring how short films serve as a crucial platform for e…
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How Director David Gordon Green Reverse-Engineered ‘Nutcrackers' Plus Major Movie Monologues
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In this episode of No Film School, hosts GG Hawkins and Jason Hellerman explore the craft of cinematic monologues and discuss how these powerful moments can elevate films. They also sit down with director David Gordon Green, whose latest holiday family film, Nutcrackers, debuts on Hulu. David shares his process of crafting a heartfelt and improvisa…
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In this episode of No Film School, host GG Hawkins sits down with Jason Hellerman and special guest Matthew Starr, the creator of the Audible original series The Best Man's Ghostwriter. They delve into the creative process behind the audio series, which is described as an American version of Love Actually for audio, starring Glenn Powell and Nichol…
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Editing Duplass Episodic 'Penelope' & Film Industry Outside of NY & LA Feat. Celia Beasley
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1:03:21In this episode, GG Hawkins sits down with editor Celia Beasley to discuss her role in shaping Penelope, the new episodic series by the Duplass Brothers, now on Netflix. They explore the unique process of editing an episodic series that was shot like an indie film and edited entirely in the cloud. Celia shares her experiences of working outside maj…
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Microbudget Filmmakers Are Not Okay (But Thanks for Asking) — Advice & Support from AFF Filmmakers
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1:19:31In this episode, host GG Hawkins hosts a roundtable discussion with microbudget filmmakers at the Austin Film Festival. They share their journeys of creating feature films under tight budgets and high personal stakes. Each filmmaker provides insight into the emotional, physical, and financial tolls of producing indie films while managing personal c…
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Celebrating Halloween, this special episode dives into the indie horror-comedy Booger, an unconventional story that combines grief, body horror, and dark humor. Director Mary Dauterman, editor Kyle Moriarty, and lead actor Grace Glowicki share the creative and logistical challenges they faced bringing this unique film to life. From crafting a cat-h…
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From Madagascar to Hollywood with Director Andrew Kightlinger; Plus, 'Don't Move' Directors’ Microbudget to Sam Raimi-Produced Journey
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1:32:03What does it take to go from indie filmmaking on a shoestring budget to working with legends like Sam Raimi? Andrew Kightlinger’s journey from Madagascar to Hollywood shows how personal experiences shape a filmmaker’s voice. Filmmakers Adam Schindler and Brian Netto share how they moved from microbudget horror films to collaborating with one of the…
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Why Writer-Director Hallie Meyers-Shyer Wrote ‘Goodrich’ for Only Michael Keaton
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1:00:54In filmmaking, finding the right actor can make all the difference, and for Hallie Meyers-Shyer, Michael Keaton was the only choice for the lead role in Goodrich. This episode delves into the creative journey of writing and directing a deeply personal film, navigating the challenges of independent production, and discovering the heart of the story …
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Navigating Austin Film Fest; DP Mihai Malaimare Jr.: From Film School to Francis Ford Coppola
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1:05:25The Austin Film Festival (AFF) stands out for its unique focus on writers and emerging filmmakers, providing a space for attendees to connect with industry professionals and discover creative collaborations. With its welcoming atmosphere, AFF offers an ideal environment for networking, learning, and exploring new opportunities. The conversation als…
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The O-1 visa, also known as the "artist visa," is a crucial step for filmmakers and creative professionals aiming to establish their careers in the U.S. Designed for individuals with extraordinary ability in their fields, the application process can be daunting. This episode offers insights into what it takes to qualify, how to strengthen your appl…
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As AI continues to reshape creative industries, video editing is undergoing a major transformation. Tools like Eddie AI are making the editing process faster, more efficient, and more accessible to filmmakers. By acting as a storytelling partner, AI can quickly generate rough cuts, find key moments in footage, and even suggest alternative storyline…
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How do documentary films inform the way we approach narrative filmmaking? What does it mean to care for your mental health in an industry that thrives on constant creativity and long hours? How do documentary editors navigate the emotional toll of handling sensitive, often traumatic stories? In today’s episode, No Film School’s GG Hawkins speaks wi…
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Death of Pilot Season, Big Pivots & Max Lugavere's Deeply Personal, Long-Game Doc ‘Little Empty Boxes’
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1:26:11As streaming reshapes the industry, pilot season is a thing of the past, leaving creatives to navigate constant demands and year-round pitching. How do filmmakers find balance when the lines between work and rest blur? And how can unexpected pivots lead to more meaningful projects? This episode explores staying resilient in a world without structur…
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The State of Spec Scripts, ‘The Substance’ & Panama Filmmaking
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1:37:29Selling a script can feel like a distant dream, but the process is very much alive. From using platforms like The Black List to writing query letters and building personal connections, breaking into the industry is challenging but not impossible. Plus, we explore the rise of the Panamanian film industry, how it has evolved, and what it takes to mak…
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Why Indie Film Distribution Is About To Go Punk Rock
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1:22:08Filmmaking isn’t just about making a great film—it’s about getting that film seen. With traditional distribution models crumbling, independent filmmakers are finding new ways to connect directly with audiences. This episode explores how the indie film landscape is shifting, with filmmakers taking control of their own distribution, marketing, and au…
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Imagery, Fall Fest Sales & Director Niclas Larsson on His 'Mother, Couch!' Production Book
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1:14:46Imagery plays a crucial role in filmmaking, shaping how a story visually unfolds. This element must be integrated into the scriptwriting process, rather than being left for production. With fall film festivals in full swing, indie filmmakers are not only focused on storytelling but also on the challenges of navigating the competitive market and sel…
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We’re All Halfway Through Writing a Short Film That We Will Direct
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1:12:43Actor Saoirse Ronan recently revealed that she is halfway through writing a short film that she plans to direct— and it feels so relatable. It reminds us that creative struggles are universal, no matter who you are. But being halfway through is not a failure but a part of the journey. Tune in to know what to do to reach the finish line. In today’s …
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In this episode of the No Film School podcast, GG Hawkins interviews Ryan Thomas, the cinematographer, and Dan Edwards, the colorist, of the film 'I Really Love My Husband'. They discuss the process of color grading and the importance of early collaboration and communication between the director, DP, and colorist. They emphasize the need for budget…
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How ‘Continue’ Director Nadine Crocker Turned Rejection Into Two Lionsgate Features
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1:05:34The world of filmmaking is full of challenges, from industry rejection to personal setbacks. Yet, for many independent filmmakers, these obstacles become opportunities for growth and perseverance. This episode explores how passion, persistence, and a refusal to give up can turn seemingly insurmountable odds into career-defining moments. Whether you…
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Back-To-Back Microbudgets, Folk Filmmaking & the Micro-Budget Chain Reaction Feat. ‘Peak Season’ Directors
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1:03:53What happens when you make two micro-budget films back-to-back? For filmmakers Henry Loevner and Steven Kanter, it sparks what they’ve dubbed the “micro-budget chain reaction,” inspiring others in their community to pick up cameras and start shooting. As the industry consolidates and traditional distribution becomes harder to navigate, indie filmma…
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How can you break into the film industry? Especially if you're not in Hollywood or you come from a different profession, like law. Is thick skin essential? Can you balance business with creativity? Producer Ken Kao, co-founder of Waypoint Entertainment, shares insights on these topics, some of his experiences, and recent projects. Ken’s latest feat…
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As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art of knowing when not to cut. In today’s episode, No Film School’s GG H…
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Rebuilding the Film Industry, Closure, Plus a $400 Doc Short
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1:19:14TV is oversaturated. California is too expensive to film in. Many audiences are underserved. It’s time we indie filmmakers rebuild the film industry on our terms. Plus, we bid farewell to a beloved host of the No Film School podcast. In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Janek Ambros discuss: Not…
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'DÌDI (弟弟)’ Director Sean Wang & Editor Arielle Zakowski on Kid Talent, Short Turnarounds & Angst on the Big Screen
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If you were a teen in the early 2000s, the film Dìdi will likely evoke a strong sense of nostalgia. Dìdi, which is said to embrace “the cringier side of adolescence,” premiered at the 2024 Sundance Film Festival where it won the Audience Award for the best U.S. Dramatic film. In today’s episode, No Film School’s GG Hawkins speaks with Sean Wang and…
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Want To Make Worldbuilding Movies? ‘Borderlands’ EP Emmy Yu on Development, Production & Why VFX Should Be Onboard ASAP
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Producers are involved in every step of creating a film, from development to post-production. The role of a producer is not only to keep everyone on the same page but also to remove barriers so the cast and crew can focus on the creative elements needed to create a fantastic film. In today’s episode, No Film School’s GG Hawkins speaks with Executiv…
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On this bonus episode of the No Film School podcast, host GG Hawkins is joined by members of the team behind the movie she wrote and directed, 'I Really Love My Husband'. Cinematographer Ryan Thomas and Actors Madison Lanesey and Travis Quinton Young share their own fears and how they overcame them during the filmmaking process. The conversation hi…
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‘War Game’ Directors Jesse Moss & Tony Gerber on Fearless Collaboration, Plus Comic-Con & Experimental Films
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“Remain curious. Approach projects not with a notion of what kind of product you want to create in the market, but rather, what do you want to learn.” This advice, which comes from the directors of the documentary War Game, embodies the theme of today’s episode. - It’s okay to create unconventional films about unconventional topics. In today’s epis…
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Breaking Down the Black List
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1:02:01The Blacklist started as an annual list of the best, unproduced screenplays in Hollywood. Nowadays, it’s an awesome online platform that nurtures and empowers screenwriters from around the world, by helping them showcase their scripts and grow within the industry. In today’s episode, No Film School’s GG Hawkins, Jason Hellerman, and host of the Bla…
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Navigate All Facets of Comedy With 'The Office' & 'Abbott Elementary' Director Ken Whittingham
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1:10:57Ken Whittingham has directed shows we all know and love such as, The Office, 30 Rock, and Parks and Recreation. More recently, he has worked on the TV comedy, Abbot Elementary, which uses a mockumentary production style, similar to The Office. While Ken is an award-winning director with over 25 years of experience, he believes in the power of teamw…
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As a beginning editor, working on low-budget projects is normal when you’re first starting. Once you get some experience under your belt, there comes a time when you have to start advocating for yourself so that you can get paid more. The “something is better than nothing mindset” can only serve you for so long, before you start to burn out. In tod…
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Paramount and Skydance are merging. How does that impact the people already involved in those companies and what does it mean for the rest of us? How did House of Dragon pull off the epic Battle of Rook’s Rest, featuring multiple, fighting dragons? Let’s find out together! In today’s episode, No Film School’s GG Hawkins and Jason Hellerman discuss:…
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On this special episode of the No Film School podcast, host GG Hawkins shares her experience of writing her first feature, 'I Really Love My Husband' on a small budget and arguably, an even smaller timeline. She discusses the constraints she faced, the collaborative writing process, and the challenges of receiving feedback. GG emphasizes the import…
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