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Fuds On Film

Scott Morris

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Fuds On Film is a podcast about, and this will shock you, movies. From blockbusters to arthouse, you'll find considered opinions and hot takes on worldwide cinema from three Scotch fuds. Invite us into your ears and we promise to only infrequently disappoint.
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Do you want to hear our opinions on The Adam Project, The Batman, Turning Red, and Free Guy? How exceptionally fortunate, that's exactly what this podcast covers. It's very much your lucky day. And such great value! O frabjous day! Callooh! Callay!توسط Scott Morris
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For varied reasons both personal and geo-political, we're not able to bring you the fresh podcast meat you've come to expect from us this month, our apologies for that. So, we do what we always do in times of trouble and turn to our spirit animal, Jean Claude Van Damme for inspiration. Here is, I think, his every appearance in our podcast, includin…
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It has long been said that there is no better time to talk about Gremlins than now, and we are nothing if not slaves to that axiom. So, listen ye now to our various thoughts on Gremlins and Gremlins 2: The New Batch, or else we'll tamper with your stairlift.توسط Scott Morris
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Today we turn our attention to Paul Verhoeven, in particular his most famous, Hollywood era works, namely RoboCop, Total Recall, Basic Instinct, Showgirls, Starship Troopers, Hollow Man. Are they worth blabbing about? Would you like to know more? Listen in, then.توسط Scott Morris
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What better place for drama to accumulate than the formerly smokey dens of iniquity that were casinos? Of course, they're now mostly free of smoke, if not iniquity. We look at two casino adjacent flicks, Croupier and Hard Eight, and see if they roll snake eyes, hit the jackpot, or indeed any other gambling-centric clichés you have to hand.…
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While I suppose we should be glad to see the back of 2021, early previews of 2022 don't look all that great. Take your mind off it all by joining us to chat about House of Gucci, Belfast, Spider-Man: No Way Home, The Last Duel, Ghostbusters: Afterlife, and Last Night in Soho.توسط Scott Morris
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We transport ourselves to the far-flung future dystopia of three years ago to take in some Rollerball, and an indeterminate post-apocalyptica for a round of The Blood of Heroes, or The Salute of the Jugger if you'd rather. Are either of these sci-fi sports worth purchasing a season ticket for? Tune in and find out!…
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With Dickie Davies on stand-by, we return to the world of sport to cast a critical eye over Downhill Racer, Any Given Sunday, Warrior, 42, The Way Back, and Schumacher in our continuing effort to find out which sport is best. There's only one way to find out. Listen in!توسط Scott Morris
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In this episode we take stock of Shane Meadow's movie output, and see if his examinations of English working class stories and characters have stood the test of time. Listen in to get our takes of varying temperature on Small Time, TwentyFourSeven, A Room for Romeo Brass, Once Upon a Time in the Midlands, Dead Man's Shoes, This Is England, Somers T…
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Following on from our last episode on the films of John Huston, we thought we'd change things up with a look at two more John Huston films. This time it's his first, and still one of his most iconic films, The Maltese Falcon, and a rather more obscure outing from over a decade later that's considered a loose parody of that films form, Beat the Devi…
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We take a look at a cross-sectional smattering of John Huston's work in todays episode, namely The Treasure of the Sierra Madre, Key Largo, The African Queen, The Night of the Iguana, The Man Who Would Be King, and The Dead. Listen in as we brass it out with bags of swank.توسط Scott Morris
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Robert Ludlum was a prolific author of primarily Cold War espionage thrillers, and so in a way it's surprising that so few of his works made their way into cinema screens, and the vast bulk of those were part of the The Jason Bourne Imbroglio. In this episode, for no real reason other than a fondness for espionage bunkum and baroque titling, we are…
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Some time ago we did a whole episode on time travel films without mentioning Robert Zemeckis and ‎Bob Gale's Back to the Future series, their bold updating of Oedipus, so today we remedy that oversight and see if the pride of 1985 and its follow-ups live up to their reputations, and their posters. Remember when movie posters were good?…
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In this exciting episode we are taking a look at some selected works of Álex de la Iglesia, after a number of stars came into alignment that hinted at him being worthy of further investigation than our brief exposure to him at the EIFF many moons ago. So, we should do that then.توسط Scott Morris
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Loaded into this month's arbitrary film review roulette are Wrath of Man, Cruella, and Army of the Dead. Which of them clean up, and which gets swept into the trash? The answer to this confusing, poorly constructed hypothetical can only be found out by listening in! Rien ne va plus.توسط Scott Morris
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It's an open secret that the podcast slot we nominally refer to as "Compare and Contrast" is normally twisted into a way to cover a couple of films we fancy taking a butchers at, but we do keep a list of a few candidates that are more directly comparable than most. Some of these cover that Hollywood phenomenon where, by coincidence or design, films…
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If you're feeling generous you could call today's episode a mash-up, or more accurately, the remnants of a couple of different music related ideas that never quite gelled into a full episode. It was resurfaced recently in the morass of my mind by the sad passing of rap-man DMX, rendering him unable to deliver to ya. Alternate delivery services must…
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With the recent release of Zack Snyder's Justice League, we thought it was high time to see what the deal was with that, and indeed have a bit of a post-mortem on the Synderverse and what strategy, if you can call it such, Warner and DC have been following. Join us!توسط Scott Morris
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Who Goes There? Well, various alien Things, naturally. We shapeshift through four takes on the novella with The Thing from Another World, Horror Express, John Carpenter's The Thing, and its 2011 prequel/remake. Join us as we test them with some heated copper wire and see which ones recoil.توسط Scott Morris
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We take a hopefully representative cross section of Howard Hawks' voluminous output and run it through our extensive analytical suite to determine the truth of it. Join us as we poke and prod at Scarface, His Girl Friday, Sergeant York, To Have and Have Not, The Big Sleep, and Gentlemen Prefer Blondes until they stop wiggling and give up their secr…
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The halcyon days of the nineteen-nineties saw a slew, relatively speaking, of Neo-Noirs unleashed upon us, and we thought we'd take a look at a few of them. How well do One False Move, Red Rock West, Romeo is Bleeding, The Last Seduction, La Cérémonie, Bound, and Insomnia hold up? Listen in and find out!…
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As 2020 staggers to a merciful end, we see out this dumpster fire of a year with a look at (what else) a bunch of films. Do Black Bear, Possessor, Mank, Unhinged, Tenet, and Recorder: The Marion Stokes Project enhance the 2020 experience, or somehow, unbelievably, make it worse? Tune in and find out!…
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Dearly beloved, we are gathered here today to take a butchers at two films that routinely vie for top spot in any self respecting list of British gangster movies. Both are more concerned with gangsters performing investigations, both refuse to sugar coat the nefarious activities of the their leads, and you could probably make a case for each film r…
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Welcome to Fuds on Film, semi-officially the 22nd most popular movie podcast in Egypt. We need to up our game in the Czech Republic though. In this episode we take a look at American Utopia, On the Rocks, Peninsula, The Eight Hundred, Borat Subsequent Moviefilm, and The Trial of the Chicago 7. Come get some.…
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Japanese director Seijun Suzuki had been on my list to catch up on for some time now, long before his death in 2017. He's cited as an influence on Tarantino (but who isn't?), Jim Jarmusch, Wong Kar-wai, John Woo, Takeshi Kitano, and surely Takashi Miike, both in style and career arc. Suzuki started directing primarily B-movies that were, as I am le…
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