We trace the Life of a Film from conception to production all the way to its release and reception. You know when you dive into a film's wikipedia and imdb after watching it? Then the director's page, then the actor's page. Our show does that for you. We use our nerd superpowers to obsessively tell the story of a movie: how it came to be, how it played out, and what it means today. It is a crash course on a single film filled with primary documents, lovely asides, and frequent guest voices. ...
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Madame Web (2024) and Pearl (2022)
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Welcome to the first episode of Season 13 of Film Trace. In this season, we will explore the notion of Camp in Film. Building off of Susan Sontag's foundational 1964 essay, Notes on Camp, we will explore two films each episode we think demonstrate Sontag's concepts of naive camp and intentional camp. First off is the financial and critical disaster…
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A Discourse on The Oscars 2024
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We felt like doing an Oscars show, so we did: Topics of discussion 1. Intro: 2023's Film Trace movies. They stood the test of time, but were they awarded upon release? 2. Nominated film most obviously conceived specifically with little gold men in mind? 3. Nominated film conceived originally with absolutely no award hopes in mind? 4. Nominated dire…
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The Day the Earth Stood Still (1951) and Invasion of the Body Snatchers (1956)
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In the eighth and final episode of our Future Wars season, we discuss the sci-fi classic The Day the Earth Stood Still (1951) alongside the b-movie stunner Invasion of the Body Snatchers (1956). Alas we have come to the finale of our Future Wars cycle. It has been a long season with a super-sized eight episode run. Sci-fi is often a real bummer. Mo…
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Dr. Strangelove (1964) and Alphaville (1965)
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In the seventh episode of our Future Wars cycle, we discuss the classic Dr Strangelove (1964) alongside a bizarre artifact from the French New Wave, Alphaville (1965) Special Guest: Good friend of the show and onscreen performer Harry Brammer, dialing in from Tokyo. Here we have two masters, Kubrick and Godard, spinning tales of future conflict and…
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In the sixth episode of our Future Wars cycle, we discuss the last man on earth romp The Omega Man (1971) as well as the bonkers fever dream that is Zardoz (1974). Special Guest: Sean Patrick from the great Everyone’s a Critic podcast The 1970s were a trip. The Omega Man is a zany, over-the-top apocalypse movie that is helmed by maybe the worst pos…
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The Terminator (1984) and Aliens (1986)
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In the fifth episode of our Future Wars cycle, we tackle two giant films from the action sci fi maestro James Cameron: The Terminator (1984) and Aliens (1986). Special Guest: David Riedel, film critic and co-host of the great Spoilerpiece Theatre podcast. James Cameron is a master filmmaker. This two film run in the mid 1980s is iconic, legendary, …
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The Matrix (1999) and Starship Troopers (1997)
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In the fourth episode of our Future Wars cycle, we explore two late 90s classic, The Matrix (1999) and Starship Trooper (1997). Special Guest: Evan Crean, film critic and co-host of the great Spoilerpiece Theatre podcast. Here we have two films with diametrically opposed authorial voices. The Matrix is self-serious, pointelty intellectual, and so c…
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War of the Worlds (2005) and The Road (2009)
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In the third episode of our Future Wars cycle, we discuss Spielberg's bad guy alien film, War of The Worlds along side the bleak and desolate Cormac McCarthy adaptation, The Road. Special Guest: Film critic and co-host of Spoilerpiece Theatre and The Slashers, Megan Kearns. The world doesn't end with a whimper. It ends with loud alien tripods and a…
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Mad Max: Fury Road (2015) and The Purge (2013)
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In the second episode of our Future Wars cycle, we discuss with George Miller's gonzo-apocalypto in Mad Max: Fury Road alongside the low budget middle-brow of The Purge. Special Guest: Tommy Thevenet from the fantastic Haven't Scene It: A Movie Podcast As we dip a little further into the last decade, our Future War cycle begins to take shape with t…
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The Creator (2023) and Dune (2021)
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In the first episode of our Future Wars cycle, we discuss the new Gareth Edwards sci-fi epic, The Creator, and Denis Villeneuve's recent attempt of adapting Dune onto film. Our Future Wars cycle is focused on how the conflicts of tomorrow were depicted in the past. Over this 8 episode series, we will review 16 films spanning from the 1950s through …
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Cool Hand Luke (1967) and Rebel Without a Cause (1955)
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In the final episode of our Set in the 1950s cycle, we cover two classics, Cool Hand Luke and Rebel Without a Cause. We have come to the end of our 1950s cycle, and we are struggling to find a thread that weaves through all of these films. The films we covered all use the 1950s in different ways: set dressing, pastiche base layer, dreamscape, homma…
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In the sixth episode of our Set in the 1950s cycle, we discuss Peter Bogdanovich's coming of age story, The Last Picture Show (1971), along with the Lenny Bruce bio pic, Lenny, directed by theater great Bob Fosse. Special Guest: Andrea G, co-founder of filmchisme, X: @alifebydreaming The 1950s has never been known as a gritty decade. We wanted to f…
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Desert Hearts (1985) and Diner (1982)
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In the fifth episode of our Set in the 1950s cycle, we discuss the 1980s hidden gem Desert Hearts and the highly lauded Diner. Special Guest: Friend and frequent guest, Molly, who led us both to the existential oasis that is Desert Hearts We often try to choose two films that create a discourse between them, but here I think it is safe to say both …
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L.A. Confidential (1997) and This Boy's Life (1993)
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In the fourth episode of our Set in the 1950s cycle, we cover the 1990s neo-noir LA Confidential along side the coming of age tale in This Boy's Life. We dive into two different worlds of the 1950s: the glam and seedy glitz of Los Angeles vs the cold and wet solitude of rural Washington. LA Confidential won high praise upon its release in the fall …
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Far from Heaven (2002) and The Majestic (2001)
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In the third episode of our Set in the 1950s cycle, we compare two hommages to the post war decade: Todd Haynes' Far from Heaven and Frank Darabont's The Majestic. Special guests: Brian Eggert from Deep Focus Reviews, Rotten Tomato Approved and frequent KARE 11 guest film critic What started out as a random pairing of two 1950s period pieces from t…
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Tree of Life (2011) and The Master (2012)
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In the second episode of our cycle Set in the 1950s, we look at two auteurs who swing for the fences with Terrence Malick's Tree of Life (2011) and Paul Thomas Anderson's The Master (2012). Special guests and friends of the show Molly and Ryan join us to discuss what happens when Malick and Anderson get the creative freedom and financing to direct …
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Asteroid City (2023) and The Fabelmans (2022)
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In the first episode of our new cycle Set in the 1950s, we take a look at Wes Anderson's new film, Asteroid City (2023). Both Chris and I are devout Wes Anderson fans, and covering Asteroid City was really the impetus for this cycle's theme. As we have traversed this cycle, we are seeing how the 1950s setting can be used in a variety of ways with v…
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The sixth and finale film in our Stranger Than Fiction cycle is Richard Brooks' true crime magnum opus, In Cold Blood (1967). Often overlooked by the infamy of its origin source, In Cold Blood enormous value as a film: the beautiful and stark cinematography of Conrad Hall (who went on to shoot Butch Cassidy and the Sundance Kid and Road to Perditio…
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Dog Day Afternoon (1975) and Straight Time (1978)
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The fifth film in our Stranger Than Fiction cycle is Sidney Lumet's provocative bank heister, Dog Day Afternoon (1975). Special Guest: Good friend of the show and dedicated film nerd, Riley. Dog Day Afternoon is certainly a film you hear about before you ever see it. The film has had a stellar reputation since its release in the mid 1970s. It is co…
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Dead Ringers (1988) and The Serpent and the Rainbow (1988)
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The fourth film in our Stranger Than Fiction cycle is David Cronenberg's deep trip twin thriller, Dead Ringers (1988). Special Guest: Rob from the awesome Smoke & Mirrors Podcast David Cronenberg was evicted from his home after his early film, Shivers, sent shockwaves through the Toronto intelligentsia. Cronenberg has always been an outsider with a…
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Fear and Loathing in Las Vegas (1998) and Heavenly Creatures (1994)
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The third film in our Stranger Than Fiction cycle is Terry Gilliam's visual extravaganza, Fear and Loathing in Las Vegas (1998). Special Guest: The crew from There Are Too Many Movies podcast - Chris Collins, Josh Rodriguez, and Alex Wilshin. Hunter S. Thompson was the paradigm of Stranger Than Fiction journalism. He helped create the entire genre …
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Bronson (2008) and The Terminal (2004)
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The second film in our Stranger Than Fiction cycle is Nicolas Winding Refn's left field take on bio pics, 2008's Bronson. Special Guest: Katey Stoetzel is co-founder and TV Editor for InBetweenDrafts. She hosts the “House of the Dragon After Show” podcast and can be read on various other places like Inverse and Screen Speck. Refn's conspicuous film…
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The first film in our new Stranger Than Fiction cycle is Elizabeth Bank's gonzo misfire, Cocaine Bear (2023). Elizabeth Banks is an almost household name who likes to stay busy as an actor, producer, film director, and now gameshow host. While prolific, the quality of her output has been uneven. Her 2019 film Charlie's Angels spectacularly bombed, …
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Bones and All (2022) and Her (2013)
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The sixth and final film in our Risqué Romance cycle is Luca Guadagnino's meatlovers romance, Bones and All (2022). Coming off his break out art-house hit Call Me by Your Name (2017) and his wonderfully bizarre remake of Suspiria (2018), Luca Guadagnino rejoined with white hot Timothée Chalamet to adapt this young adult novel about the ills of eati…
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Top 5 Behind The Scenes Dramas in Film (2022)
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We decided to do an end of the year show for 2022. Life has been hectic so we haven't been able to post on our normal schedule, and we have a longer break coming up before Season 10 of Film Trace kicks off. So we decided to do a one-off show to give the people what they want: Drama! Chris and Dan present the top five behind the scenes dramas in fil…
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Brokeback Mountain (2005) and Secretary (2002)
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The fifth film in our Risqué Romance cycle is Ang Lee's western romance, Brokeback Mountain (2005) Special Guest: Amanda Jane Stern - writer, actor, and producer from New York City. She wrote, produced, and starred in the new erotic thriller Perfectly Good Moment, soon to be playing at a film festival near you! When Brokeback came out in the mid-Au…
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The fourth film in our Risqué Romance cycle is Lana and Lily Wachowski's debut film, Bound (1996). Like the Wachowskis' more successful and canonical sophomore effort, The Matrix, Bound both works wonderfully on its own as a playful lesbian-centered noir and as a challenge to the WWII-era subgenre, as well as modern crime films writ large, to recon…
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The third film in our Risqué Romance cycle is the small yet delightful, Valley Girl (1983). Valley Girl, the paradigm of an indie film, transcended its own means of production to become an oddly dismissed 80s mall romcom. As one reviewer aptly stated, the influence of Valley Girl was so massive that it's hard to watch it without feeling a sense of …
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Badlands (1973) and Harold and Maude (1971)
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The second film in our Risqué Romance cycle is Terrence Malick's debut film, Badlands (1973) Loosely based on the real-life murdering spree committed by Charles Starkweather and Caril Ann Fugate in the late 1950s, Badlands quickly steers clear of true crime tropes and traditional story structure. While Terrence Malick is at his least idiosyncratic …
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Lolita (1962) and A Taste of Honey (1961)
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The first film in our Risqué Romance cycle is Stanley Kubrick's infamous Lolita (1962). We start out this new season by tiptoeing through the minefield that is Lolita, a notorious film adaptation of the even more notorious novel by Vladimir Nabokov. It is hard to fathom that housewives and bankers were reading Lolita on the subway in the 1950s, but…
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Branded to Kill (1967)
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The sixth and final film in our Absurdist Action cycle is Seijun Suzuki's masterpiece, Branded to Kill (1967) When we decided to do Absurdist Action as the theme of this cycle, we both struggled to find a starting point. Over-the-top action movies were the lingua franca of 1980s American cinema, and we had dozens of Reagan-era films to choose from …
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The fifth film in our Absurdist Action cycle is Michael Cimino's wonderful debut, Thunderbolt and Lightfoot. Special Guest: Daniel Malone from the great ‘You Talkin’ to Me?’ film podcast Michael Cimino will forever be a mystery. He seemingly appeared out of nowhere with Thunderbolt and Lightfoot in 1974 after winning favor with Clint Eastwood by pu…
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48 Hours (1982)
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The fourth film in our Absurdist Action cycle is Walter Hill's buddy cop paradigm, 48 Hours. Special Guest: Ryan Hendricks, friend of the show and Hollyweird insider The buddy cop movie would not exist without 48 Hours. Ironically, the buddies involved aren't both cops. Third pick Eddie Murphy has his breakout role here playing a convict put on tem…
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Bad Boys (1995)
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The third film in our Absurdist Action cycle is Michael Bay's debut, the paradigm of absurd action movies, Bad Boys. Special Guest: Harry Mackin from the fantastic Trylove Podcast. Bayhem has its own origin story. Shot with a small budget and jerry-rigged script, Michael Bay exploded into the multiplex with this longshot buddy cop movie. Originally…
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Hot Fuzz (2007)
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The second film in our Absurdist Action cycle is Edgar Wright's iconic action comedy, Hot Fuzz. Special Guest: Max Covil, Rotten Tomato Approved Film Critic from the great It's the Pictures podcast and newsletter. If Edgar Wright is an auteur, then Hot Fuzz could easily be his calling card. This hyper-rewatchable UK export plays dual roles as both …
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A New Cycle Begins! The first film in our Absurdist Action cycle is the rock 'em sock 'em 2022 release, Bullet Train. The action comedy is a delicate balance. Too much comedy and the stakes feel too low. Too little and the tone becomes muddled. Bullet Train attempts to walk this fine line and stumbles into an abyss of tedium right from the start. B…
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Frenzy (1972)
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The sixth and last film in our Existential Thriller cycle is Alfred Hitchcock's farewell to London, the macabre and dissociated Frenzy. Upon release, Frenzy was widely seen as a return to form for Hitchcock, but it has developed a rather odd reputation since its release fifty years ago. This gritty serial killer romp through Covent Garden has been …
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The fifth film in our Existential Thriller cycle is William Friedkin's grim and precise Sorcerer (1977). Released in the shadow of Star Wars and Friedkin's own masterpiece, The Exorcist, this bizarre down-and-out adventure film was a total financial failure. Critics didn't much like it either. But time has a funny way of shuffling the deck, and Sor…
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The Crying Game (1992)
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The fourth film in our Existential Thriller cycle is Neil Jordan's infamous 1992 political enigma, The Crying Game (1992). A film's notoriety can easily mute or distort what is actually on the screen. The Crying Game is an interesting and rich movie that was unfortunately overwhelmed by its own infamy. The film's US distributor, Miramax, decided to…
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The Game (1997)
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The third film in our new Existential Thrillers cycle is David Fincher's Norcal mindbender, The Game (1997) David Fincher is one the most powerful and popular auteurs working in film and tv today. We revisit what has strangely and wrongly become one of his minor works. Fincher teamed up with Micheal Douglas in the pre-Fight Club days to concoct thi…
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Michael Clayton (2007)
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The second film in our new Existential Thrillers cycle is Tony Gilroy's aughtie classic, Michael Clayton (2007). On paper, Michael Clayton probably seems like a taut legal thriller played to the middle-aged set, a John Grisham movie with the latest A-Listers. Tony Gilroy chose a much different path by crafting a cerebral thriller infused with corpo…
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The first film in our new Existential Thrillers cycle is Alex Garland's bizarre and bold Men (2022). Alex Garland has quietly made himself into one of the more exciting filmmakers of the A24 set. The former novelist turned screenwriter turned auteur exploded onto the arthouse scene with his first film Ex Machina (2014). The success of that film led…
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The Last House on the Left (1972)
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The sixth and final film in our Self-Aware Horror cycle is the landmark exploitation film, The Last House on the Left (1972). Made off the proceeds of a successful pornographic film, this genuinely gonzo horror film sparked the careers of two kings of horror, Wes Craven and Friday the 13th creator, Sean Cunningham. On the surface, this rape-revenge…
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The fifth film in our Self-Aware Horror cycle is 1982's mashup of George Romero and Stephen King, Creepshow. Creepshow is an anthology horror film created as an hommage to the trashbin mid-century comic series, EC Comics. Romero and King grew up with EC Comics and its twisted tales of the macabre. Here the comic's ghastly ethos is distilled into fi…
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Dead Alive (1992)
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The fourth film in our Self-Aware Horror cycle is 1992's gonzo horror splatterfest Dead Alive aka Braindead Dead Alive is a shocking film for a variety of reasons, but perhaps most astonishing is that it came from the same man who helped create the most recognized and beloved films of the last 20 years. Peter Jackson became famous for the Lord of t…
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The third film in our Self-Aware Horror cycle is 2002's zombie renaissance 28 Days Later 28 Days Later reanimated the zombie subgenre of horror, which had been left for dead and maligned where it always had been. Yes, technically speaking, the infected in the film are not zombies. But they might as well be. Zack Snyder's Dawn of the Dead remake cam…
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The second film in our Self-Aware Horror cycle is the 2012 postmodern bonanza The Cabin in the Woods.What happens when the Post-Scream style of ironic horror goes past the event horizon? The infamous Joss Whedon teamed up with Drew Goddard to create this send-up of the horror genre. The Cabin in the Woods is in many ways the paradigm of self-aware …
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We are back! We are doing something different this season of Film Trace. Instead of covering new and old films at random, we are choosing a theme for each group of episodes. Our first theme is Self-Aware Horror. First up in our Self-Aware Horror cycle is Scream 5 aka Scream 2022. We are both huge Scream fans, so we felt like we had to do a deep div…
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The French Dispatch (2021) and The Royal Tenenbaums (2001)
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A Wes Anderson double-header to close out Season 5 of Film Trace. Chris and I return to our roots as teenage film nerds. Wes Anderson was our first love as budding cinephiles, and despite the tumultuous last 20 years (Darjeeling anyone), we still get a jolt of excitement with every new Anderson film. The French Dispatch is Anderson's first portmant…
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The Cable Guy (1996)
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At the height of Jim Carrey's fame in the mid 1990s, this bizarre pitch-black comedy was released as a summer blockbuster. The Cable Guy is a historical and creative anomaly, especially for millenials old enough to have seen it in the theater. For the last twenty-five years, we have all been trying to piece together and understand the strange feeli…
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