Personally connecting the dots. All of them. Benjamen Walker’s Theory of Everything is a proud member of Radiotopia, from PRX. Learn more at radiotopia.fm.
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In 1959, Anti-Americanism surged in the UK. England seethed over America’s treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany. In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ a…
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Not All Propaganda is Art 6: The Kitsch Debate
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In the summer of 1959, Nixon and Khrushchev argued over a washing machine in a backstage kitchen in Moscow, while American Cold War intellectuals gathered in the Poconos to defend Kitsch. Dwight Macdonald, whose theory of mass culture translated too easily into Anti-Americanism, was barred from participating because this was no ordinary mass cultur…
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Not All Propaganda is Art 5: The Play's the Thing
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In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on “New” Hollywood's ambitions to create commercially and artistically s…
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Not All Propaganda is Art 4: Propagande Noire
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In 1956, Richard Wright spoke of islands of free men at the first Congress of Black Writers and Artists in Paris. James Baldwin critiqued the event for Encounter, the CIA’s propaganda magazine. We take a close listen to the original recordings. Shownotes: Merve Fejzula and Cedric Tolliver both wrote about the 1956 Congrès des écrivains et artistes …
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Not All Propaganda is Art 3: The Man Who Was Thursday's Children
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In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind England’s Angry Young Men. Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare …
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Not All Propaganda is Art 2: Outsider Influence
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In 1956, New Yorker writer Dwight Macdonald joined Encounter, a magazine secretly backed by American and British security agencies. He arrived in London just as British Influencers turned a young Existentialist named Colin Wilson into England's answer to Jean-Paul Sartre. Meanwhile, the CIA incited a youth rebellion in communist Hungary. We investi…
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Not All Propaganda is Art 1: Operation Younger Brother
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In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 - 1960. We also meet a propagandist responsible for the CIA’s cinematic version of 1984 (Op…
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The new ToE series Propaganda is Art has a companion podcast called Propaganda Notes & Sources, think audio footnotes! Each episode in Not All Propaganda is Art gets its own corresponding episode of Propaganda Notes & Sources. Your host goes through the script for each episode and cites all the corresponding original sources he consulted, and the a…
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One of my favorite technology critics has just published a novel about Self Driving Cars (or fake Self Driving Cars). We talk about her new book, and the hidden human worker nestled in our technological revolution. I can’t recommend Wrong Way enough!توسط Benjamen Walker & Radiotopia
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