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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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ماهیانه
 
Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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ماهیانه
 
Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 129 yathāhaṁ prārthya tat-saṅga- sthitiṁ nāpnomi karhicit tan-mahā-lābhato hīno ’satyayā rājya-rakṣayā TRANSLATION In contrast, despite my begging to stay in Kṛṣṇa’s company, I never obtain that blessing. I am deprived of that achievement because of my degraded occupation of protecting the kingdom.…
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In this episode, we listen to a supplicant’s difficult journey, as depicted in Sangam Literary work, Puranaanooru 370, penned for the Chozha King Cheruppaazhi Erintha Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and sketches the terrible state of a battlefield. வள்ளியோர்க்…
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In this episode, we observe a perfect instance of projection, as depicted in Sangam Literary work, Puranaanooru 369, penned for the Chera King Kadalottiya Velkelu Kuttuvan by the poet Paranar. Set in the category of ‘Vaagai Thinai’ or ‘Victory’, the verse puts forth a specific request to a winning king in the battlefield. இருப்பு முகஞ் செறித்த ஏந்த…
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In this episode, we perceive bloodshed and loss in a battlefield, as depicted in Sangam Literary work, Puranaanooru 368, penned for the Chera king Kudakko Neduncheralathan by the poet Kazhaathalaiyaar. The verse is situated in the category of ‘Vaagai Thinai’ or ‘Victory’ and talks about a king’s generosity in the midst of great strife. களிறு முகந்த…
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Avsnitt 72. Chris Bendz pratar med kompositören, musikern och vinnaren av Årets visa: David Löfberg. Han komponerar vackra sånger med drömska texter och spelar själv dragspel i magiska Midnattsorkestern. Vi pratar om musik, låtskrivande, texter och också om annan konst som David skapar. Kortedalahästen till exempel. Lyssna!…
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In this episode, we listen to a blessing rendered unto three kings, as portrayed in Sangam Literary work, Puranaanooru 367, penned for the Chera king Maavenko, Chozha king Perunarkilli and Pandya king Ukkira Peruvazhuthi by the poet Avvaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse celebrates the unity of these three kings. …
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 120 yas tiṣṭhan bhojana-krīḍā- kautukāvasare hareḥ mahā-prasādam ucchiṣṭaṁ labhate nityam ekalaḥ TRANSLATION Uddhava stays alone with Kṛṣṇa when the Lord playfully enjoys His meals. So he is the only person who can always obtain the Lord’s mahā-prasāda remnants.…
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In this episode, we perceive the certainty of death, as depicted in Sangam Literary work, Puranaanooru 366, penned by the poet Kothamanaar. The verse is situated in the category of ‘Kaanji Thinai’ or ‘Defence’ and instructs a leader about the way to be. விழுக் கடிப்பு அறைந்த முழுக் குரல் முரசம் ஒழுக்குடை மருங்கின் ஒரு மொழித்து ஆக, அரவு எறி உருமின் …
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In this episode, we listen to a unique perspective on impermanence, as portrayed in Sangam Literary work, Puranaanooru 365, penned by the poet Maarkandeyanaar. Set in the category of ‘Kaanji Thinai’ or ‘Defence’, the verse subtly instructs a king to follow the right path. ‘மயங்கு இருங் கருவிய விசும்பு முகன் ஆக, இயங்கிய இரு சுடர் கண் என, பெயரிய வளி …
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In this episode, we perceive the importance accorded to generosity, as depicted in Sangam Literary work, Puranaanooru 364, penned by the poet Kookai Kozhiyaar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Common Themes’ and talks about all that a king must do before the end arrives. வாடா மாலை பாடினி அணிய, பாணன் சென்னிக் கேணி பூவ…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 116 kintv asmāsūddhavaḥ śrīmān paramānugrahāspadam yādavendrasya yo mantrī śiṣyo bhṛtyaḥ priyo mahān TRANSLATION But among us, blessed Uddhava has received Kṛṣṇa’s greatest mercy. That exalted soul is Lord Yādavendra’s adviser, His disciple, His servant, and His extremely dear friend.…
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In this episode, we listen to words conveying the absoluteness of death, as depicted in Sangam Literary work, Puranaanooru 363, penned by the poet Aiyaathi Siruventheraiyaar. Set in the category of ‘Pothuviyal Thinai’ or ‘Common Themes’, the verse echoes the reality of life. இருங் கடல் உடுத்த இப் பெருங் கண் மா நிலம் உடையிலை நடுவணது இடை பிறர்க்கு இன…
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In this episode, we perceive the motivations of warriors, as depicted in Sangam Literary work, Puranaanooru 362, penned by the poet Siruventheraiyaar. The verse is situated in the category of ‘Pothuviyal Thinai’ or ‘Common Themes’ and reveals attitudes regarding facing death. ஞாயிற்று அன்ன ஆய் மணி மிடைந்த மதி உறழ் ஆரம் மார்பில் புரள, பலி பெறு முரசம…
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In this episode, we listen to words rendered unto Death, as depicted in Sangam Literary work, Puranaanooru 361, penned by the poet Kayamanaar. Set in an unidentified category, the verse talks about the qualities of a leader. கார் எதிர் உருமின் உரறி, கல்லென, ஆர் உயிர்க்கு அலமரும் ஆராக் கூற்றம்! நின் வரவு அஞ்சலன் மாதோ; நன் பல கேள்வி முற்றிய வேள்வி அந…
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In this episode, we perceive a study in contrast, as depicted in Sangam Literary work, Puranaanooru 360, penned for the leader Thanthu Maaran by the poet Sangavarunar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and elaborates on the virtues of the great.توسط Nandini Karky
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In this episode, we listen to words of advice being rendered to a leader, as depicted in Sangam Literary work, Puranaanooru 359, penned for the leader Anthuvan Keeran by the poet Kavattanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the powerful presence of death and the path to a lasting life.…
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In this episode, we understand the importance accorded to penance, as portrayed in Sangam Literary work, Puranaanooru 358, penned by the poet Vanmikiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the greatness of an ascetic life.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 89 tad yāhi tasya parama-priya-varga-mukhyān śrī-yādavān nirupama-pramadābdhi-magnān teṣāṁ mahattvam atulaṁ bhagavaṁs tvam eva jānāsi tad vayam aho kim u varṇayema TRANSLATION Therefore, go see the divine Yādavas, the Lord’s most beloved associates, who live immersed in a vast, unequaled ocean of joy. My lo…
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In this episode, we perceive the impermanence of wealth and achievement, as depicted in Sangam Literary work, Puranaanooru 357, penned by the poet Piramanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the only thing that will aid someone in their afterlife.توسط Nandini Karky
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In this episode, we encounter a philosophical truth, as portrayed in Sangam Literary work, Puranaanooru 356, penned by the poet Kathaiyankannanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and vividly describes an ancient cremation site.توسط Nandini Karky
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In this episode, we perceive the state of a town, as depicted in Sangam Literary work, Puranaanooru 355, penned by an anonymous poet. Set in the category of 'Kaanji Thinai' or 'Defence', the verse focuses on the attitude of a girl's family.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 83 śrī-pṛthovāca anāthāyāḥ sa-putrāyā mamāpad-gaṇato ’sakṛt tvarayā mocanāt samyag devakī-mātṛto ’pi yaḥ kṛpā-viśeṣaḥ kṛṣṇasya svasyām anumito mayā TRANSLATION Śrī Pṛthā [Kuntī] said: I had no husband to protect me, but Kṛṣṇa always interceded just in time to save me and my sons from calamity. From this I u…
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In this episode, we perceive battle-ready warriors, as portrayed in Sangam Literary work, Puranaanooru 354, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the conflict between the beauty of a town and that of a maiden.توسط Nandini Karky
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In this episode, we hear about the wealth and strength of a girl's family, as depicted in Sangam Literary work, Puranaanooru 353, penned by the poet Kaaviripoompattinathu Kaarikkannanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse sketches the arresting beauty of a maiden.توسط Nandini Karky
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In this episode, we perceive the prosperity of a city, as portrayed in Sangam Literary work, Puranaanooru 352, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and wonders about the precarious situation at hand.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Texts 69-70 yat sadā sarvathā śuddha- nirupādhi-kṛpākare tasmin satya-pratijñe san- mitra-varye mahā-prabhau viśvastasya dṛḍhaṁ sākṣāt prāptāt tasmān mama priyam mahā-manoharākārān na para-brahmaṇaḥ param TRANSLATION No one is dearer to me than the Supreme Brahman, Kṛṣṇa, with His all-enchanting beautiful form. …
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In this episode, we perceive a portrait of a fertile town, as depicted in Sangam Literary work, Puranaanooru 351, penned by the poet Madurai Padaimanga Manniyaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the sea of troubles arriving at the town's shores.توسط Nandini Karky
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In this episode, we listen to anxious words about an imminent attack, as depicted in Sangam Literary work, Puranaanooru 350, penned by the poet Madurai Melaikkadai Kannampuguthaar Aayathanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and extols the beauty of a maiden.توسط Nandini Karky
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In this episode, we listen to exchanges between a king and a girl's father, as depicted in Sangam Literary work, Puranaanooru 349, penned by the poet Madurai Maruthan Ilanaakanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse speaks about the danger to a town.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 58 śrī-parīkṣid uvāca atha śrī-yādavendrasya bhīmo narma-suhṛttamaḥ vihasyoccair uvācedaṁ śṛṇu śrī-kṛṣṇa-śiṣya he TRANSLATION Śrī Parīkṣit continued: Then Bhīma, the bosom friend of the Lord of the Yādavas, laughed loudly and said, Please listen, my dear disciple of Śrī Kṛṣṇa.…
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In this episode, we perceive interesting aspects of an ancient town, as portrayed in Sangam Literary work, Puranaanooru 348, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and regrets the events that have unfolded.توسط Nandini Karky
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In this episode, we meet with a historic personality characterised by a colourful simile, as depicted in Sangam Literary work, Puranaanooru 347, penned by the poet Kabilar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the state of a town after a refusal.توسط Nandini Karky
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In this episode, we hear predictions about a family and town, as depicted in Sangam Literary work, Puranaanooru 346, penned by the poet Andar Makan Kuruvazhuthiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and speaks about the relationship a girl has with her family members.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 54 sva-jīvanādhika-prārthya- śrī-viṣṇu-jana-saṅgateḥ vicchedena kṣaṇaṁ cātra na sukhāṁśaṁ labhāmahe TRANSLATION The company of those devotees of Śrī Viṣṇu is more desirable to us than life itself. Deprived of that association, we can no longer find any happiness.…
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In this episode, we observe the harsh outcomes of a refusal, as portrayed in Sangam Literary work, Puranaanooru 345, penned by the poet Andar Nadum Kallinaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse unravels the attitude of a girl's family when suitors arrive claiming her hand.…
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In this episode, we listen to two possible consequences, as depicted in Sangam Literary work, Puranaanooru 344, penned by the poet Andar Nadum Kallinaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about a situation involving a maiden of marriageable age.توسط Nandini Karky
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In this episode, we perceive the riches of an ancient town, as depicted in Sangam Literary work, Puranaanooru 343, penned by the poet Paranar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse laments a war that is about to commence.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 46 vāvadūka-śiro-dhārya naivāsmāsu kṛpā hareḥ vicāryābhīkṣṇam asmābhir jātu kāpy avadhāryate TRANSLATION Yudhiṣṭhira said: O crest jewel of brilliant speakers, Lord Hari has no mercy for us. We cannot remember any mercy He has shown us, even after we consider this for a long time.…
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In this episode, we perceive striking similes and subtle metaphors, as portrayed in Sangam Literary work, Puranaanooru 342, penned by the poet Arisil Kizhaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the fierceness of a maiden's family.توسط Nandini Karky
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In this episode, we perceive events that have led to an outbreak of war, as depicted in Sangam Literary work, Puranaanooru 341, penned by the poet Paranar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse etches the words and vows expressed before a battle.توسط Nandini Karky
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In this episode, we learn of the deciding authority in a woman's life, as depicted in Sangam Literary work, Puranaanooru 340, penned by the poet Alloor Nanmullaiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and portrays the family of a young maiden.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 45 śrī-parīkṣid uvāca atha kṣaṇaṁ lajjayeva maunaṁ kṛtvātha niḥśvasan dharma-rājo ’bravīn mātṛ- bhrātṛ-patnībhir anvitaḥ TRANSLATION Śrī Parīkṣit said: For a moment, Dharmarāja Yudhiṣṭhira remained quiet, and then he sighed, as if embarrassed. At last he spoke, followed in turn by his brothers, wife, and mo…
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In this episode, we perceive a portrait of a maiden, as depicted in Sangam Literary work, Puranaanooru 339, penned by an anonymous poet. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the looming possibility of a war.توسط Nandini Karky
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In this episode, we explore a prosperous town in ancient times, as depicted in Sangam Literary work, Puranaanooru 338, penned by the poet Kundroor Kizhaar Makanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and reveals the power that a father of a daughter had in the Sangam era.…
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In this episode, we meet with a young maiden and her family, as portrayed in Sangam Literary work, Puranaanooru 337, penned by the poet Kabilar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse brings to light a precarious situation involving suitors in marriage.توسط Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 40 āsvādanaṁ śrī-viduraudanasya śrī-bhīṣma-niryāṇa-mahotsavaś ca tat-tat-kṛta-tvādṛśa-pakṣa-pāta- syāpekṣayaiveti vicārayadhvam TRANSLATION Kṛṣṇa relished Śrī Vidura’s porridge and organized the celebration of Śrī Bhīṣma’s passing away. Please, therefore, judge your own standing from how in many controversi…
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In this episode, we hear a subtle cry against war, as depicted in Sangam Literary work, Puranaanooru 336, penned by the poet Paranar. The verse is situated in the category of 'Kanchi Thinai' or 'Defence' and reveals the events that have led to an outbreak of hostilities.توسط Nandini Karky
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in this episode, we listen to powerful statements about worship, as portrayed in Sangam Literary work, Puranaanooru 335, penned by the poet Mangudi Kizhaar. Set in the category of 'Vaagai Thinai' or 'Victory', the verse talks about the elements of importance in a leader's town.توسط Nandini Karky
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In this episode, we learn of the acts of compassion in a household, as depicted in Sangam Literary work, Puranaanooru 334, penned by the poet Madurai Thamizh Koothanaar. The verse is situated in the category of 'Vaagai Thinai' or 'Victory' and gives a glimpse of the division of labour in Sangam times.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 5 Text 35 cireṇa dvārakāṁ gantum udyato yadu-jīvanaḥ kāku-stutibhir āvṛtya sva-gṛhe rakṣyate ’nayā TRANSLATION Kṛṣṇa, the life of the Yadus, tried for a long time to leave for Dvārakā, but by enveloping Him with plaintive prayers she kept Him in her home.
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